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Go See – New York: "Photoconceptualism 1966-1973" featuring works by Bruce Nauman, Dan Graham, Robert Smithson, Mel Bochner, Gordon Matta-Clark, Edward Ruscha Whitney Museum of American Art, through September 20, 2009

Wednesday, August 26th, 2009

New York – Mel Bocher and Alighiero Boetti: “Verba Volant Scripta Manent” at Totah Gallery Through May 15th, 2016

Thursday, April 28th, 2016

AO On-Site – Paris: FIAC Art Fair at The Grand Palais, October 19th – 22nd, 2017

Thursday, October 19th, 2017

AO Preview – Paris: FIAC Art Fair at the Grand Palais, October 19th – 22nd, 2017

Wednesday, October 18th, 2017

AO Preview – New York: Armory Week in New York, February 28th – March 5th, 2017

Tuesday, February 28th, 2017

New York – Selections from the Sol LeWitt Collection at The Drawing Center Through June 12th, 2016

Wednesday, June 8th, 2016

New York – “Hello Walls” at Gladstone Gallery Through July 31st, 2015

Monday, July 13th, 2015

AO On Site Fair Recap: Art Basel 2014, June 19th-22nd, 2014

Sunday, June 22nd, 2014

Go See – New York: Ileana Sonnabend: “Ambassador for the New” at Museum of Modern Art Through April 24th, 2014

Wednesday, February 26th, 2014

AO On Site – Miami Beach (final summary 1 of 2): Part 1, Random cell phone images of Art Basel Week Events and Parties

Monday, December 10th, 2012

Art Observed’s Art Basel Miami Beach 2012 Guide to Fairs and Events with Newslink Summary

Monday, December 3rd, 2012

Los Angeles: Cyprien Gaillard Mural for Triple A public art project through March 2012

Wednesday, February 15th, 2012

Go See – New York: Eva Hesse “Spectres 1960″ at Brooklyn Museum through January 8, 2012

Monday, October 31st, 2011

Living Artists

Thursday, July 7th, 2011

Go See – New York: Lee Lozano ‘Tools’ at Hauser & Wirth through February 19, 2011

Saturday, January 15th, 2011

Go See – New York: Anne Truitt at Matthew Marks Gallery through June 26th, 2010

Thursday, May 13th, 2010

Go See – New York: “Dan Graham: Beyond” on view at the Whitney Museum of American Art through October 11th, 2009

Tuesday, June 30th, 2009

AO On Site with Photo Essay: 2009 New York Armory Show and Armory Modern, plus opening party at MoMA with Gang Gang Dance

Saturday, March 7th, 2009

Go See: Lauffs Collection at Hauser & Wirth, Zürich through July 26

Thursday, June 26th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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