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Hammer Museum Announces Biennial Prizes

Thursday, August 21st, 2014

Malibu Couple Files Lawsuit Against Knoedler Gallery Over Fake Rothko, de Kooning

Monday, December 2nd, 2013

AO Newslink

Sunday, September 23rd, 2012

AO On-Site: Mexico City Art Week, February 3rd – 7th, 2016

Monday, February 8th, 2016

Basel, Switzerland: Art Basel 2013 Preview, June 13th-16th, 2013

Tuesday, June 11th, 2013

New York – Song Dong: “Doing Nothing” at PACE Gallery Through March 2nd, 2013

Monday, February 18th, 2013

New York – AO Auction Results: Phillips de Pury & Co. Contemporary Evening Sale, Thursday, November 15th, 2012

Friday, November 16th, 2012

AO Newslink

Sunday, September 23rd, 2012

Art News – Kanye West and Jay-Z’s Maybach from the Spike Jonze directed Otis video to be auctioned at Phillips de Pury next Thursday

Thursday, March 1st, 2012

AO On Site (with Photoset) – London: Frieze Art Fair 2011 Day 2 Review

Thursday, October 13th, 2011

AO Onsite Auction Results – London: Christie’s Post-War and Contemporary Art Sale on Wednesday February 16, 2011 Realizes £61.4 million ($99.2 million); Warhol & Martial Raysse Are Top Lots

Wednesday, February 16th, 2011

AO AUCTION RESULTS: FEW SURPRISES AT SOTHEBY’S CONTEMPORARY EVENING AUCTION JUNE 28 LONDON

Tuesday, June 29th, 2010

AO Onsite – Auction Results: works from the Halsey Minor Collection fetch $21.1 at Phillips de Pury & Company, New York

Friday, May 14th, 2010

AO Onsite: Tools For Thought – Rebuild Haiti auction held at Sotheby’s Tuesday, March 15th, New York

Tuesday, March 16th, 2010

AO On Site Auction Results – New York: Phillips de Pury’s Contemporary Evening Sale Wednesday November 12, 2009 – a modest sale totaling within estimate at $7,099,250

Friday, November 13th, 2009

Go See – Milwaukee: "Warhol's Last Decade" at Milwaukee Art Museum, through January 3, 2010

Sunday, October 11th, 2009

2009 Venice Biennale – Art Observed summary of press preview weekend

Tuesday, June 9th, 2009

AO Roundup: 2008 Frieze Art Fair, Sotheby’s, Christie’s and Phillips London Auctions; Art Market Inflection Point Reached

Wednesday, October 22nd, 2008

Gert and Uwe Tobias

Thursday, January 3rd, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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