Search Results

AO Onsite – Miami: Lance Armstrong’s STAGES in collaboration with O.H.W.O.W., Thursday, December 3, 2009

Friday, December 4th, 2009

AO Interview: Neckface, whose “Devil’s Disciple” is opening at O.H.W.O.W. in Miami October 31, 2009 shares his thoughts with Art Observed

Friday, October 30th, 2009

AO ON SITE – ART BASEL MIAMI BEACH 2010: OHWOW, It Aint Fair Opening, Thursday, December 2nd

Saturday, December 4th, 2010

AO ONSITE – New York: Opening Reception, ‘A Ways A Way’, Curated by Meredith Darrow & Devendra Banhart, Half Gallery, Through July 8th, 2010

Thursday, June 10th, 2010

AO Interview and Go See: Kathy Grayson, curator of ‘New York Minute’ at MACRO Future in Rome featuring Terence Koh, Dash Snow, Assume Vivid Astro Focus, Banks Violette, Jules de Balincourt, Nate Lowman, Steve “Espo” Powers, Scott Campbell, Cory Arcangel, Ryan McGinley, Aurel Schmidt and more through November 1, 2009

Monday, October 12th, 2009

Galleries

Thursday, December 27th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

The Louvre Working to Complete VR Tour of the Mona Lisa

October 16th, 2019

The Louvre is putting the finishing touches on a virtual reality tour that focuses on the Mona Lisa as it prepares its landmark show on Leonardo Da Vinci. “She is seated, and spectators will be facing her like a conversation, face to face,” says Dominique de Font-Réaulx, the Louvre’s director of mediation and cultural programming.
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German Arts Center Z.K.M. Recognized by NYT

October 16th, 2019

A piece in the NYT recognizes the German art center Z.K.M. in Karlsruhe, which has a reputation for spotting new and dynamic creative ideas, and which was an early supporter and collector of visual art.  “No other institution has a track record of really looking at the medium in depth,” says Christiane Paul, a media studies professor at the New School.
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Nick Cave Profile in NYT

October 16th, 2019

Nick Cave gets a profile in the NYT this week, part of a series celebrating “The Greats,” and discusses his career, including the construction of his first sound suit after the 1992 Rodney King beating.  “I felt like my identity and who I was as a human being was up for question. I felt like that could have been me,” he says. “Once that incident occurred, I was existing very differently in the world. So many things were going through my head: How do I exist in a place that sees me as a threat?”
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