UNTITLED. art fair is celebrating their first year at Art Basel Miami. Under the art direction of New York-based curator Omar Lopez-Chahoud, a beachfront pavilion was designed by architecture firm K/R (John Keenen and Terence Riley) to house a collection of international works by contemporary artists presented by 50 invited galleries. The space aims to emphasize the viewer’s experience while creating context for the works. “It is about creating a conversation,” says Lopez-Chahoud, “and thereby offering collectors a sense of discovery, diversity, and quality with an international perspective.” UNTITLED. is open through Sunday, December 9th.
Archive for the 'Art Fair' Category
Despite the large number of exhibitors from New York who are in recovery from Hurricane Sandy, almost every Chelsea gallery scheduled to exhibit will be at this year’s 11th edition of Art Basel Miami Beach week. Events begin as early as today, Monday, December 3rd and run through Sunday, December 9th. Exhibitors and artists are preparing for a flurry of activity, with a multitude of fairs, some old, some new; public installations, exhibitions, collaborations and of course, parties centering around the Delano, The W, Soho Beach House, The Deauville, The Raleigh, The Standard and others. Check out the detailed schedule of events below.
The Armory Show’s creative director, Michael Hall, has taken a position at Hauser & Wirth. Hall’s involvement ranged from the Armory’s Open Forum and Armory Film programs to the “Armory Focus” sections; he also took part in the selection of commissioned artists such as Theaster Gates and Liz Magic Laser. The co-founder and former director, Paul Morris, resigned in September after an 18-year tenure with the fair. It was reported by Art In America earlier this year that The Armory Show’s parent company, Merchandise Mart Properties, may be in negotiations to sell it along with the Volta Show and Art Platform Los Angeles. (more…)
Gallerist Cecilia Jurado of Y Gallery, NY in front of two works by Carlos Motta photo by A.M. Ekstrand for ArtObserved
Latin American week began with the Pinta art fair, which ran from November 15th – 18th, 2012, after which followed auctions at Christie’s, Sotheby’s and Phillips de Pury & Co. Several records were broken for Latin American artists, proving that the market is still robust, especially on the high end.
Roberto Matta, Nada 1943 courtesy Sotheby’s sold for $1.82 million (more…)
AO Interview With Artist Liliana Porter, Pinta New York’s Invited Artist for 2012, November 15th – 18th, 2012Thursday, November 15th, 2012
Liliana Porter (right) and Ana Tiscornia, photo by ArtObserved
The following an interview with Liliana Porter, November 14th, 2012, by Anna Mikaela Ekstrand for Art Observed:
As Liliana Porter received me in her West Village pied-a-terre for our interview, she asks, “hablas español?” The apartment is light, airy and sparsely decorated with objects such as a Claes Oldenburg pretzel on a shelf and a Richard Artschwager exclamation mark on a wall. As we walk to the window, Porter points out highlights of the view; the Chrysler building to the left and perhaps of more interest the rooftops and a garden beneath, belonging to Donna Karan “where she throws crazy parties”. Looking down it feels like we are on the balcony of a theater.
Eric Shiner, Director of The Andy Warhol Museum, has been appointed curator of Armory Focus: USA. In Celebration of the Centennial of the 1913 Armory Show, The Fourth Edition of Armory Focus will exhibit the achievements of contemporary art in America. Several museum cultural partners will host exhibitions relating to the 1913 Armory and the development of modernism. During the fair, the Museum of Modern Art will present Inventing Abstraction, 1910–1925; The Metropolitan Museum of Art will exhibit African Art, New York, and the Avant-Garde; The New-York Historical Society will host The Armory Show at 100, featuring such canonical works as Duchamp’s Nude Descending a Staircase, first viewed on American soil at The Armory Show of 1913. (more…)
The inaugural Untitled fair in Miami has announced its exhibitor list, among them Art in General, DODGE, Lu Magnus and The Hole, among others. Mostly from New York (and within that group, mostly from the Lower East Side), there are also a handful of international galleries. The fair will be curated by Omar Lopez-Chahoud in a beachfront tent at 12th Street and Ocean Drive and runs from December 5-9. (more…)
Museums take part in a panel discussion to show that developments are on schedule for Abu Dhabi, as the museums’ plans have been delayed due to economic and political issues. Frank Gehry, who designed the Guggenheim there, will speak at the Abu Dhabi Art Fair (7-10 November), as will Jean Nouvel and Norman Foster, who designed the Louvre Abu Dhabi and the Zayed National Museum, respectively. The fair has western gallery exhibitors such as Lisson, Hauser & Wirth, Thaddeus Ropac and Gagosian. (more…)
FIAC Grand Palais, photo courtesy We Want Contrast for Art Observed
FIAC, one of Europe’s main three art fairs, held its vernissage last night in Paris at the Grand Palais. Dealers saw strong blue chip sales, including an $8 million Joan Miro panting, despite concerns over France’s proposed increase in wealth taxes and a strong Frieze and Frieze Masters in London the week before.
Gilles Fuches, President Prix Marcel Duchamp
All photos by Tiphaine Popesco for Art Observed unless otherwise noted
The crowd at FIAC
FIAC has added more contemporary work from the second half of the 20th century in the last two years, attracting big collectors like Francois Pinault, Bernard Arnault, Alberto Mugrabi and Omer Koc.
Grand Palais, courtesy FIAC
FIAC, or the 39th International Contemporary Art Fair, will open tomorrow (Thursday) in Paris, with a VIP preview today, with 184 galleries exhibiting at the Grand Palais, and this year utilizing the restored Salon d’Honneur as well, which lies at the center of the structure. As in past years, galleries will exhibit sculpture at the Tuilieries Garden nearby. Approximately 65,000 visitors are expected to attend.
Tuilieries Garden courtesy FIAC (more…)
Frieze Masters and Frieze London concluded on October 14th, with both fairs reporting solid sales on the high end. This year, there was a distinct focus on curated booths and curatorial projects and less of an overt feeling of commercialization. Frieze Masters in particular focused on serious connoisseurship and an academic approach, both of which translated into a successful fair for dealers.
Toby Ziegler‘s The Cripples, image via Art Observed
Back in 2003 in Frieze’s first year, no major international art fair had ever been hosted in London before. Frieze Art Fair, organized by Matthew Slotover and Amanda Sharp, has helped take London from being a city without a focused art scene to its current state at the center of the European art market. Now in its tenth year, Frieze Art Fair in London’s Regent’s Park has seen around 60,000 visitors, with 264 dealers from 35 countries hoping to sell work (valuing an estimated £230m) created by more than 2,400 artists within 175 of the world’s leading galleries.
An Aaron Young motorcycle burn out work at Massimo de Carlo in Milan, photo via Art Observed
Image: Expo Chicago via The Chicagoist
Expo Chicago opens with a VIP vernissage tomorrow evening to benefit the Museum of Contemporary Art, Chicago. Many blue-chip New York galleries are participating this inaugural year, including big names like Matthew Marks, The Pace Gallery, Luhring Augustine and David Zwirner, as well as other international galleries like Yvon Lambert. In the Exposure section, younger galleries like DODGE gallery and Kate Werble will be exhibiting.
The Netherlands’ 10 day Maastricht Art Fair successful so far, dealing mainly old masters and antiques to seemingly recession-proof wealth [AO Newslink]
James Shaeffer at Reference Art from Richmond, Virginia. All photos on site for Art Observed by Elene Damenia.
The second iteration of the Dependent Art Fair took place on the Saturday afternoon of Armory week, alongside several satellite fairs—including the Independent Art Fair. Dependent organizer Rose Marcus gathered 20 galleries in the Lower East Side Comfort Inn hotel, offering the two night stay for a fair fee of $400. The DIY, tongue-in-cheek fair is geared toward community and dialogue amongst its participating galleries and artists, seeking a sort of humorous—yet rigorous—elegance, leaving the intense marketing focus of other fairs to the back seat. Up and down the six occupied floors (floors 3–8, with a smoking deck on 6), visitors squeezed through the hallways and into the individual hotel rooms to see a variety of contemporary painting, sculpture, video, and installations, including a bed-ridden mini Kawasaki motorcycle at Reference Art, or made-to-order rum-fruit smoothies at Roberto Paradise.
On the third and final day of the Armory Show 2012 both spirits and sales were high amongst the 228 exhibitors. Besides the notable success of David Zwirner’s solo booth by Michael Riedel, which sold out entirely in the first 30 minutes of the fair, many of the other galleries also benefited from the sales of their high-ticket items throughout the three-day exhibition. Art Observed spoke with representatives from various exhibitors including the Susan Sheehan Gallery, Spanierman Modern, Meredith Ward Fine Art, Art in General, Sprüth Magers, and the Gary Snyder Gallery. (more…)
Solid Objectives-Idenburg Liu (SO-IL) architects to create 1,500 ft long tent for Frieze Art Fair on Randall’s Island in May, with ‘neighborhoods,’ ‘wedges,’ and views of Manhattan along the curved structure, “It’s going to be very elegant,” says Frieze co-founder Matthew Slotover [AO Newslink]
AO On Site Interview: Michael Riedel on His Solo Installation at David Zwirner Armory Show Booth, March 8–11, 2012Friday, March 9th, 2012
Michael Riedel’s solo site-specific installation of silk-screened posters and wallpaper sold out within the first thirty minutes of the Armory Show preview at David Zwirner’s booth. Art Observed spoke with Riedel that very afternoon in the following interview.
Art Observed: I was really taken by your work and its interaction with systems. I felt that to be a foundational aspect of how you interact with art and what your art-making process is about. How did you get interested or involved with systems?
Michael Riedel: Well, there is a big German writer on systems, and it’s interesting because I found his writing after I produced a lot of works, and then I could say, ‘Wow, this is exactly what is in my work.’ So there is a strong relationship to his writing. I think he is a sociologist… anyway, I think this is something which makes total sense for me—as a product. It’s something that’s ongoing and changing, but also in the same time it is a fixed form somehow. Yet inside there are a lot of interests. You can also touch on the word reproduction; a lot of people like to talk about reproduction in reference to my work, yet there has been a shift in meaning of reproduction—it isn’t about a product anymore, but the process of production. Which means, in the process of producing works, they are only done to produce the next step, to recycle, to transform, to translate. So it’s an ongoing thing.
The Armory Show 2012 hosts 228 international exhibitors, “showing work that realizes the fair’s mission of innovation and discovery.” Split between Piers 92 and 94 on the west side of Midtown Manhattan, the show runs March 8–11, with several new programming initiatives and a re-designed floor plan added to the show’s fourteenth edition. Pier 94 is the larger exhibition hall, the Contemporary section featuring mainstay galleries Lisson Gallery, Sean Kelly, Victoria Miro, Kukje Gallery/Tina Kim Gallery, David Zwirner, Sprüth Magers, Gallery Hyundai, and Kaikai Kiki, among many others—including 19 invited Nordic galleries in the ‘Armory Focus’—while the Modern sector on Pier 92 is home to Marlborough Gallery, O’Hara Gallery, Inc., Pace Prints, Peter Findlay, and many more.
Art Basel Miami Beach attracted some 50,000 visitors for the fair’s 10th edition this year in Miami South Beach. Showcasing over 2,000 artists represented by over 260 galleries, the decadent week seemed to exist outside of the current dubious economic situation worldwide. Miami Beach Convention Center hosted the main fair, housing an endless number of gallery booths, a VIP Collectors Lounge, and Art Basel Conversations throughout the week. Nearby the Bass Museum of Art opened a solo exhibition by Erwin Wurm, its front lawn, Collins Park, spotted with sculptures by artists such as Antony Gormley and Damien Hirst. Seventeen satellite fairs got in on the action as well, Art Observed focusing on NADA and OHWOW in particular, while Scope, Pulse, Design Miami, and Art Miami, among others, also drew crowds. The week would not be complete without its exhausting nightlife, exclusive events at hotels like Delano, Mondrian, Raleigh, Shelborne, Shore Club, The Standard Miami, and W, partying late into the morning hours.
Lucian Freud, Seated Figure (1980-82); The Painter’s Mother (1972). Richard Gray Gallery.
AO On Site Photoset – Art Basel Miami Beach 2011: Art Public Sculpture Park in Collins Park, December 1-4, 2011Tuesday, December 6th, 2011
Collins Park, located just outside of The Bass Museum of Art on Collins Avenue just off the ocean, held the Art Public sector of Art Basel Miami Beach 2011, including artists such as Antony Gormley, Glenn Kaino, Thomas Houseago, and Zhang Huan,. The following is a photoset of the works.
AO On Site Photoset – Art Basel Miami Beach 2011: Visionaire Magazine’s Art Basel Rio Party at Delano, Friday, December 2, 2011Monday, December 5th, 2011
The Visionaire Magazine Art Basel Rio Party delivered colorful dancers to the wading pool of Delano, the pool already glowing with candles afloat. The extremely exclusive event also entertained guests with a 3-D stereoscopic projection and a Victorian table set in the shallow pool, with plenty of bed-like lounging arrangements and curtained private rooms around.
AO On Site Photoset – Art Basel Miami Beach 2011: NADA Cocktail Party at Shore Club, December 2, 2011Monday, December 5th, 2011
All photos on site for Art Observed by Caroline Claisse.
Artists and gallerists headed south from the Deauville location of the New Art Dealers Alliance (NADA) art fair to host a poolside cocktail party at Shore Club Friday night. A few large colorful abstract paintings framed the atmosphere, and a subtler Curtis Kulig banner draped above the DJ—a facade to more obscured lounging and a secret fabric gazebo.
AO On Site review with Photoset – Art Basel Miami Beach 2011: NADA Art Fair Summary at the Deauville Beach ResortMonday, December 5th, 2011
The New Art Dealers Alliance (NADA) art fair explores “new or underexposed art that is not typical of the ‘art establishment.'” Posting up nearly 50 blocks north of the main fair—Art Basel Miami Beach—the satellite fair moved to its Deauville Beach Resort location in 2009 to cut costs, making it a more affordable venture for the younger galleries while remaining a non-profit organization. Since first launching in 2003, the fair has clearly demonstrated the demand for emerging artists and their work, many of the galleries consistently selling out their booths within the first few days of the fair, if not hours. And despite this year’s questionable global economic environment, the fair proved a success once again, with galleries like Lisa Cooley, Kate Werble Gallery, The Hole, The Journal Gallery, Leo Koenig Inc., and White Columns all pleased with the results, prices topping out around $50,000. Also at the fair, multimedia artist Jayson Musson A.K.A. Hennessy Youngman lectured/performed “His History of Art” Thursday evening.