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Bridgehampton, NY – Mary Heilmann: “Painting Pictures” at Dan Flavin Institute Through May 27th, 2018

Monday, September 11th, 2017

Go See – New York: Dan Flavin ‘Series and Progressions’ at David Zwirner through December 23rd 2009

Thursday, November 5th, 2009

Dan Flavin

Thursday, January 3rd, 2008

AO On-Site: Dia Art Foundation Fall Gala, Monday, November 11, 2013

Monday, November 18th, 2013

AO Onsite – Basel: Art 43 Basel 2012 Set to Begin

Tuesday, June 12th, 2012

Go See – New York: Kazimir Malevich ‘Malevich and the American Legacy’ at Gagosian Gallery through April 30, 2011

Friday, March 11th, 2011

Go See – New York: Lee Lozano ‘Tools’ at Hauser & Wirth through February 19, 2011

Saturday, January 15th, 2011

Go See – New York: Banks Violette at Gladstone Gallery through April 17, 2010

Friday, April 2nd, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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New Yorker Profiles MoMA’s Recent Acquisition of Chris Ofili’s “Holy Virgin Mary”

May 23rd, 2018

Chris Ofili, Holy Virgin Mary, via BloombergThe New Yorker has a piece on the infamous battle between Rudy Giuliani and Chris Ofili over the artist’s The Holy Virgin Mary, which the then-mayor sought to have removed from a show at the New Museum, and which has now been acquired by MoMA. “When we acquired the work and put it in front of our committee, it looked like it had descended from Heaven,” MoMA curator Laura Hoptman says.
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Germany Looks to Increase Arts Funding by $353 million

May 23rd, 2018

Grutters, via ArtforumGerman minister of culture Monika Grütters has announced plans to increase the nation’s arts funding by approximately $353 million. Grütters feels the budget sends “a strong signal that culture is the foundation for our open and democratic society.” 
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LA Times Profiles Strong Growth for Nigerian Art Market

May 23rd, 2018

Art X Lagos, via LA TimesA piece in the LA Times this week notes the surging popularity of Nigerian art on the international market, and the institutions springing up to cater to a thriving market. “There’s a generation of young, vibrant artists of Nigerian or African origin who have felt that the gallery infrastructure in West Africa is not sufficiently developed for them to connect with the international art market from their home base,” says Tokini Peterside, founder of the Art X Lagos art fair. “For generations, when it comes to exporting its cultural capital and so many other things, Africa has had to go overseas.”
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