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New York – The 2017 Whitney Biennial at the Whitney Museum, Through June 11th, 2017

Monday, March 20th, 2017

Whitney to Open January 20th on “Pay-What-You-Wish” Basis

Tuesday, January 17th, 2017

New York— Danny Lyon: “Message to the Future” at the Whitney through September 25th, 2016

Wednesday, August 31st, 2016

Don’t Miss – Amsterdam: ‘Taking Place’ at the Stedelijk Museum through January 9th, 2011

Friday, January 7th, 2011

AO On Site – Doha, Qatar: Inauguration of Mathaf Arab Museum of Modern Art

Saturday, December 18th, 2010

Go See – Shanghai: Cai Guo-Qiang ‘Peasant da Vincis’ at the Rockbund Art Museum through July 25th, 2010

Sunday, May 23rd, 2010

Newslinks: Monday, June 23, 2008

Monday, June 23rd, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Anish Kapoor Calls Article 50 Invocation for Brexit “Heartbreaking”

March 30th, 2017

Anish Kapoor, via Art NewspaperAnish Kapoor has commented on the UK invoking Article 50 in order to leave the EU, calling the event “heartbreaking.”  “It’s one of those things that goes against the flow of history,” he says.  “Frankly, nationalism diminishes ourselves. We want more than that, we want a bigger, more open vision.”
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Turner Prize Drops Age Limit for Qualifying Artists

March 30th, 2017

Tate Britain, via TelegraphThe Turner Prize has changed its eligibility rules, allowing artists over the age of 50 to qualify for the award for the first time.  “The Turner prize has always championed emerging artists,” says Alex Farquharson, the director of Tate Britain. “It has never been a prize for long service but for a memorable presentation of work in that year. Now that its reputation is so firmly established, we want to acknowledge the fact that artists can experience a breakthrough in their work at any stage.”
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Donald Judd’s Design Work Profiled in WSJ

March 30th, 2017

tkThe Wall Street Journal has a piece on Donald Judd’s design work this month, focusing on the artist’s desks, chairs and other furniture often made for his studio and home, and which are now seeing renewed interest by curators and designers.  “I would put Judd’s furniture together with his sculpture, his writings, his houses,” says curator Ann Temkin. “The idea that a whole room would contain one simple steel box and Judd would consider it full has had a huge influence on the architecture and design world over the last 25 years.”
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