Search Results

New York — Aline Kominsky-Crumb & R. Crumb: “Drawn Together” at David Zwirner Through February 18th, 2017

Friday, February 17th, 2017

London – Martin Creed: “What’s the Point of it?” at Hayward Gallery Through May 5th, 2014

Friday, May 2nd, 2014

New York – Thomas Nozkowski: “16 x 20″ at Pace Gallery Through February 15th, 2018

Thursday, February 15th, 2018

Los Angeles – Joe Bradley: “Eric’s Hair” at Gagosian Gallery Through April 8th, 2017

Sunday, April 2nd, 2017

New York – Matt Johnson: “Wood Sculpture” at 303 Gallery Through February 25th, 2017

Tuesday, January 31st, 2017

New York – Katharina Grosse’s Commission for “Rockaway” at Fort Tilden Park Through November 30th, 2016

Wednesday, July 6th, 2016

Italy Pledges €300 Million to Restoring Heritage Sites

Monday, January 11th, 2016

Outcry Over Sale Classic Works in Ireland Halts Christie’s Old Masters Sale

Friday, June 26th, 2015

Hong Kong – Jake & Dinos Chapman: “The Sum of All Evil” at White Cube, through August 31st 2013

Sunday, July 28th, 2013

Los Angeles – Urs Fisher at MOCA through August 19th, 2013

Friday, July 12th, 2013

AO On Site – New York: Agathe Snow at Maccarone Gallery through April 28, 2012

Tuesday, April 17th, 2012

Go See – New York: ‘September 11′ at MoMA PS1 through January 9, 2012

Wednesday, October 26th, 2011

AO On Site – NYC: “Salad days” at The Journal Gallery Through December 15th, 2010 (with Video Interview and Editorial by Patrick Meagher)

Tuesday, December 14th, 2010

AO On Site – 6th Berlin Biennial for Contemporary Art: ‘what is waiting out there’ through August 8, 2010

Friday, June 11th, 2010

Go See – 'Notations/Bruce Nauman: Days and Giorni' at Philadelphia Museum of Art through April 4, 2010

Thursday, March 18th, 2010

Art Observed Newslinks For Wednesday December 16th, 2009

Wednesday, December 16th, 2009

AO Onsite Auction Results – London: Phillips de Pury & Company Contemporary Art Day Sale Saturday 17th October, many pieces go unsold

Monday, October 19th, 2009

AO On Site – Philadelphia: Marcel Duchamp “Étant donnés” at Philadelphia Museum of Art, through November 29, 2009

Sunday, September 6th, 2009

Mike Nelson’s “Psychic Vacuum”

Tuesday, October 9th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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