New York Times Looks at Challenges Posed by Censored Work

October 28th, 2017

Sam Durant's Scaffold, via Star TribuneThe New York Times has a piece this week looking at the recent string of works removed from exhibition after protest, and questions what the best way to dispose of these works might be. “For one thing, the work of exhibition-making no longer ends when the show opens. Instead, it continues as a process of listening, a public performance that goes on for months,” says David Xu Borgonjon.

Read more at NYT