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London – Virginia Overton at White Cube Mason’s Yard Through March 14th, 2015

Friday, February 27th, 2015

Virginia Overton Prepares to Open New Work at Storm King Arts Center

Monday, March 31st, 2014

New York – Virginia Overton at Mitchell-Innes & Nash Through April 6th, 2013

Friday, April 5th, 2013

AO On-Site – Los Angeles: Frieze Los Angeles at Paramount Studios, February 15th – 17th, 2019

Friday, February 15th, 2019

Basel – AO On-Site: Art Basel Art Fair, June 16th – 19th, 2016

Tuesday, June 14th, 2016

Storm King Art Center Opens New Residency Program

Tuesday, January 27th, 2015

AO On-Site: Frieze New York at Randall’s Island – May 9th-11th, 2014

Sunday, May 11th, 2014

Miami: “Piston Head” Presented by Venus Over Manhattan at 1111 Lincoln Road, December 3rd-8th, 2013

Friday, December 6th, 2013

Art Production Fund Launches Pop-Up Gallery in Montauk

Monday, July 29th, 2013

Rome: “Empire State. New York Art Now” at Palazzo dell Esposizioni through July 21st, 2013

Monday, July 8th, 2013

Popularity of Mirror Works Reflects Current Art Trends at Basel

Thursday, June 20th, 2013

Paris – ‘Liam Gillick: Sit in the Machine’ and ‘Florbelle (After Sade): Group Exhibition’ At Air de Paris Through December 3rd, 2012

Friday, November 23rd, 2012

Sunday, January 29th, 2012

AO On Site – SculptureCenter’s Lucky Draw 2010, April 13th, 2010, Long Island City, New York

Wednesday, April 21st, 2010

Don’t Miss – New York: ‘THE AUDIO SHOW’ a selection of solely audio pieces at Friedrich Petzel Gallery, featuring Marilyn Minter, Barnaby Furnas and more, through August 23, 2009

Friday, August 21st, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jonas Wood Profiled in NYT

March 25th, 2019

Jonas Wood gives the New York Times a tour of his East Hollywood Studio, showing off a series of works from his own practice and his personal collection. “I’ve been all-in on painting since I was younger, and I realized that it was because of a lot of fear that it would all go away,” he says. “That’s not how I want to paint in the future. The pressure and psychology of that setup isn’t totally right. I would like to build bodies of work outside the calendar schedule of art fairs and shows for a little while. I love painting, and I think I can paint without having a giant carrot in front of me. I don’t think that I’m the best at painting, and I want to get better at it.”
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Serpentine Under Fire Over Pavilion Architect’s Controversial Use of Interns

March 25th, 2019

The Serpentine Gallery is facing criticism over reports that the architect for this year’s pavilion, Junya Ishigami + Associates, uses unpaid interns working 12-hour shifts. “I considered [the internship] for a second, but then later I just realized how ridiculous the terms are,” one student said of the internship. “I can’t afford to do that, considering that Tokyo is not at all a cheap place to live.”
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The Guardian Explores the Challenges and Risks of Shipping and Transporting Masterpieces

March 25th, 2019

The Guardian has a piece this week on the logistics and challenges of shipping masterpiece artworks.  “At the end of the day, you have to make your peace with that,” one conservator says of the stressful and threatening conditions that works being shipped occasionally face. “You have to think what art is for.”
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