The Fair’s logo, via VIPArtFair.com
Contemporary art buyers and admirers, many undoubtedly slippered in the comfort of their own homes, logged in for the opening of the VIP Art Fair on Saturday at 8:00AM (EST). The online Fair was three years in the making, but until Saturday the website consisted of little more than a list of participating galleries and organizations, a brief overview, and a promotional video. Though the galleries had also been publicizing featured works to be offered and screenshots of their virtual booths, those not lucky enough to attend the fair’s opening party were still gripped with curiosity about the kind of experience the site would offer.
Zoomed in on Neo Rauch’s Haus de Lehrers, 2003 (est. over $1 million), via VIP Art Fair
More text and images after the jump…
Screenshot of the Fair’s virtual map with pink squares indicating galleries visited, via VIP Art Fair
Visitors to the site can view over 2000 artworks in 139 virtual booths divided into four tiers – Premier Large, Premier Medium, Focus, and Emerging. Galleries paid between $5,000 and $20,000 to exhibit eight to 20 web-friendly works selected for the event, a bargain considering booth rental alone can cost a gallery several times as much at a brick and mortar fair. Browsing the site is free, but accessing interactive features and price estimates (the priciest works are simply given estimates of “$1 million and over”) will cost visitors $100 on the first two days and $20 thereafter.
Screenshot of David Zwirner‘s gallery, via VIP Art Fair
Though page loading has been slow, presumably due to heavy traffic, once inside a virtual booth visitors are greeted with a scrolling gallery of hi-res images of works for sale. Each work is accompanied by cataloging information (though there are no condition reports) and the option to learn more by clicking on the artist’s name to read about them, or by live chatting with gallery representatives. Using the chat feature, galleries are also able to invite prospective buyers into private viewing rooms to see works not offered elsewhere on the site. In an area of the site called the VIP Lounge the visiting experience in enriched not by champagne but by access to several videos produced by Art21, a PBB documentary series about contemporary art, as well as several virtual tours curated by art-world insiders.
Scaled image of a Neo Rauch painting for sale at David Zwirner’s VIP booth, via VIP Art Fair
In order to address two major ways viewing art online falls short of viewing in person, the site has a scale feature that superimposes a silhouette of your choosing (there are two male options and four female options) in front of the artwork, as well as a zoom feature that allows one to get extraordinarily “close” to the work.
Screenshot of Bill Viola’s Dissolution, 2005 (est. $250,000-500,000) for sale at James Cohen Gallery, via VIP Art Fair
Though two- and three-dimensional works dominate the sale, several galleries are also also offering video art that is exhibited on the site in different ways. James Cohen Gallery is offering a Bill Viola work that can be viewed on the site in its entirety, giving the viewer the rare opportunity to fast-forward through the piece. The Pace Gallery has a video installation by Israeli artist Michal Rovner that is presented on the site with a video of the installation that slowly closes in on one screen. London-based Victoria Miro Gallery is showing a video installation by Doug Aitken with still pictures of the installation and a link to a YouTube clip of the original installation.
Screenshot of the VIP Lounge, via VIP Art Fair
The site as a whole is easily navigable and does a good job of personalizing the experience by keeping track of galleries visited and chat history, as well as providing the option to add works to a ‘favorites’ list. Noticeably absent is any sort of ‘Buy Now’ or ‘Add to Cart’ button. Though galleries will hold works for up to 48 hours, no buying or selling actually occurs on the site. The two day window presumably gives collectors a chance to see a work in person if so desired, but the hope is that buyers will commit to buying on the basis of what they’ve seen online. By referring to this week’s fair as “inaugural,” its founders, James and Jane Cohen and Jonas and Alessandra Almgren, are betting it’s a formula that works.
-J. Mizrachi
Related Links:
VIP Art Fair [Website]
Clicking on a Masterpiece [Wall Street Journal]
Look, don’t touch [The Economist]
Fairs and auctions by mouse [The Art Newspaper]
JAN 22: VIP Art Fair [W Magazine]
At the VIP Online Art Fair’s Launch Party, Some Vestiges of the Physical Remained [ArtInfo]
VIP Art Fair: Art-Market “Ishtar”? Tell Us What You Think. [ArtInfo]
