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Tomás Saraceno on His “Jam Sessions” and Sculptural Collaborations with Spiders

Monday, March 7th, 2016

New York – Tomás Saraceno: “Hybrid solidarity… semi-social quintet… on cosmic webs…” at Tanya Bonakdar Gallery Through May 2nd, 2015

Saturday, May 2nd, 2015

AO On Site: Tomás Saraceno’s Cloud City on the roof of the Metropolitan Museum of Art

Tuesday, July 24th, 2012

London – “The Calder Prize 2005-2015″ at Pace Gallery through March 5th, 2016

Monday, February 29th, 2016

New York – Dan Graham and Günther Vogt: “The Roof Garden Commission” at the Metropolitan Museum of Art Through November 2nd, 2014

Wednesday, August 27th, 2014

AO On Site (Final Summary Part 2 of 2): The Art – Art Basel Miami Beach Art Fair 2012 Photoset and Recap

Monday, December 10th, 2012

AO Newslink

Sunday, November 11th, 2012

AO Newslink

Friday, May 11th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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