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Go See: Kehinde Wiley, The World Stage: Africa, Lagos~Dakar, Studio Museum Harlem, NY through Oct 26

Friday, July 25th, 2008

Glenn Ligon Creates Tote Bag to Benefit Harlem’s Studio Museum

Monday, September 22nd, 2014

Studio Museum in Harlem announces 2013/14 Artists in Residence

Thursday, August 22nd, 2013

Studio Museum Names Legacy Russell Associate Curator of Exhibitions

Thursday, August 9th, 2018

Developer to Demolish Historic Harlem Home of Elizabeth Dee Gallery

Monday, March 26th, 2018

Studio Museum Names 2018 Artists in Residence

Friday, November 10th, 2017

Simone Leigh Wins The Studio Museum’s Joyce Alexander Wein Artist Prize

Wednesday, November 1st, 2017

Crystal Bridges Museum Looks Forward as it Turns Five Years Old

Wednesday, August 2nd, 2017

Studio Museum Announces New Building Plans at 125th Street

Monday, July 6th, 2015

New York – Kehinde Wiley: “A New Republic” at The Brooklyn Museum Through May 24th, 2015

Thursday, April 9th, 2015

AO On Site: ‘Down’ by Kehinde Wiley at Deitch Studios, NYC November 1 to December 20, 2008

Monday, November 3rd, 2008

AO On-Site: Dia Art Foundation Fall Gala, Monday, November 11, 2013

Monday, November 18th, 2013

Go see – Santa Monica: Barkley Hendricks “Birth of cool” through August 22, 2009

Wednesday, August 12th, 2009

Thelma Golden Profiled in NYT

Wednesday, September 27th, 2017

New York City’s Arts Institution Boards Remain Overwhelmingly White, Report Finds

Friday, August 25th, 2017

Thelma Golden Interviewed in Artsy

Thursday, December 10th, 2015

New York – “Debris” at James Fuentes Gallery Through April 26th, 2015

Thursday, April 23rd, 2015

London – Rashid Johnson: “Smile” at Hauser & Wirth Through March 7th, 2015

Thursday, March 5th, 2015

Performa Announces 2013 Commissions

Tuesday, August 13th, 2013

Paris – Kehinde Wiley: “The World Stage: France, 1880 – 1960″ at Galerie Daniel Templon Through December 24th, 2012

Friday, December 21st, 2012

AO On Site Photoset – New York: Opening of Sanford Biggers “Cosmic Voodoo Circus” at SculptureCenter, Saturday, September 10, 2011

Sunday, September 11th, 2011

Go See: Mickalene Thomas’s ‘She’s Come UnDone!’ at Lehmann Maupin in New York through May 2, 2009

Tuesday, March 31st, 2009

Kehinde Wiley

Thursday, January 3rd, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Peter Paul Rubens Work to Return to Antwerp for Research and Exhibition

August 15th, 2018

Peter Paul Rubens, The Massacre of the Innocents, via Art NewspaperPeter Paul Rubens’s The Massacre of the Innocents will travel to the Rubenshuis museum in Antwerp this fall from the Art Gallery of Ontario, Art Newspaper reports.  The painting, last sold in 2002 for £49.5 million, will be a part of research projects during its loan. “We can imagine with disbelief that he painted as much as he did within that relatively small space over a relatively short period of time… He establishes what is arguably the most productive artistic studio of all time to date in that space,” says Sasha Suda, the AGO’s curator of European art.
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Münster Draws Closer to Purchasing Nicole Eisenman Sculpture

August 15th, 2018

Nicole Eisenman, Sketch for a Fountain (2017). Photo: Henning RoggeNicole Eisenman and Anton Kern, have agreed to significantly reduce the price for the fountain sculpture requested by the City of Münster, putting the city’s fundraising efforts much closer to completion. “We wanted the bulk of the funding to come from Münster citizens,” says dealer Maria Galen, who has led the push for the sculpture. “But we have also applied to some foundations, and we don’t yet know what we will get. We are very confident.”
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Artist Withdraws Work from Anton Kern Show Following Criticism

August 15th, 2018

Ajay Kurian, via Art NewspaperArtist Jamie Isenstein has withdrawn her work from a summer group exhibition at Anton Kern Gallery following criticism of what some deem inadequate critique of racist subject matter.  The show, which aimed to address Peter Sellers’s film The Party (in which the lead actor wears brown face), drew criticism from artists Ajay Kurian and Vijay Masharani for failing to fully address the racist framework of the film.  “I realized that if I expect the show to address racism, I also have to address it. I should have thought longer about my assumption that other artists would do it for me,” Isenstein said.
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