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Material Art Fair Moves to Fronton Mexico

Wednesday, December 6th, 2017

Atlantic Notes Challenges of Perishable Materials to Conservators

Monday, June 12th, 2017

AO On-Site – Mexico City: Material Art Fair at Expo Reforma, February 9th – 12th, 2017

Monday, February 13th, 2017

Perishable Materials Present Considerable Challenges to Contemporary Conservators

Friday, August 19th, 2016

Mexico City’s Material Art Fair Announces Exhibitor List

Saturday, November 28th, 2015

Banksy Donating Materials from Dismaland to Refugee Camp in Calais, France

Tuesday, September 29th, 2015

Contemporary Art Valuations May Drop as Materials Decay

Tuesday, September 30th, 2014

Blick Art Materials Acquires Utrecht Art Supplies

Friday, April 5th, 2013

New York – “Materializing ‘Six Years': Lucy R. Lippard and the Emergence of Conceptual Art” at The Brooklyn Museum Through February 3rd, 2013

Saturday, October 6th, 2012

Don’t Miss – Salzburg: Marc Quinn ‘MATERIALIZE DEMATERIALIZE: NEW SCULPTURES AND PAINTINGS’ at Galerie Thaddaeus Ropac through July 11, 2009

Thursday, July 9th, 2009

New York – Chris Martin at Anton Kern Through April 7th, 2018

Friday, March 23rd, 2018

New York – Marina Pinsky at 303 Gallery Through March 31st, 2018

Tuesday, March 20th, 2018

New York — Allan Kaprow: “Paintings New York” at Hauser & Wirth Through April 7, 2018

Saturday, March 17th, 2018

New York – Barnaby Furnas: “Frontier Ballads” at Marianne Boesky Through April 14th, 2018

Friday, March 16th, 2018

London – Darren Bader: “more or less” at Sadie Coles HQ Through March 29th, 2018

Thursday, March 15th, 2018

New York – Hannah Levy: “Swamp Salad” at C-L-E-A-R-I-N-G, Bushwick Through March 11th, 2018

Sunday, March 11th, 2018

AO On-Site – New York: SPRING/BREAK Art Fair, March 7th – 12th, 2018

Wednesday, March 7th, 2018

Frankfurt am Main — ‘-46,08°’ at fffriedrich through March 2nd, 2018

Sunday, March 4th, 2018

New York – Fabio Mauri: “With Out” at Hauser and Wirth Through April 7th 2018

Tuesday, February 20th, 2018

Sculpture Center Names Sohrab Mohebbi as New Curator

Friday, February 16th, 2018

London: Serpentine Summer Pavilion Design by Frida Escobedo Unveiled

Tuesday, February 13th, 2018

New York – LaToya Ruby Frazier at Gavin Brown’s Enterprise Harlem Through February 25th, 2018

Monday, February 12th, 2018

New York – Louise Nevelson: “Black and White” at Pace Gallery Through March 3rd, 2018

Sunday, February 11th, 2018

New York: Women’s History Museum: “OTMA’s Body” at Gavin Brown’s Enterprise Through February 25, 2018

Monday, February 5th, 2018
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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