New Research Challenges Provenance for Da Vinci’s Salvator Mundi

August 30th, 2018

New research is challenging previous beliefs about the provenance of the Da Vinci Salvator Mundi work, stating that the painting like hung in the collection of James, 3rd Marquis, later 1st Duke of Hamilton, between 1638 and 1641, rather than in the collection of Queen Henrietta. 

Read more at Art Newspaper