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	<title>Comments on: AO On Site &#8211; Venice Biennale &#8211; Liam Gillick at the German Pavilion</title>
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	<link>http://artobserved.com/2009/06/ao-on-site-venice-biennale-liam-gillick-at-the-german-pavillion/</link>
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		<title>By: cemetery &#187; Archive &#187; What Relational Aesthetics Can Learn From 4Chan</title>
		<link>http://artobserved.com/2009/06/ao-on-site-venice-biennale-liam-gillick-at-the-german-pavillion/comment-page-1/#comment-32284</link>
		<dc:creator>cemetery &#187; Archive &#187; What Relational Aesthetics Can Learn From 4Chan</dc:creator>
		<pubDate>Sun, 26 Dec 2010 23:06:49 +0000</pubDate>
		<guid isPermaLink="false">http://artobserved.com/?p=13061#comment-32284</guid>
		<description>[...] who play a game of a radical life in the safe confines of some Kunsthalle or other museum in Germany or [...]</description>
		<content:encoded><![CDATA[<p>[...] who play a game of a radical life in the safe confines of some Kunsthalle or other museum in Germany or [...]</p>
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		<title>By: IMG MGMT: What Relational Aesthetics Can Learn From 4Chan</title>
		<link>http://artobserved.com/2009/06/ao-on-site-venice-biennale-liam-gillick-at-the-german-pavillion/comment-page-1/#comment-24740</link>
		<dc:creator>IMG MGMT: What Relational Aesthetics Can Learn From 4Chan</dc:creator>
		<pubDate>Thu, 09 Sep 2010 12:31:38 +0000</pubDate>
		<guid isPermaLink="false">http://artobserved.com/?p=13061#comment-24740</guid>
		<description>[...] who play a game of a radical life in the safe confines of some Kunsthalle or other museum in Germany or [...]</description>
		<content:encoded><![CDATA[<p>[...] who play a game of a radical life in the safe confines of some Kunsthalle or other museum in Germany or [...]</p>
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		<title>By: Tom Retter</title>
		<link>http://artobserved.com/2009/06/ao-on-site-venice-biennale-liam-gillick-at-the-german-pavillion/comment-page-1/#comment-8902</link>
		<dc:creator>Tom Retter</dc:creator>
		<pubDate>Wed, 06 Jan 2010 05:38:55 +0000</pubDate>
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		<description>Liam Gillick is not, in fact, the first non-German to exhibit at the German pavillion. Korean born Nam Jun Paik not only exhibited in this space in 1993, but was awarded the Golden Lion for his work.</description>
		<content:encoded><![CDATA[<p>Liam Gillick is not, in fact, the first non-German to exhibit at the German pavillion. Korean born Nam Jun Paik not only exhibited in this space in 1993, but was awarded the Golden Lion for his work.</p>
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		<title>By: The Venice Biennale 2009––June 5th</title>
		<link>http://artobserved.com/2009/06/ao-on-site-venice-biennale-liam-gillick-at-the-german-pavillion/comment-page-1/#comment-3689</link>
		<dc:creator>The Venice Biennale 2009––June 5th</dc:creator>
		<pubDate>Tue, 30 Jun 2009 06:36:16 +0000</pubDate>
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		<description>[...] credentials notwithstanding, Liam Gillick&#8217;s (here) is the most conspicuous failure. He has fitted the German Pavilion (English born, Germany chose [...]</description>
		<content:encoded><![CDATA[<p>[...] credentials notwithstanding, Liam Gillick&#8217;s (here) is the most conspicuous failure. He has fitted the German Pavilion (English born, Germany chose [...]</p>
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		<title>By: VENICE BIENNALE - LIAM GILLICK AT THE GERMAN PAVILION &#124; Arts Origin Blog</title>
		<link>http://artobserved.com/2009/06/ao-on-site-venice-biennale-liam-gillick-at-the-german-pavillion/comment-page-1/#comment-3440</link>
		<dc:creator>VENICE BIENNALE - LIAM GILLICK AT THE GERMAN PAVILION &#124; Arts Origin Blog</dc:creator>
		<pubDate>Mon, 08 Jun 2009 18:54:37 +0000</pubDate>
		<guid isPermaLink="false">http://artobserved.com/?p=13061#comment-3440</guid>
		<description>[...] via ArtObserved [...]</description>
		<content:encoded><![CDATA[<p>[...] via ArtObserved [...]</p>
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