The Guardian visits Carmen Herrera for a profile piece this week, as the artist reflects on her early years in Cuba, her continued evolution as an artist, and the culture of sexism that pervaded the early years of the post-War avant-garde. “I knew Ad Reinhardt and he was terribly obsessed with Georgia O’Keeffe and her success,” she says. “He hated her. Hated her! Georgia was strong, and her paintings were exhibited everywhere, and he was jealous.”
Read more at The Guardian
