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Tania Bruguera Tapped for Tate Modern’s Turbine Hall

Saturday, February 24th, 2018

Tate Modern Aims at Current Events with Pair of Tank Installations

Tuesday, December 19th, 2017

Tate Modern’s Superflex Turbine Hall Installation Profiled in The Guardian

Monday, October 2nd, 2017

Tate Modern to Launch Largest Ever UK Modigliani Retrospective

Tuesday, June 27th, 2017

Tate Modern Names Expansion After Len Blavatnick

Friday, May 5th, 2017

Bruce Nauman to Open Series of Shows at Tate Modern

Wednesday, April 12th, 2017

Superflex to Take Over Tate Modern Turbine Hall this Fall

Monday, March 20th, 2017

London – Wolfgang Tillmans: “2017” at Tate Modern Through June 11th, 2017

Friday, March 17th, 2017

Musee Picasso and Tate Modern to Host “Once-in-a-Lifetime” Exhibition on Artist’s Work

Monday, January 30th, 2017

Tate Modern to Exhibition Rare Full Series of Giacometti Plasters from 1956

Monday, January 23rd, 2017

Central Saint Martins Students and Faculty Open Art School at Tate Modern

Monday, January 9th, 2017

Bruce Nauman Planning Second Retrospective at Tate Modern for 2019

Monday, October 3rd, 2016

New London Development Residents Complain of Peering Tate Modern Visitors

Friday, September 23rd, 2016

The Tate Modern Borrows Major Rauschenberg Assemblage for Retrospective

Saturday, July 30th, 2016

Nicholas Serota Speaks to Art Newspaper on Opening of Tate Modern

Wednesday, June 15th, 2016

Protests Erupt at Tate Modern Over Representation of Ana Mendieta

Wednesday, June 15th, 2016

Sigur Ros to Perform Multimedia Piece at Tate Modern

Monday, June 13th, 2016

Financial Times Takes a Look at Tate Modern’s Impact on Contemporary Art

Sunday, June 5th, 2016

Guardian Previews New Tate Modern Building

Monday, May 23rd, 2016

Tate Modern to Stage Major Hockney Retrospective Next Year

Tuesday, February 23rd, 2016

Tate Modern to Open New Space June 17th

Thursday, January 28th, 2016

London – Alexander Calder: “Performing Sculpture” at the Tate Modern Through April 3rd, 2016

Wednesday, January 27th, 2016

Tate Modern Names Frances Morris as New Director

Saturday, January 16th, 2016

Ed Ruscha Donates Collection of Prints to Tate Modern

Wednesday, December 16th, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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