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Go See – Berlin: Anselm Reyle and Raymond Pettibon at Contemporary Fine Arts until June 11th, 2011

Sunday, May 22nd, 2011

Anselm Reyle

Thursday, January 3rd, 2008

Bloomberg Looks at Speculation and Risk in Art Investing

Monday, February 16th, 2015

AO On Site – London: Frieze and Frieze Masters Art Fairs at Regent’s Park, Through October 14th

Friday, October 12th, 2012

AO On Site – The Watermill Center, The Big Bang, 19th Annual Summer Benefit, Saturday July 28, 2012

Thursday, August 2nd, 2012

AO On Site with Photoset – New York: Frieze Art Fair on Randall’s Island, MAY 4–7, 2012

Friday, May 4th, 2012

AO on site New York – Opening of Bruce High Quality Foundation’s ‘Brucennial 2012′ at 159 Bleecker Street through April 20, 2012

Thursday, March 1st, 2012

AO On Site Art Basel Miami Beach 2011 – AO’s selected preview, guide, and news summary to the 10th Anniversary Art Basel Miami Beach Art Fair and associated events

Monday, November 28th, 2011

Go See – London: “Shape of Things to Come” at Saatchi Gallery through October 16th, 2011

Wednesday, August 31st, 2011

Living Artists

Thursday, July 7th, 2011

AO Preview – Berlin Gallery Weekend Begins

Friday, April 29th, 2011

AO Auction Results – London: Wednesday, October 13th, Phillips de Pury Contemporary Art Auction Within Presale Estimates, Sets New Records for Aaron Young, Sterling Ruby

Thursday, October 14th, 2010

Go See – New York: Takashi Murakami’s ‘A Picture Of The Blessed Lion Who Stares At Death’ at Gagosian Gallery through October 24, 2009

Monday, October 5th, 2009

AO November Auction Roundup 4 of 5: Phillips de Pury’s Contemporary Art Sale, New York, Thursday, November 13th, Results “brutal” but Phillip’s clear due to lack of Guarantees

Monday, November 17th, 2008

AO On Site: “Pretty Ugly” at Gavin Brown’s Enterprise and Maccarone in New York, through August 29

Friday, July 11th, 2008

Francois-Henri Pinault

Tuesday, December 25th, 2007

Galerie Almine Rech

Tuesday, December 25th, 2007

Contemporary Fine Arts

Tuesday, December 25th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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