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Tania Bruguera Tapped for Tate Modern’s Turbine Hall

Saturday, February 24th, 2018

Tate Modern Aims at Current Events with Pair of Tank Installations

Tuesday, December 19th, 2017

Tate Modern’s Superflex Turbine Hall Installation Profiled in The Guardian

Monday, October 2nd, 2017

Tate Modern to Launch Largest Ever UK Modigliani Retrospective

Tuesday, June 27th, 2017

Tate Modern Names Expansion After Len Blavatnick

Friday, May 5th, 2017

Bruce Nauman to Open Series of Shows at Tate Modern

Wednesday, April 12th, 2017

Superflex to Take Over Tate Modern Turbine Hall this Fall

Monday, March 20th, 2017

London – Wolfgang Tillmans: “2017” at Tate Modern Through June 11th, 2017

Friday, March 17th, 2017

Musee Picasso and Tate Modern to Host “Once-in-a-Lifetime” Exhibition on Artist’s Work

Monday, January 30th, 2017

Tate Modern to Exhibition Rare Full Series of Giacometti Plasters from 1956

Monday, January 23rd, 2017

Central Saint Martins Students and Faculty Open Art School at Tate Modern

Monday, January 9th, 2017

Bruce Nauman Planning Second Retrospective at Tate Modern for 2019

Monday, October 3rd, 2016

New London Development Residents Complain of Peering Tate Modern Visitors

Friday, September 23rd, 2016

The Tate Modern Borrows Major Rauschenberg Assemblage for Retrospective

Saturday, July 30th, 2016

Nicholas Serota Speaks to Art Newspaper on Opening of Tate Modern

Wednesday, June 15th, 2016

Protests Erupt at Tate Modern Over Representation of Ana Mendieta

Wednesday, June 15th, 2016

Sigur Ros to Perform Multimedia Piece at Tate Modern

Monday, June 13th, 2016

Financial Times Takes a Look at Tate Modern’s Impact on Contemporary Art

Sunday, June 5th, 2016

Guardian Previews New Tate Modern Building

Monday, May 23rd, 2016

Tate Modern to Stage Major Hockney Retrospective Next Year

Tuesday, February 23rd, 2016

Tate Modern to Open New Space June 17th

Thursday, January 28th, 2016

London – Alexander Calder: “Performing Sculpture” at the Tate Modern Through April 3rd, 2016

Wednesday, January 27th, 2016

Tate Modern Names Frances Morris as New Director

Saturday, January 16th, 2016

Ed Ruscha Donates Collection of Prints to Tate Modern

Wednesday, December 16th, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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