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RIP: Vito Acconci Has Passed Away at the Age of 77

Friday, April 28th, 2017

New York — Vito Acconci: “Where We Are Now (Who Are We Anyway?), 1976″ at MoMA PS1 Through September 18th, 2016

Sunday, September 4th, 2016

Vito Acconci Profiled in NYT

Sunday, June 5th, 2016

Vito Acconci Proposes Intricate Bridge Structure for Tasmanian Capital

Tuesday, January 13th, 2015

AO On Site – Miami Beach: Design Miami “Maybe Words Could Be Something Like Matter”: Vito Acconci in conversation with Mitchell Joachim, Friday, December 7th, 2012

Monday, December 10th, 2012

Vito Acconci

Thursday, January 3rd, 2008

AO On-Site: Printed Matter’s New York Art Book Fair, September 22nd – 24th, 2017

Friday, September 22nd, 2017

New York – Chris Burden: “Bridges” at Gagosian Park & 75 Through February, 20, 2016 and “Buddha’s Fingers” at Gagosian Gallery Madison Ave Through March 12th, 2016

Friday, February 19th, 2016

New York – “Fixing a Hole” Group Show at Koenig & Clinton Through August 2nd, 2014

Sunday, July 20th, 2014

Go See – New York: Ileana Sonnabend: “Ambassador for the New” at Museum of Modern Art Through April 24th, 2014

Wednesday, February 26th, 2014

New York – “Rituals of Rented Island” at The Whitney Through February 2nd, 2014

Friday, January 24th, 2014

AO On Site (Final Summary Part 2 of 2): The Art – Art Basel Miami Beach Art Fair 2012 Photoset and Recap

Monday, December 10th, 2012

New York – AO On Site: The Kitchen Benefit Art Auction, November 26th, 2012

Saturday, December 1st, 2012

New York – “Materializing ‘Six Years': Lucy R. Lippard and the Emergence of Conceptual Art” at The Brooklyn Museum Through February 3rd, 2013

Saturday, October 6th, 2012

Living Artists

Thursday, July 7th, 2011

Go See – New York: Lee Lozano ‘Tools’ at Hauser & Wirth through February 19, 2011

Saturday, January 15th, 2011

Go See – Denmark: Sophie Calle at the Louisiana Museum of Modern Art, through October 24th, 2010

Sunday, July 4th, 2010

AO On Site – SculptureCenter’s Lucky Draw 2010, April 13th, 2010, Long Island City, New York

Wednesday, April 21st, 2010

Newslinks for Monday September 27th 2009

Monday, September 28th, 2009

Newslinks for Saturday, June 13, 2009

Saturday, June 13th, 2009

Newslinks for Wednesday, February 18th, 2009

Wednesday, February 18th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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