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Sotheby’s Offering Yellow and Blue Mark Rothko in New York Next Month

Wednesday, April 15th, 2015

Latvian City Opens Mark Rothko Arts Center

Thursday, April 25th, 2013

Go See – Moscow: Mark Rothko – Into the Unknown World, The Garage Center for Contemporary Culture on view until August 14, 2010

Thursday, April 29th, 2010

Go See – Liverpool: Mark Rothko “The Seagram Murals” at Tate Liverpool through March 21, 2010

Sunday, March 14th, 2010

Go See: Mark Rothko and JMW Turner at the BP British Art Displays at the Tate Britain through July 26th 2009

Thursday, April 2nd, 2009

Mark Rothko Leads Christie’s May New York Sale with $40 Million Estimate

Tuesday, April 5th, 2016

Mark Rothko Works Dominate Private Sale of Bunny Mellon Collection

Tuesday, September 9th, 2014

Mark Rothko

Friday, March 7th, 2008

Portland Art Museum Plans $50 Million Rothko Pavilion

Friday, December 8th, 2017

Christie’s Announces Rauschenberg and Rothko Top Lots for London Sales Next Month

Tuesday, January 17th, 2017

Portland Art Museum Announces Major Expansion and Loan from Rothko Famly

Tuesday, October 11th, 2016

Bloomberg Looks at Competitive Market for Big Ticket Auction Sales

Tuesday, April 26th, 2016

Ann Freedman to Settle in Case Over Forged Rothko

Monday, February 8th, 2016

Christopher Rothko Testifies at Knoedler Gallery Trial

Wednesday, February 3rd, 2016

The New Yorker Takes a Unique Look at Harvard’s Restored Rothko Murals

Saturday, April 4th, 2015

Christie’s New York Post-War Sale Led by Rothko Stripe Painting from 1958

Monday, March 9th, 2015

Harvard to Return Rothko Murals to Public View Using Lighting System

Saturday, October 25th, 2014

Rothko Vandal Publishes Op-Ed in The Guardian Apologizing, Restating his Principles

Friday, May 16th, 2014

WSJ Profiles One Collector’s Struggles to Authenticate a Rothko Painting

Friday, April 25th, 2014

Chemistry Drives Rothko Restoration at Harvard

Saturday, February 22nd, 2014

Lawsuit Filed Against Sotheby’s Over Privacy of Rothko Sale

Wednesday, December 11th, 2013

Malibu Couple Files Lawsuit Against Knoedler Gallery Over Fake Rothko, de Kooning

Monday, December 2nd, 2013

Ponzi Scheme Victim Awarded Over $33 Million in Art, including Warhol, Rothko, Lichtenstein

Tuesday, August 13th, 2013

Qatari Wealth Plays Out in the International Market

Tuesday, July 23rd, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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