Search Results

LA’s Acme Gallery Closing Its Doors After 22 Years

Tuesday, June 6th, 2017

AO On Site – New York: Antony Gormley’s “Breathing Room II” at Sean Kelly Gallery, through May 1, 2010

Tuesday, April 13th, 2010

AO Events and Art Preview – Miami Beach: Art Basel Miami Beach 2016 and Miami Art Week, December 3rd – 6th, 2015

Monday, November 30th, 2015

AO Preview – New York: Frieze Week, May 13th-17th, 2015

Tuesday, May 12th, 2015

AO On Site – London: Frieze and Frieze Masters Art Fairs at Regent’s Park, Through October 14th

Friday, October 12th, 2012

Go See – New York: Kiki Smith ‘Sojourn’ at the Brooklyn Museum through September 12, 2010

Monday, February 22nd, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Felix LA to Return with Expanded Gallery List

September 11th, 2019

Felix LA will return in 2020 with an expanded exhibitor list of 60 gallerists.  “We are thrilled to expand Felix’s community and welcome an incredible slate of new and returning exhibitors for the second edition,” founders Dean Valentine, Al Morán, and Mills Morán said in a statement. “The growth and diversification of our roster attests to the burgeoning Los Angeles art scene and the desperate need for the new type of art fair experience that Felix offered collectors and exhibitors alike.”
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Tate Modern Brings on International Curators

September 11th, 2019

Four departments at the Tate Modern have brought on new talent under the title Curator, International Art, signaling an expanded focus for the institution’s programming.  “Their significant experience and expertise will play an important part in expanding our knowledge of modern and contemporary art from Africa, South Asia, and the Middle East, furthering our ambition to present a truly international story of art through our program and collection,” says Frances Morris, Tate Modern’s director.
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Artist Nicholas Galanin on Pulling Work from Whitney Biennial

September 11th, 2019

Artist Nicholas Galanin has a piece in Art News this week as he discusses his decisions to pull work from this year’s Whitney Biennial.  “My decision to remove my work from the Whitney came when my hope for meaningful conversation was met with inaction—on the part of many but, most fatefully, by the museum, which for weeks and then months failed to issue any meaningful response to protests mounting within its walls,” he says. “For me, that inaction translated to complicity with militarized denial of the right of Indigenous people to freely move through land that we belong to.”
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