Archive for August, 2008

FBI queries public on valuable art cache found in Upper East Side Manhattan apartment

Sunday, August 17th, 2008


Tete de Diego, Giacometti sculpture found in apartment, via FBI

On Monday, the Federal Bureau of Investigation posted 137 artworks on their homepage as part of a two year long effort to track down their rightful owners. In 2006, a Manhattan eccentric who went by the alias William Milliken Vanderbilt Kingsland passed away, leaving behind an extensive collection of art piled inside his one bedroom East 72nd Street apartment. Christie’s has valued the higher-end works at around $2.4M.

Looks for owners of Stolen Paintings [Artdaily]
NY Art World Shock: Stolen Paintings in Famous Collection
[New York Post]
Two Years Later, the F.B.I. Still Seeks the Owners of a Trove of Artworks [NYtimes]
Stolen Art Uncovered: Is it yours? [FBI] and a gallery on the website of the recovered works here

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Newslinks: Saturday August 16th, 2008

Saturday, August 16th, 2008

Ryan McGinley shooting for Wrangler Jeans via Radar

Ryan McGinley is making ads for Wrangler jeans (running only in Europe) [Radar via Artfagcity]
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Sotheby’s consolidates Asian art auctions from New York to Hong Kong [Bloomberg]
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Taryn Simon commissioned by Nike to shoot the Men’s US Olympic Basketball team [SuperTouch]
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Stained-glass cathedral window by Marc Chagall is shattered by vandals in France [NYTimes]
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The global effects of four major types of art crimes: vandalism, theft, looting and forgery [Art Info]

Child-support rules get major changes: Will aid recipients be more willing to identify fathers?(Culture, Et Cetera)

The Washington Times (Washington, DC) August 23, 1996 | Wetzstein, Cheryl In 1994, nearly 400,000 children on welfare learned who their fathers are through a paternity establishment process. Another 2.3 million children on welfare are still waiting, according to the Office of Child Support Enforcement.

The new welfare bill’s child-support enforcement section says states can step up efforts to get “cooperation” about fathers from mothers seeking welfare – and reduce benefits to mothers deemed “noncooperative.” Marilyn Ray Smith, a child-support enforcement official in Massachusetts, believes the new time limits in welfare reform will lead to more paternity establishments.

“Child support is the true safety net when you have time-limited welfare benefits,” she said. “If you are only going to have welfare for two years at a time or five years over the course of your life, your incentives for making sure the father is held responsible for supporting the child are a lot greater.” But it’s impossible to know how single mothers, many of whom have been ambivalent about seeking formal child-support orders, will respond to the reforms.

In 1994, two researchers from the Nelson A. Rockefeller Institute of Government in Albany, N.Y., met with three groups of welfare mothers. Some mothers said:

* Although they told officials where the father was, no payments were collected. “I’m doing everything I can now to identify the father, but it doesn’t make a difference. They can’t pick him up,” said one mother.

* They feared losing custody to the father: “One mother got a father court-ordered to pay child support. . . . Then he got custody of [the daughter] just because he has a good job and she’s on welfare.” * The child-support system might interfere in the father-child relationship. “You don’t want to ruin that friendship. . . . You have to raise that child together,” said one mother.

* Child support was a hassle for everyone: “I have a girlfriend who has been working with the system for five years trying to get child support,” said one mother. But payments weren’t collected because the father would “get angry and quit his job and go somewhere else.” “The thing is,” said another mother, “I want him out of my life and if I have to spend every day of my life trying to make sure that somebody tracks him down – this tears me apart. I need to let go of this and get on with my life.” The new reform will also end a policy called the “$50 pass-through.” In welfare cases, states keep court-ordered child-support payments. Often it “passed through” $50 of the support it collected each month to the welfare mother. Now, states will have the option of giving the full amount to the family. childsupportmd.net child support md

In the past, the $50 pass-through appeared to discourage paternity establishment and encourage cheating. Typically, a mother would deliberately mislead officials about who her baby’s father was, get on welfare, and then take secret payments – often more than $50 – from him or his family to augment her welfare benefits. go to website child support md

Some child-support experts insist there’s no evidence that this cheating was common; Mrs. Smith said she thought the practice was “pretty widespread.” ****BOX A NEW RULES FOR CHILD- SUPPORT ENFORCEMENT Under the new child-support enforcement section of the just-signed welfare-reform bill, states can:

Cut welfare benefits by 25 percent for single women (with few exceptions) who do not establish paternity for their children and assign child-support collection rights to the state.

Use streamlined procedures to establish paternity, including genetic testing.

Seek child-support payments from grandparents whose minor children go on welfare.

Get federal funding to start up interstate computer systems to track court orders, payment history, addresses and employment of persons who owe child support.

Deduct overdue child-support payments from paychecks, including those of government workers and military personnel.

Force unemployed persons with child-support arrears to join a state work program.

Report child-support debts to credit bureaus.

Put liens on property owned by persons with child-support debts.

Check bank accounts for assets owned by persons with child-support debts.

Withhold, suspend or restrict driver’s, professional and recreational licenses of persons with child-support debts.

Deny, restrict or revoke passports of persons who owe more than $5,000 in child support.

Receive grants for programs to improve mediation, counseling and visitation enforcement.

Source: Personal Responsibility and Work Opportunity Reconciliation Act of 1996.

****BOX B CHILD-SUPPORT SNAPSHOT In 1994, according to the federal Office of Child Support Enforcement, state child-support agencies:

Worked on 18.6 million cases (including families on welfare or in the foster care system, non-welfare families and arrearage-only cases).

Made a collection in 3.4 million cases (18.3 percent).

Established 590,819 paternities (including 396,877 for children on welfare).

Located 4.1 million absent parents.

Collected nearly $9.9 billion ($7.3 billion from non-welfare cases).

Collected $7.6 billion (54 percent) of $14.1 billion due in current support.

Collected $2.1 billion (7 percent) of $30.8 billion in overdue support.

Collected 55 percent of payments through wage withholding.

Spent $2.6 billion on child-support operations (including federal spending).

Collected $3.86 for every $1 spent on child-support enforcement.

Source: “Child Support Enforcement Nineteenth Annual Report to Congress,” Office of Child Support Enforcement, Department of Health and Human Services Wetzstein, Cheryl

Go See: Tracey Emin ’20 Years’ at the Scottish National Gallery of Modern Art, Edinburgh until November 9, 2008

Saturday, August 16th, 2008

Tracey Emin at her Retrospective at the Scottish National Gallery of Modern Art via Guardian

The Scottish National Gallery of Modern Art in Edinburgh is presenting a retrospective of the notorious British artist Tracey Emin. The exhibition is called ‘20 Years’, and will run through November 9.  Emin’s range of work has been described as highly emotional, in the way that it deals with personal events of her life, such as abortion, rape, pregnancy, and death. The retrospective shows her life’s work, which includes installations, videos, photographs, drawings, sculptures, and ready-mades. The exhibition is void of one of her most famous works, Everyone I Have Ever Slept With 1963-1995, which was destroyed in the Momart fire in 2004.  Charles Saatchi, the wealthy collector and owner of the piece, offered to pay her $2 million for her to make another, but Emin declined.

Tracey Emin, 20 Years at the Scottish National Gallery of Modern Art, Edinburgh [TimesOnline]
Highs and lows of bra, bed, and blankets: but is it all a bit too much? [Guardian]
Tracey Emin achieves eminence at last as enfant terrible grows up [Telegraph]
Tracy Emin’s work crude and self-centred? That’s missing the point [Independent]
Tracey Emin: 20 Years at the Scottish National Gallery of Modern Art [24 Hour Museum]
Take me or leave me, Tracey Emin retrospective full of self-confession [Financial Times]
Tracey was here [Guardian]
View Video of Tracey Emin and her work here [FactualTV]

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Newslinks: Friday, August 15, 2008

Friday, August 15th, 2008


Cai Guo-Qiang “I want to believe” via I Love This World

Cai Guo-Qiang has “I Want To Believe” at Beijing’s National Art Museum for the Olympics [Artdaily]
and the artist was also behind the pyrotechnics at the opening ceremony [art 21]
Electronic band Underworld produces an art exhibition [NYSun]
In the tail of an embezzlement inquiry, Guggenheim Bilbao admits to a $6.17M loss due to the purchase of Richard Serra works in dollars versus euros [The Art Newspaper]
In Bern, Switzerland Paul McCarthy’s work ‘Complex Shit’ – a massive, inflatable depiction of dog feces – breaks from its moorings and knocks out a power line and some windows before crashing into a children’s home [GuardianUK] more here [The Independent]

Don’t miss the opening: Creepy clowns in watercolor, Neck Face ‘Cannibal Carnival’, Los Angeles, Saturday August 16

Friday, August 15th, 2008

Neck Face “Cannibal Carnival” image via GQ

American graffiti artist Neckface is showing his third solo exhibition ‘Cannibal Carnival’ in LA at New Image art gallery from tomorrow, August 16th until September 20th. The show will exhibit the artist’s signature horrifyingly morbid images among likely other assorted installations. Neckface, an underground, anonymous artist, is often associated with taggers and skateboarding but has recently broken into commercial success at auction. Due what can be called a cult following, the show should be well attended and if nothing else interesting. From the press release:

“friends of the artist and professional skaters Sammy Baca and Lizard King will be skating in a caged off mini-ramp filled with objects they encounter every day: knives, spray paint, and booze of course. “They are both satanic,” Neckface says. “Sammy once carved Satan into Lizard King’s chest with a knife.” ”

Neck Face eats his own [GQ]
Neck Face in LA: Cannibal Carnival [The Worlds Best Ever]
Sneek Peek: Nasty Neck Face at New Image Art [Super Touch]
Neck Face “Cannibal Carnival [Hypebeast]
A Neck Face Halloween [Art Observed]
Neck Face opening at Dactyl Foundation Wednesday 10.31 [Art Observed]
Newimage Art Gallery

more pictures after the jump…

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Several Lucrative Art Series To End, Says Damien Hirst

Friday, August 15th, 2008

Superstition, Damien Hirst, 2007 Gagosian Gallery in Beverly Hills via ABC News

In a video interview from July recently posted on Sotheby’s website, Damien Hirst casually revealed that several of his highest earning series would be coming to an end in 2008. These include his spin and butterfly paintings and conceptual medicine cabinets. Hirst also speculated that production of his dot paintings would significantly slow, and that his formaldehyde works of animals are growing numbered as well.

Damien Hirst: An Interview with Tim Marlow [Sotheby's]
Damien Hirst Says He’ll End High-earning Series [Artinfo]
Hirst Will Stop Making Spin, Butterfly Paintings, Drug Cabinets [Bloomberg]

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Go See: Hiroshi Sugimoto Retrospective at Neue Nationalgalerie, Berlin through October 5

Thursday, August 14th, 2008

Henry VIII, Hiroshi Sugimoto (1999) via Artknowledgenews

Berlin’s Neue Nationalgalerie presents a retrospective on the work of Japanese artist, Hiroshi Sugimoto. The exhibition consists of 70 black and white photographs, and one sculpture. Sugimoto has worked almost exclusively with the medium of black and white photography for over 30 years, and has worked with a wide variety of subjects. After staying at the Neue Nationalgalerie through October 5, the retrospective will travel to Düsseldorf, Salzburg and Lucerne.

View an interview with Hiroshi Sugimoto here [PBS Art21]
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Vampires, Spooks, Beasts Hang Out in Surreal New Berlin Home [Bloomberg]
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Hiroshi Sugimoto Retrospective, Berlin [Artshub]
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Hiroshi Sugimoto Retrospective in Berlin [Art21]
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Sugimoto Retrospective Exhibition [Designboom]

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Electronic artist Rafael Lozano-Hemmer to flood Trafalgar Square, November 2008

Thursday, August 14th, 2008

Under Scan, Rafael Lozano-Hemmer, Relational Architecture 11, Lincoln London via Lozano-Hemmer

Electronic artist Rafael Lozano-Hemmer’s interactive installation ‘Underscan’ will be exhibited at Trafalgar Square, London from November 14th to 23rd. Well known for his large scale installations across the continents, ‘Under Scan’ claims to be the world’s largest interactive installation. The artist has been awarded £35,000 by Arts Council England’s Grants for the arts program. This year, more Lozano-Hemmer’s public art projects will be available on view in Madison Square Park, New York and Tlatelolco, Mexico City. He is also commissioned to participate in Channel 4’s The Big Art project.

There is a light that never goes out [Guardian]
Rafael Lozano-Hemmer [Haunch of Venison]
Under Scan in Trafalgar Square: Arts Council England announce support for a large scale public art installation [Art Council England]
Rafael Lozano-Hemmer Official Website

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Newslinks: Tuesday August 12, 2008

Tuesday, August 12th, 2008

Jessica Joffe at the 15th Annual Watermill Summer Benefit via Park Ave Peerage

Fashion dazzle at Robert Wilson’s annual Watermill benefit [Park Avenue Peerage] more boldfaced names here [NYMag] and swanky goings on here [Papermag] and here [Artnet] and here [Art Forum]
A Private Contemporary Art collection in a eerie WWII Berlin bunker [Bloomberg] also coverd here [NYSun] and by Art Observed previously here [AO]
Damien Hirst’s controversial, straight-to-auction sale at Sotheby’s, previously covered by AO herewill be followed by more of his works for sale amongst others, again directly, in October [Sotheby's] [AO] [Bloomberg] more here [NY Sun]
London: Tickets are now available for Frieze Art Fair 2008’s Frieze Projects and Frieze [Frieze Art Fair 2008] Tokyo: Takashi Murakami’s Kaikai Kiki announces GEISAI #11 [Artipedia] 8/6
Indian contemporary art is on the rise [How to Spend It, FT]
An Economist’s qualitative approach to works by great masters [NYT]

Go See: Max Beckmann exhibit ‘Self Portrait With Horn’ at Neue Galerie in NYC, through September 1

Tuesday, August 12th, 2008

Self-Portrait With Horn, Max Beckmann (1938) via NYTimes

The Upper East Side gallery, Neue Galerie of modern German and Austrian art has put together an exhibition focused around Self-Portrait With Horn (1938), by German Expressionist Max Beckmann. The exhibition also includes two other works by Beckmann, as well as other portraits and self-portraits from various artists of that era, such as Otto Dix, George Grosz, and Christian Schad. The famous Beckmann portrait was painted in 1938, right after the artist relocated in Amsterdam after fleeing Nazi Germany. Art historian, Jill Lloyd, has prepared a complete catalogue for the exhibition that will be available for purchase. The exhibition at Neue Galerie will be on view until September 1.

The Mythic Imagination of Beckmann in Exile [NYTimes]
Max Beckmann, ‘Self Portrait with Horn’ [Neue Galerie]
The Ring of Truth: ‘Max Beckmann: Self-Portrait With Horn’ and A Persecuted Artist’s Call for Help [NYSun]
Max Beckmann: Self-Portrait with Horn [Artinfo]
Max Beckmann: Self-Portrait with Horn [Flavorpill]

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Go See: Anselm Kiefer at Galerie Thaddaeus Ropac, Salzburg, through August 27, 2008

Monday, August 11th, 2008

San Loretto, Anselm Kiefer (2007) via Galerie Thaddaeus Ropac

Anselm Kiefer’s solo show at Galerie Thaddaeus Ropac in Salzburg, Austria called “Maria Walks Amid the Thorn”, will be open through August 27.  The exhibition is made up of over 30 new works, and although some of them were started in the 1970s, almost all of them were completed during the past two years. The work all deal with the biblical figure of the Virgin Mary, and the title of his show, “Maria walks amid the Thorn,” references a popular German Christmas carol.  Kiefer, who is known for his prolific usage of organic material, such as dirt, lead, wood, and straw, continues to develop his trademark process of sedimentation.

Anselm Kiefer [Art News]
Anselm Kiefer: Maria Walks Amid the Thorn [Galerie Thaddaeus Ropac]
View video of Anselm Kiefer’s solo show here [Vernissage]

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Lower East Side “DIY” artists of the ’90s in documentary film”Beautiful Losers”

Monday, August 11th, 2008

“Beautiful Losers” via Ctrlshift

The documentary film “Beautiful Losers” directed by filmmaker and curator, Aaron Rose and co-directed by Joshua Leonard, had it’s theatrical premier on August 8 at the IFC Center in New York City. The film documents the artistic careers of the young American, Do-It-Yourself artists of the 1990s. This particular group of artists, that includes Margaret Kilgallen, Mike Mills, Barry McGee, Phil Frost, Chris Johanson, Harmony Korine, and Ed Templeton, made their mark in the art world solely because it was something they loved to do. These underground artists were brought together under the roof of Alleged Gallery in the Lower East Side, and grew out of the 1990s street subcultures of New York City.

‘Beautiful Losers’ theatrical trailer [Beautiful Losers]
Now Screening | ‘Beautiful Losers’ [The Moment, NYTimes]
Beautiful Losers [Village Voice]
‘Beautiful Losers’ on the Lower East Side [NYSun]
Interview with Director Aaron Rose [indieWIRE]
Movie Review: Beautiful Losers [NYTimes]
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Newslinks: Monday, August 11, 2008

Monday, August 11th, 2008

Caroline Copley, Sabrina Blaichman, and Genevieve Hudson-Price, co-founders of 7Eleven Gallery via NYSun

In space from a developer father, three 21 year olds launch mobile 7Eleven gallery [NYSun]
In other prominent roots news: Rupert Murdoch’s daughter joins Tate board [Bloomberg]
Baltic Center for Contemporary in court over controversial Terence Koh exhibit [Artinfo]
Second Brazilian art theft arrest: works found under suspect’s bed [Artdaily]
Street artist KAWS officially introduced to the art world; to hold first gallery show [NYTimes]

I.M. Pei Designed Museum of Islamic Art to Open in Qatar, November

Friday, August 8th, 2008

Museum of Islamic Art, via slickrockfilms

The 337,000 sq ft Museum of Islamic Art is designed by renowned architect I.M. Pei and is reportedly his last project at the age of 91. The “MIA” will open November 22 in Doha, the capital of Qatar. Surrounding the tiny country is Saudi Arabia, Iraq and Iran, UAE commerce hub Dubai, and Abu Dhabi, where branches of the Louvre and Guggenheim will open in 2013. The Museum of Islamic Art is to preserve, study, and exhibit masterpieces spanning three continents and 13 centuries.

I.M. Pei designed Islamic Museum of Art opens; run by 25 year old Qatar royalty [Wmagazine]
In separate events, Qatar’s ruling family buys 72.8M Rothko, $52.7M Bacon, $19M Hirst [ArtObserved]
Art and Architecture in the Middle East [TimesUK]
Middle East museum a tasteful alternative to flashy development [SmartBrief]
Museum of Islamic Art: an international centre for dialogue [MuslimNews]

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Jeff Koons sets up at the Palace of Versailles, France in September

Friday, August 8th, 2008

Photomontage of Lobster, Jeff Koons, set in “Salon de Mars” at Versailles via MSNBC

In September, one of the worlds highest-paid living artist, Jeff Koons, will invade the Palace of Versaille and (controversially) install up some of his best-known works around the chateau and gardens. The 52-year-old artist will exhibit 12 to 15 of his works, including Hanging Heart (Magenta/Gold), which sold in 2007 for $23.7 million, his highly recognizable Balloon Dog (Magenta), and his 1986 chrome steel Rabbit. Versaille’s President Jean-Jacques Aillagon, who previously managed the Palazzo Grassi, Pinault’s contemporary-art museum in Venice, has announced that the show will go from September 10 until December 14.

Koons Goes to Versailles [Artinfo]
Koons brings kitsch to Versailles [Guardian]
Jeff Koons to Exhibit at Palace of Versailles Next September [Bloomberg]

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NEWSLINKS: THURSDAY, AUGUST 7, 2008

Thursday, August 7th, 2008

Arcangelo Sassolino via Men’s Vogue

Arcangelo Sassolino’s mechanical sculptures: art with highly destructive potential [Men's Vogue]
Bond no9’s perfume tribute to Andy Warhol’s would-be 80th birthday [Art News Blog]
Will a statue of the Queen Mary replace art commissions on Fourth plinth? [Guardian]
The Met lends 28 significant modern sculptures to University of Texas [NYtimes]
Whitney Museum selling five nearby townhouses [CrainsNYBusiness]
The Sovereign, a new European art prize, controversially combines award and auction [Financial Times]

Sotheby’s issues earnings report: profit drops by 11% but no longer at a loss

Thursday, August 7th, 2008

Sotheby’s, the global auction house, showed a decline in profit by 11% in the second-quarter: net income marked $95.3 million ($1.49 per share). This is a drop from $107.3 million ($1.64 per share) versus the same time last year, however it is a net profit versus a net loss from last quarter. According to Sotheby’s, the decline is due to recent change to auction schedule. Chief Executive William Ruprecht assured that while wealthy customers with continues to drive the business, Sotheby’s is less likely to be affected by economic woes. Despite the profit drop the news was seen by some analysts as positive in its show of resilience. According to one analyst quoted by Bloomberg: “The demand side is very strong. It’s driven by commodity wealth, particularly in oil.”

Sotheby’s corporate site
Sotheby’s Says Rich Still Buying
[Forbes]
Sotheby’s second-quarter profit falls [Reuters UK]
Sotheby’s Profit Falls 11 Percent After Sale Change [Bloomberg]

Saatchi to open new London site October 9, beginning with Chinese focus

Thursday, August 7th, 2008

Untitled, Yue Minjun (2005) via Saatchi Gallery

The Saatchi Gallery will open its new London site on October 9th in the Duke of York’s Headquarters building on King’s Road. The gallery, founded by advertising executive Charles Saatchi, will feature contemporary Chinese artists in its inaugural exhibition: “The Revolution Continues: New Art from China.” According to the gallery’s publicists, Freud Communications, the show will feature works from 30 leading painters, sculptors, and installation artists, such as Yue Minjun, Feng Zhengjie, Zhang Xiaogang, Zeng Fanzhi, Zhang Dali, Zhang Haiying, Qiu Jie, and many more.

Saatchi’s pledge for new art gallery [Guardian]
The Revolution Continues: New Chinese Art [Saatchi Gallery]
Saatchi Gallery to Open at New London Site With Chinese Artists [Bloomberg]
Saatchi Gallery to Open at New London Site With Chinese Artists [GG-Art]
View a virtual tour of the gallery here [Saatchi Gallery]

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Newslinks: Wednesday, August 6, 2008

Wednesday, August 6th, 2008

Jacques Herzog and Pierre de Meuron via Financial Times

On Jacques Herzog and Pierre de Meuron, Swiss architects of the Tate Modern [Financial Times]
Amy Cappellazzo of Christie’s entertains in her home to support Pratt Institute [NYSun]
French designer Agnes B.’s other hat: art dealer [Bloomberg]
Sotheby’s reprises monumental sculpture exhibition and sale in Chatsworth, UK
[Art Daily]
German artist Jonathan Meese remixes Robert Wilson’s Watermill Center, underwear stapled to walls involved [NYTimes]

Sculpture Smashed at Tracey Emin curated Royal Academy Summer Exhibition 2008

Wednesday, August 6th, 2008

Tracey Emin in front of Tatiana Echeverri Fernandez’s sculptures via Guardian

After a slew of traffic-heavy evenings at the Tracy Emin curated “Summer Exhibition 2008″ at the Royal Academy of Art, it was on an uneventful Saturday afternoon that a visitor knocked over “Christina”, a 9 ft tall sculpture by Costa Rican artist, Tatiana Echeverri Fernandez. Though the piece wasn’t of major magnitude in cost and is valued at $12K it was described by Tracey Emin as the star of the show.

Art: Smashed sculpture proves show-stopper [Guardian]
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Visitor shatters £6,000 art work [BBC]
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Summer Exhibition 2008 [The Royal Academy]

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The Louvre begins building $135 million Islamic art wing

Tuesday, August 5th, 2008

Louvre’s glass-roofed Islamic wing via Guardian

The Louvre Museum in Paris has commenced the construction of its new Islamic art wing with plans to finish it in 2010. The new wing, which is being called “The Veil”, has been described by its Italian architect, Mario Bellini, as a Muslim “headscarf blown in the wind.” The $100 to $135 million project will provide 33,000 square feet of space to exhibit the Louvre expansive Islamic Art collection. French President Nicolas Sarkozy has claimed that the wing is more than a space to exhibit Islamic art but also a symbol of the friendship that exists between France and the Arab world. The Saudi prince, Alwaleed bin Talal, one of the world’s wealthiest men, is contributing $20.5 million to the project, other funding is coming from oil giant Total and Lafarge, as well as the French government.

Louvre draws a veil over artistic neglect with bold new Islamic wing [Guardian]
Prince funds Louvre Islamic wing [BBC]
First stone laid for Louvre’s Islamic art gallery [Associated Press]
Sarkozy lauds Islam at Louvre ceremony with Saudi prince [AFP]
Islamic Art [The Louvre]

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Go See: Jack Hanley Gallery, Joseph Beuys: Plakate: Signed Posters 1969-87, through Aug 31, 2008

Tuesday, August 5th, 2008

Joseph Beuys poster via Jack Hanley Gallery

Jack Hanley Gallery in New York is exhibiting, “Joseph Beuys: Plakate: Signed Posters 1969-87” through August 31. Joseph Beuys, the infamous postwar German artist (1921 – 1986) made his first visit to the United States in 1974 and was known for his performances, sculptures, prints, posters, and drawings. Jack Hanley Gallery is showing 33 signed posters from the height of Beauys’s career. This collection gives viewers a glimpse of the many faces of Beauys’s career.

Now Viewing | Joseph Beuys [NYTimes TMagazine: The Moment]
Joseph Beuys: Plakate: Signed Posters 1969-87 [Jack Hanley Gallery]

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Newslinks: Monday, August 4, 2008

Monday, August 4th, 2008

Jacob Rothschild via BBC

Interview with Lord Jacob Rothschild, scion of legendary collector family [The Economist]
Tracey Emin rejects offer to remake her definitive ‘Sensation’ work: “Everyone I Have Ever Slept With 1963–95,” which burned at the Saatchi gallery warehouse in 2004 [Artinfo]
Guggenheim Foundation expands, taking over 60,000 sf in West Soho [Crain's New York]
Blue chip gallery Pace Wildenstein is up and running in Beijing before the Olympics [NYSun]
More on the China thing: Beijing’s 798 art district prepares for sales tied to the Olympic rush [WallStreetJournal]
And still more on the China thing: female Chinese artists move to the forefront [NYTimes]

The Met Acquires Rare (previously completely overlooked) Lucas Van Leyden Drawing

Monday, August 4th, 2008

Drawing of Archangel Gabriel announcing the birth of Christ, Lucas van Leyden (c.1520) via NYTimes

The Metropolitan Museum of Art has recently acquired a rare drawing from Netherlandish artist Lucas van Leyden. It is one of only 28 existing drawings from the artist, and is the sole Lucas van Leyden drawing to reside in the United States. The sixteenth century drawing depicts the Archangel Gabriel announcing the birth of Christ, and will be apart of the fall exhibit honoring Met director Philippe de Montebello’s tenure at the museum. The drawing was discovered by a lucky collector, who found it unreferenced and tucked into the back of an auction catalogue.

Angels Appear, and Museums Rejoice [NYTimes]
Met Acquires Rare Lucas Van Leyden Drawing [Artinfo]
Metropolitan Museum Acquires Lucas van Leyden Drawing [Artdaily]
Overlooked at Christie’s [NYSun]
Press Release: Metropolitan Museum Acquires Lucas van Leyden Drawing [Designtaxi]
The Metropolitan Museum of Art [The Met]

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