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Adam Lindemann Plans LA Loft Building in Arts District

Tuesday, August 1st, 2017

Adam Lindemann Talks to New York Times on His Auction Week

Monday, May 16th, 2016

Adam Lindemann in Contract for Andy Warhol’s Montauk Estate

Monday, October 19th, 2015

Adam Lindemann Opening Venus Over Los Angeles

Friday, February 6th, 2015

Adam Lindemann Reviews the Art World on Instagram

Tuesday, June 17th, 2014

Adam Lindemann

Monday, February 14th, 2011

A bit of gossip: Larry Gagosian vs. Adam Lindemann…

Sunday, November 25th, 2007

AO On Site – New York: “Bulletin Boards” at Venus Over Manhattan curated by Matthew Higgs of White Columns and featuring works by Rita Ackermann, Adam McEwen, Nate Lowman, Gavin Brown and others through August 24, 2012

Tuesday, August 14th, 2012

Christie’s Selling Basquiat Poised to Possible Break Auction Record

Thursday, April 14th, 2016

Andy Warhol’s Montauk Home Sells for $50 Million

Saturday, December 26th, 2015

Katherine Bernhardt Installs Mural at Venus Over LA

Thursday, July 30th, 2015

Bloomberg Looks at Speculation and Risk in Art Investing

Monday, February 16th, 2015

New York – Maurizio Cattelan: “Cosa Nostra” at S|2 Through November 26th, 2014 and Venus Over Manhattan Through January 10th, 2015

Wednesday, November 26th, 2014

Miami: “Piston Head” Presented by Venus Over Manhattan at 1111 Lincoln Road, December 3rd-8th, 2013

Friday, December 6th, 2013

New York – AO Auction Results: Sotheby’s Contemporary Evening Sale, Tuesday May 14th, 2013.

Wednesday, May 15th, 2013

New York – Jack Goldstein: “Where Is Jack Goldstein?” at Venus Over Manhattan Through January 15th, 2013

Saturday, December 15th, 2012

AO Newslink

Saturday, November 17th, 2012

AO Interview with Peter Coffin regarding his show “A,E,I,O,U” at Venus Over Manhattan, through Nov. 2, 2012

Saturday, October 20th, 2012

AO Newslink

Friday, August 10th, 2012

AO Newslink

Saturday, June 30th, 2012

AO Newslink

Friday, June 22nd, 2012

AO On Site (with video and photoset) – Greenwich, CT: Karen Kilimnick at The Brant Foundation Sunday May 6th, show runs through September 2012

Monday, May 7th, 2012

AO Newslink

Friday, May 4th, 2012

AO Newslink

Thursday, April 26th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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