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Taryn Simon to Reprise Her Piece Using Professional Mourners in London

Friday, April 6th, 2018

East Hampton — Taryn Simon: “The Innocents” at Guild Hall Through July 30th, 2017

Saturday, July 29th, 2017

New York – Taryn Simon: “An Occupation of Loss” at the Park Avenue Armory Through September 25th, 2016

Wednesday, September 14th, 2016

New York – Taryn Simon: “Paperwork and the Will of Capital” at Gagosian Gallery Through March 26th, 2016

Thursday, March 24th, 2016

Paris – Taryn Simon: “Rear Views, A Star-forming Nebula, and the Office of Foreign Propaganda” at Jeu de Paume, through May 17th 2015

Monday, April 13th, 2015

Go See – London: Taryn Simon’s “A Living Man Declared Dead and Other Chapters” at Tate Modern until September 6th, 2011

Monday, July 4th, 2011

Go See – New York: Taryn Simon “Contraband” at Lever House through December 31, 2010

Friday, November 5th, 2010

Don’t Miss the Opening: Taryn Simon’s ‘An American Index of the Hidden and Unfamiliar’ at Gagosian Gallery, Beverly Hills

Friday, September 12th, 2008

GO SEE: Taryn Simon at Galerie Almine Rech, Paris, February 16 – March 15

Wednesday, February 20th, 2008

New York – “Storylines” at the Guggenheim Museum Through September 9th, 2015

Wednesday, August 26th, 2015

Japanese Curator Launches Inaccessible Exhibition on Grounds of Fukushima Power Plant

Wednesday, July 22nd, 2015

AO On-Site – Venice: “All the World’s Futures” – The 56th Venice Biennale at The Arsenale Through November 22nd, 2015

Wednesday, May 6th, 2015

AO On Site at the 54th Venice Biennale 2011: Final Overview and News Summary

Monday, June 6th, 2011

Newslinks: Saturday August 16th, 2008

Saturday, August 16th, 2008

NEWSLINKS 1.29.08

Tuesday, January 29th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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