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New York – Tony Oursler: “TC: the most interesting man alive” at Lisson Gallery Through August 10th, 2018

Wednesday, August 8th, 2018

New York — mark Is On View at Team Gallery Through April 21, 2018

Saturday, April 21st, 2018

New York – Nan Goldin: “The Ballad of Sexual Dependency” at MoMA Through April 23rd, 2017

Thursday, August 11th, 2016

AO On Site: New York: ‘Home Again, Again’ at The Journal Gallery, through August 3, 2012

Tuesday, July 10th, 2012

AO Auction Preview – New York: Impressionist and Modern Sales at Christie’s and Sotheby’s, May 1-2, 2012

Tuesday, May 1st, 2012

Don't Miss – New York: Jenny Saville 'CONTINUUM' at Gagosian Gallery through October 22, 2011

Wednesday, October 19th, 2011

Go See – London: Tracey Emin’s major retrospective “Love is What You Want” at the Hayward Gallery through August 29th, 2011

Monday, May 30th, 2011

AO Auction Preview: Sotheby's and Christie's to Hold Impressionist & Modern Sales in New York, May 3 & 4, 2011

Monday, May 2nd, 2011

AO On Site – Paris: FIAC 2010 Art Fair Review and Final Photo Set

Monday, October 25th, 2010

Don’t Miss – New York: James Franco’s ‘The Dangerous Book Four Boys’ at Clocktower Gallery

Friday, September 24th, 2010

Go See – Montreal: Jenny Holzer at Fondation DHC through November 14th, 2010

Friday, July 30th, 2010

AO on Site – New York: The Bruce High Quality Foundation's 'Field of Dreams' Saturday, July 24th, 2010 in Prospect Park, Brooklyn

Monday, July 26th, 2010

Go See – Hamburg: ‘High Ideals and Crazy Dreams,’ a group show curated by Gerwald Rockenschaub at the Vera Munro gallery through September 30th, 2010

Tuesday, July 20th, 2010

Go See – Buenos Aires: Gerhard Richter 'Synopsis' at National Museum of Decorative Arts until July 25th, 2010

Friday, July 16th, 2010

AO On Site – New York: Opening Reception, ‘Normal Dimensions’ at Half Gallery, curated by Neville Wakefield, through August 13th, 2010

Thursday, July 15th, 2010

Go See – London: Rodney Graham at the Lisson Gallery until July 31, 2010

Wednesday, July 14th, 2010

Go See – London: Francis Alÿs at the Tate Modern until September 5th

Friday, July 9th, 2010

Go See – Brussels: John Baldessari at Greta Meert Gallery through July, 25th 2009.

Wednesday, July 1st, 2009

Go See: The Generational: Younger Than Jesus at The New Museum, through 5 July, 2009

Saturday, April 25th, 2009

The Guardian Examines Critiques of Contemporary Art in Post-Brexit UK

Thursday, December 29th, 2016

Menil Drawing Collection Receives Major Donation from Trustees

Monday, June 13th, 2016

New York — Tracey Emin: “Stone Love” at Lehmann Maupin Through June 18th, 2016

Saturday, June 4th, 2016

French Mechanic Purchases What May be Lost Renoir for $700

Wednesday, May 11th, 2016

New York — Do Ho Suh: Drawings Is On View at Lehmann Maupin Through October 25, 2014

Saturday, October 25th, 2014
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Simone Leigh Wins 2018 Hugo Boss Prize

October 20th, 2018

Simone Leigh, via Art NewsSimone Leigh was has won the 2018 Hugo Boss Prize, given every two years to a contemporary artist. The prize includes a $100,000 check and an exhibition next April at the museum. 
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FBI Investigating Alleged Art Fraud

October 19th, 2018

Antonio Marco, via Associated PressA fine art consultant in New York and an interior designer in Florida are facing charges of fraud after allegedly using an elderly woman’s identity to buy a Mark Rothko for $6.4 million and an Ad Reinhardt work for $1.16 million at Sotheby’s, AP reports. “Our discussions with the purchasers raised significant suspicion and concern for the elderly client they purported to represent and we felt it was necessary to contact the FBI,” Sotheby’s said in a emailed statement. “We are pleased that the appropriate action has been taken and the victim has been protected.”
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Jenny Holzer Profiled in New York Magazine

October 19th, 2018

Jenny Holzer, via New York MagazineJenny Holzer gets a profile in New York Magazine this week, reviewing her recent work and her approach towards creating her bracing, direct brand of text art. “I have made much of my work sex-blind and anonymous so that it wouldn’t be dismissed as the work of a woman,” she says. “I don’t want to be looked at or dismissed, or even attract anybody, as a female.”
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