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Don’t Miss – New York: Tom Otterness at Marlborough Gallery Through March 26, 2011

Wednesday, March 16th, 2011

Tom Otterness

Wednesday, March 5th, 2008

AO On-Site – New York: NADA NY at Skylight Clarkson North, March 2nd – 5th, 2016

Sunday, March 5th, 2017

AO Newslink

Friday, May 18th, 2012

Living Artists

Thursday, July 7th, 2011

AO On Site: Bomb Magazine’s 30th Anniversary Gala and Silent Auction, Friday, April 15th 2011

Monday, April 18th, 2011

AO Onsite: BOMB Magazine’s 29th Anniversary Gala & Silent Auction at the National Arts Club, New York – Tuesday, April 27, 2010

Wednesday, April 28th, 2010

AO On Site – SculptureCenter’s Lucky Draw 2010, April 13th, 2010, Long Island City, New York

Wednesday, April 21st, 2010

NEWSLINKS 04.01.08

Monday, March 31st, 2008

RxArt Ball 2007 this Thursday

Wednesday, October 24th, 2007

Marlborough Chelsea opens Thursday Oct. 4th

Wednesday, October 3rd, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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New Yorker Profiles MoMA’s Recent Acquisition of Chris Ofili’s “Holy Virgin Mary”

May 23rd, 2018

Chris Ofili, Holy Virgin Mary, via BloombergThe New Yorker has a piece on the infamous battle between Rudy Giuliani and Chris Ofili over the artist’s The Holy Virgin Mary, which the then-mayor sought to have removed from a show at the New Museum, and which has now been acquired by MoMA. “When we acquired the work and put it in front of our committee, it looked like it had descended from Heaven,” MoMA curator Laura Hoptman says.
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Germany Looks to Increase Arts Funding by $353 million

May 23rd, 2018

Grutters, via ArtforumGerman minister of culture Monika Grütters has announced plans to increase the nation’s arts funding by approximately $353 million. Grütters feels the budget sends “a strong signal that culture is the foundation for our open and democratic society.” 
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LA Times Profiles Strong Growth for Nigerian Art Market

May 23rd, 2018

Art X Lagos, via LA TimesA piece in the LA Times this week notes the surging popularity of Nigerian art on the international market, and the institutions springing up to cater to a thriving market. “There’s a generation of young, vibrant artists of Nigerian or African origin who have felt that the gallery infrastructure in West Africa is not sufficiently developed for them to connect with the international art market from their home base,” says Tokini Peterside, founder of the Art X Lagos art fair. “For generations, when it comes to exporting its cultural capital and so many other things, Africa has had to go overseas.”
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