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Tate Modern’s Superflex Turbine Hall Installation Profiled in The Guardian

Monday, October 2nd, 2017

Tate Modern to Launch Largest Ever UK Modigliani Retrospective

Tuesday, June 27th, 2017

Tate Modern Names Expansion After Len Blavatnick

Friday, May 5th, 2017

Bruce Nauman to Open Series of Shows at Tate Modern

Wednesday, April 12th, 2017

Superflex to Take Over Tate Modern Turbine Hall this Fall

Monday, March 20th, 2017

London – Wolfgang Tillmans: “2017” at Tate Modern Through June 11th, 2017

Friday, March 17th, 2017

Musee Picasso and Tate Modern to Host “Once-in-a-Lifetime” Exhibition on Artist’s Work

Monday, January 30th, 2017

Tate Modern to Exhibition Rare Full Series of Giacometti Plasters from 1956

Monday, January 23rd, 2017

Central Saint Martins Students and Faculty Open Art School at Tate Modern

Monday, January 9th, 2017

Bruce Nauman Planning Second Retrospective at Tate Modern for 2019

Monday, October 3rd, 2016

New London Development Residents Complain of Peering Tate Modern Visitors

Friday, September 23rd, 2016

The Tate Modern Borrows Major Rauschenberg Assemblage for Retrospective

Saturday, July 30th, 2016

Nicholas Serota Speaks to Art Newspaper on Opening of Tate Modern

Wednesday, June 15th, 2016

Protests Erupt at Tate Modern Over Representation of Ana Mendieta

Wednesday, June 15th, 2016

Sigur Ros to Perform Multimedia Piece at Tate Modern

Monday, June 13th, 2016

Financial Times Takes a Look at Tate Modern’s Impact on Contemporary Art

Sunday, June 5th, 2016

Guardian Previews New Tate Modern Building

Monday, May 23rd, 2016

Tate Modern to Stage Major Hockney Retrospective Next Year

Tuesday, February 23rd, 2016

Tate Modern to Open New Space June 17th

Thursday, January 28th, 2016

London – Alexander Calder: “Performing Sculpture” at the Tate Modern Through April 3rd, 2016

Wednesday, January 27th, 2016

Tate Modern Names Frances Morris as New Director

Saturday, January 16th, 2016

Ed Ruscha Donates Collection of Prints to Tate Modern

Wednesday, December 16th, 2015

Abraham Cruzvillegas Opens Tate Modern Commission

Monday, October 12th, 2015

Tate Modern Expansion Set to Open June 2016

Tuesday, September 22nd, 2015
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New York — “Words Without Thoughts Never to Heaven Go” at Almine Rech Gallery Through December 16th, 2017

December 14th, 2017

Words Without Thoughts Never to Heaven Go (Installation View)
Words Without Thoughts Never to Heaven Go (Installation View)

Almine Rech Gallery, one of Paris’s foremost galleries, opened its first New York location more than a year ago on the Upper East Side, bringing with it a unique program that mixes a strong artist roster with a consistently adventurous curatorial project.  For its most recent venture, the gallery has brought together key figures from the canon of 20th century Western art for Words Without Thoughts Never to Heaven Go. Adapting its title from a line in Shakespeare’s Hamlet, the exhibition investigates ways artists use text as an allegorical element. Serving as a chronological and thematic starting point to the exhibition is Être ou ne pas être, Picasso’s 1912 painting considered as one of the foremost examples of appropriation of text in modern painting. Declaring “to be or not be” in French with gouache on paper, Picasso not only pays homage to one of the most emblematic texts ever written, but he also questions the mimetic essence of a painting. Can a painting of words serve to depict an image?
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Clearing Gallery Opens Shop Uptown

December 14th, 2017

Clearing Gallery's uptown space, via Art NewsClearing Gallery has opened a new space in New York City, setting up a second location at 43 East 78th Street. “We have private dealers, galleries, and museums around, so it’s a super location,” says gallery owner Olivier Babin. “As much as Bushwick is off the beaten path, this is in the center of everything. I mean, we’re across the street from the Carlyle!”
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American Collectors Rarely Sell Prized Works Once Purchased

December 13th, 2017

Christie's, via NY postA new study finds that few American art collectors sell their works once they have purchased them, the New York Post reports. “Collectors don’t apply the same principles to buying art that they would to a typical investment portfolio of stocks and bonds,” says John Mathews, head of private wealth management and ultra-high net worth at UBS Americas. “It is important, however, to institute management structures to ensure their legacy remains protected, correctly valued and insured.”
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