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Berlin – Jon Rafman: “Dream Journal ’16-’17” at Sprüth Magers Through December 22nd, 2017

Wednesday, October 25th, 2017

London: Jon Rafman at Zabludowicz Collection Through December 20th, 2015

Saturday, November 28th, 2015

New York – Jon Rafman: “You Are Standing in an Open Field” at Zach Feuer Gallery Through October 26th, 2013

Thursday, October 24th, 2013

AO Preview – New York: Frieze New York Art Fair at Randall’s Island, May 5th – 7th, 2017.

Sunday, April 30th, 2017

AO On-Site – London: Frieze Art Fair in Regent’s Park, October 6th – 9th, 2016

Wednesday, October 5th, 2016

AO On-Site – Berlin: “The Present in Drag,” the 9th Berlin Biennale at the Kunstakademie Berlin and The European School of Management and Technology Through September 18th, 2016

Monday, July 11th, 2016

Berlin – “Dreaming Mirrors Dreaming Screens” at Sprüth Magers Through April 2nd, 2016

Wednesday, February 24th, 2016

AO On-Site – Miami Beach: NADA Miami at the Deauville Beach Resort, Dec. 4th – 7th, 2014

Monday, December 8th, 2014

New York – Bushwick Open Studios, May 30th – June 2nd, 2014

Monday, June 2nd, 2014

New York – DIS: “DISown” at Red Bull Studios Through April 6th, 2014

Thursday, March 13th, 2014

DIS Announces Diffusion Art Line to Launch Next Month

Tuesday, February 18th, 2014

AO On-Site: NADA at the Deauville Hotel, December 5th-8th, 2013

Friday, December 6th, 2013

AO Photoset – New York: Rhizome’s 15th Anniversary Benefit Party at The New Museum, Friday, April 21st, 2011

Friday, April 22nd, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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