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Hauser & Wirth Now Represents Annie Leibovitz

Tuesday, June 11th, 2019

Annie Leibovitz Continuing ‘Women’ Project

Saturday, October 8th, 2016

AO News Summary: Agreement reached between Annie Leibovitz and Art Capital Group

Monday, September 14th, 2009

Art Capital Group Sues Annie Leibovitz to Collect on $24 Million Loan

Sunday, August 2nd, 2009

Water Mill, NY – Watermill Summer Benefit, July 25th, 2015

Thursday, July 30th, 2015

New York City – “1993: Experimental Jet Set, Trash and No Star” at the New Museum Through May 26th, 2013

Wednesday, March 6th, 2013

Living Artists

Thursday, July 7th, 2011

AO News Summary – Washington: National Portrait Gallery removes David Wojnarowicz’s Video ‘Fire in my Belly’ after it is Deemed Offensive

Wednesday, December 8th, 2010

AO On Site: Nowness Premier of “Jean-Michel Basquiat: The Radiant Child” at MoMA, New York – Tuesday, April 27, 2010

Thursday, April 29th, 2010

Newslinks for Monday September 27th 2009

Monday, September 28th, 2009

Newslinks for Tuesday, September 1st, 2009

Tuesday, September 1st, 2009

Fashion Photoblogger “The Sartorialist” to Join Danziger Projects

Wednesday, September 5th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jean-Michel Basquiat Work at TEFAF 2017 Revealed as Fake by André Heller

November 3rd, 2022

Musician and artist André Heller fabricated a falsely attributed Jean-Michel Basquiat for sale at TEFAF in 2017, Art News reports. “In retrospect, the whole thing is, firstly, a childish prank. Secondly, it is naturally showing off. And thirdly, it is a stupid mixture of fiction and truth,” he says. “Just a private fairy tale.”
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Monica Bonvicini “Pauses” Representation with König Galerie After Allegations Against Founder

November 3rd, 2022

Monica Bonvicini has “paused” her relationship with König Galerie after sexual harassment allegations broke against its founder, Johann König.
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Oscar yi Hou Profiled in NYT

October 25th, 2022

Artist Oscar yi Hou gets the profile treatment in the New York Times this week, as he opens a show at the Brooklyn Museum. “I think by creating symbolic densities, you’re able to invite the viewer to pay more attention to the works,” he says. “I try to honor the opacity of the subject.”
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