The New York Times takes a tour of Tom Sach’s studio this week, as the artist prepares for an upcoming installation of a ceremonial tea house at the Isamu Noguchi Museum in Queens. “It’s a way of creating an armature for ritualized activity, where we overcome our differences,” the artist says. “Within the act of preparing and serving a bowl of tea, we have the opening to investigate human relationships and the human condition.”
Read more at NYT
