The New York Times visits Michael Heizer at his Nevada ranch and studio, and explores his ongoing project City. “It epitomizes a fusion of ancient and modern forms,” Heizer says. “It’s huge in size, but antimonumental in its relentless horizontality and its sinuous, continuous curves. It’s also unphotographable and impossible to capture in its totality. It has to be experienced in time and space — over time, and distance.”
Read more at NYT
