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Pablo Picasso Painting Stays in Met Collection

Friday, February 9th, 2018

Met’s Picasso Masterpiece Subject of Repatriation Lawsuit

Monday, October 3rd, 2016

AO Onsite Auction Results – London: Impressionist & Modern Sale at Sotheby’s London February 8, 2011 Brings in £68.8 Million ($111 million); Featured Picasso Sells for £25.2 million, Giacomettis Bought In

Tuesday, February 8th, 2011

AO Auction Preview: Picasso and Gauguin Lead Impressionist & Modern Art Sales at Sotheby's & Christie's in London February 7-8th, 2011

Sunday, February 6th, 2011

Go See – New York: Picasso ‘Picasso in the Metropolitan Museum of Art,’ The Metropolitan Museum of Art through August 1st, 2010

Friday, May 21st, 2010

AO Breaking Auction News: Record $106.5 million paid for Pablo Picasso's 1932 portrait of his mistress at Christie's, New York

Wednesday, May 5th, 2010

AO Breaking News – Pablo Picasso Painting Incurs 6-inch Tear at Metropolitan Museum of Art, New York

Monday, January 25th, 2010

AO – Auction Results: Christie’s Impressionist & Modern Art Evening Sale, November 5, 2013

Wednesday, November 6th, 2013

New York – AO Auction Results: Christie’s Impressionist & Modern Art Evening Sale, Wednesday, November 7th, 2012, Fluctuating sales with records achieved.

Thursday, November 8th, 2012

AO on Site – New York: The Bruce High Quality Foundation's 'Field of Dreams' Saturday, July 24th, 2010 in Prospect Park, Brooklyn

Monday, July 26th, 2010

AO Auction Preview: Christie's and Sotheby's hold their biggest ever sales of Impressionist and Modern art in London

Monday, June 21st, 2010

AO On Site Report #2 – Art Basel, Switzerland, Focus on Quality Drives Buyers

Friday, June 18th, 2010

Newslinks for Friday January 15th, 2010

Friday, January 15th, 2010

AO Auction Results: Christie's Post-War and Contemporary Art Evening Sale Surprisingly Strong, Auction Records Reached for Many Artists

Thursday, May 14th, 2009

Newslinks for Monday, January 5th, 2009

Monday, January 5th, 2009

Sotheby's hopes to smash Russian art at auction record with $60 million sale of Malevich painting in New York on November 3rd

Saturday, October 11th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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