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London – Tacita Dean at Frith Street Gallery, Through October 26th, 2013

Tuesday, October 8th, 2013

Go See-London: Tacita Dean’s Craneway Event at Frith Street Gallery through June 23, 2010

Saturday, May 15th, 2010

AO Fair Photoset and Recap – London: Frieze Artfair at Regent’s Park, October 17th-20th, 2013

Sunday, October 20th, 2013

Tacita Dean Interviewed in Guardian

Tuesday, September 17th, 2013

AO On Site – London: Frieze London and Frieze Masters Summary and photoset, October 14th, 2012

Sunday, October 14th, 2012

AO On Site – Art 43 Basel Final Photoset and AO News Wrapup

Monday, June 18th, 2012

AO Onsite Photoset – Art 43 Basel, Art Unlimited and Art Statements section previews

Wednesday, June 13th, 2012

AO News Summary – London: Tacita Dean awarded Unilever Commission for Tate Modern’s Turbine Hall

Wednesday, December 15th, 2010

AO on site – Final installment and news summary – Art Basel, Switzerland, sets attendance records, sets very positive tone, concludes

Monday, June 21st, 2010
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

The Louvre Working to Complete VR Tour of the Mona Lisa

October 16th, 2019

The Louvre is putting the finishing touches on a virtual reality tour that focuses on the Mona Lisa as it prepares its landmark show on Leonardo Da Vinci. “She is seated, and spectators will be facing her like a conversation, face to face,” says Dominique de Font-Réaulx, the Louvre’s director of mediation and cultural programming.
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German Arts Center Z.K.M. Recognized by NYT

October 16th, 2019

A piece in the NYT recognizes the German art center Z.K.M. in Karlsruhe, which has a reputation for spotting new and dynamic creative ideas, and which was an early supporter and collector of visual art.  “No other institution has a track record of really looking at the medium in depth,” says Christiane Paul, a media studies professor at the New School.
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Nick Cave Profile in NYT

October 16th, 2019

Nick Cave gets a profile in the NYT this week, part of a series celebrating “The Greats,” and discusses his career, including the construction of his first sound suit after the 1992 Rodney King beating.  “I felt like my identity and who I was as a human being was up for question. I felt like that could have been me,” he says. “Once that incident occurred, I was existing very differently in the world. So many things were going through my head: How do I exist in a place that sees me as a threat?”
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