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Taryn Simon to Reprise Her Piece Using Professional Mourners in London

Friday, April 6th, 2018

East Hampton — Taryn Simon: “The Innocents” at Guild Hall Through July 30th, 2017

Saturday, July 29th, 2017

New York – Taryn Simon: “An Occupation of Loss” at the Park Avenue Armory Through September 25th, 2016

Wednesday, September 14th, 2016

New York – Taryn Simon: “Paperwork and the Will of Capital” at Gagosian Gallery Through March 26th, 2016

Thursday, March 24th, 2016

Paris – Taryn Simon: “Rear Views, A Star-forming Nebula, and the Office of Foreign Propaganda” at Jeu de Paume, through May 17th 2015

Monday, April 13th, 2015

Go See – London: Taryn Simon’s “A Living Man Declared Dead and Other Chapters” at Tate Modern until September 6th, 2011

Monday, July 4th, 2011

Go See – New York: Taryn Simon “Contraband” at Lever House through December 31, 2010

Friday, November 5th, 2010

Don’t Miss the Opening: Taryn Simon’s ‘An American Index of the Hidden and Unfamiliar’ at Gagosian Gallery, Beverly Hills

Friday, September 12th, 2008

GO SEE: Taryn Simon at Galerie Almine Rech, Paris, February 16 – March 15

Wednesday, February 20th, 2008

AO On-Site – New York: Printed Matter’s New York Art Book Fair, September 20th – 22nd, 2019

Friday, September 20th, 2019

New York – “Storylines” at the Guggenheim Museum Through September 9th, 2015

Wednesday, August 26th, 2015

Japanese Curator Launches Inaccessible Exhibition on Grounds of Fukushima Power Plant

Wednesday, July 22nd, 2015

AO On-Site – Venice: “All the World’s Futures” – The 56th Venice Biennale at The Arsenale Through November 22nd, 2015

Wednesday, May 6th, 2015

AO On Site at the 54th Venice Biennale 2011: Final Overview and News Summary

Monday, June 6th, 2011

Newslinks: Saturday August 16th, 2008

Saturday, August 16th, 2008

NEWSLINKS 1.29.08

Tuesday, January 29th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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D.C. Officials Push for More Diverse Selection of Monuments in City

January 24th, 2020

Officials in Washington, D.C. are looking to incorporate more diverse historical monuments into the city’s fabric, Art News reports, with legislation proposing new monuments to historically resonant women and people of color.  “This legislation aims to properly recognize and honor remarkable persons who left indelible marks on society: men, women, and migrants,” says Kenyan McDuffie, the councilmember. “These bills aim to channel an important dialogue carrying around our country to reconcile symbols and monuments that have often complicated, and in some cases blatantly racist, history behind them.”
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The Shed Voluntarily Recognizes Employee Unionization

January 24th, 2020

The Shed will recognize its employees’ union voluntarily, Artforum reports.  “The Shed fully supports our talented and hard-working visitor experience staff in their decision to organize,” says Maryann Jordan, the institution’s chief operating officer. “We welcome UAW Local 2110 and anticipate forging a constructive relationship with their representatives as we have done with the several other unions already in place at The Shed.”
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Florida Court Blocks Yayoi Kusama ‘Infinity Room’ from Leaving Miami-Dade County

January 24th, 2020

A Florida court has put a temporary block on a Yayoi Kusama Infinity Room at the center of the controversy around dealer Inigo Philbrick, preventing the work from leaving Miami-Dade County.  “Without an injunction, FAP [Fine Art Partners] will lose the ability to be made whole because it will lose a unique, one-of-a-kind work,” says Valerie R. Manno, a judge in Miami-Dade County’s Eleventh Judicial Circuit Court, wrote in the temporary injunction issued on Wednesday. “An injunction will allow FAP to litigate its case without fear that the Kusama will disappear into the night.”
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