Painter Peter Doig is profiled in the New York Times, in advance of his retrospective exhibition at the Scottish National Galleries in Edinburgh. Speaking from a rented studio in Manhattan, the artist discusses his new paintings, his studio and home in Trinidad, and the start-stop nature of his creative process. “Sometimes you get so frustrated, you end up washing off or scraping off what you spent hours or days applying,” he said. “By going backward, you see something you could have never achieved by going forward.”
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