Archive for the 'Galleries' Category

Go See – Beijing: Lucian Freud and David Dawson at Faurschou Beijing until August 14th, 2011

Saturday, July 30th, 2011


David Dawson, David and Eli in progress, 2004

The relationship between master and apprentice is evident in the works from painter Lucian Freud and his assistant David Dawson now on view at Faurschou Beijing through August 14th. Dawson has worked as Freud’s assistant since 1991 and has been one of the few people allowed to photograph Freud in his studio as he works. The exhibitions pairs Freud’s painting David & Eli, (2003-04) with ten photos taken by Dawson at Freud’s studio between 2004 to 2006.


Installation view of Lucian Freud and David Dawson at Faurschou Beijing

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GO SEE – New York: “New Sculpture and Works on Paper” At Matthew Marks through July 1st 2011

Tuesday, May 24th, 2011


0 – 9, recto (2010) by Jasper Johns, via Matthew Marks Gallery

New works by Jasper Johns are currently on display at New York’s Matthew Marks Gallery in Chelsea. Open through July 1st, “New Sculpture and Works on Paper” fills three galleries with Johns’ recent works from the past five years.

Jasper Johns works primarily in painting and printmaking and is often considered to be the bridge between Abstract Expressionism and Pop Art. Perhaps most famous work is Flag (1954-1955) a mixed-media painting of the United State’s flag. He is particularly known for using repetitive letters and numbers with the effect of reconsidering the meaning of everyday symbols in the context of a work of art.

All but one of the new sculptures use Johns’ grid of numerals 0 through 9. Each of the sculptures is first made in wax; the surface is then altered using a variety of textures, and added elements and impressions such as texts or his own hand. Johns then casts them in aluminum, bronze, or silver, covering the finished surface with a unique patina.

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Go See – Berlin: Anselm Reyle and Raymond Pettibon at Contemporary Fine Arts until June 11th, 2011

Sunday, May 22nd, 2011


Raymond Pettibon No Title (Have You Seen) (2011), via CFA Berlin.

American artist Raymond Pettibon and German artist Anselm Reyle opened Contemporary Fine Art’s exhibition in this year’s Gallery Weekend Berlin.  Pettibon’s show is titled “Looker-Upper”, and is composed of more than eighty new drawings, portraying themes from sports, sex, and popular culture.  Reyle’s show is titled “Little Cody”, and is made up of several painting/compositions, three foil-neon pieces, and collection of sofas.  Pettibon’s show takes up the ground floor of CFA, while Reyle’s show takes up the second.


Anselm Reyle Untitled (2011), via CFA Berlin.

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Don’t Miss- Los Angeles: Walead Beshty at Regen Projects, Through May 14th 2011

Tuesday, May 10th, 2011


Walead Beshty, Installation View: PROCESSCOLOR FIELD (2011)   via Regen Projects

Currently at Regen Projects are new color field photographs by Los Angeles based artist, Walead Beshty.  This marks Beshty’s first show at Regen Projects, and it transitions between themes of history, formality and structure.  The gallery is dense with Beshty’s large-scale photographs, which speak to photographic process and its potential to present as sculpture,  environment and painterly object.

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Go See – Los Angeles: Diane Arbus “People and Other Singularities” at Gagosian Gallery through May 27th 2011

Tuesday, April 26th, 2011


Diane Arbus, A Castle in Disneyland (1962), via Gagosian

The Gagosian Gallery in Los Angeles presents “People and Other Singularities,” an exhibition of the photographs of Diane Arbus between the years of 1956 to 1971. The gallery showcases  the most extensive collection of Arbus photographs within Los Angeles since “Diane Arbus: Revelations” at the Los Angeles County Museum of Art in 2004. “People and Other Singularities” contains several photographs that have never before been exhibited publicly, along with some older favorites that have become part of photography’s canon.


Diane Arbus, Identical Twins(1962) via Diane Arbus Photography

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Go See – Geneva: Richard Serra ‘Greenpoint Rounds’ at Gagosian Gallery through May 14th, 2011

Friday, April 15th, 2011

Richard Serra, Calvino (2009) via Artnet.com

Currently showing at Gagosian Geneva, is Richard Serra‘s “Greenpoint Rounds,” featuring large-scale drawings using a paint stick and showcasing a medium Serra is not often associated with. Primarily know for his sculptural work, Richard Serra plays on minimalism through methods that encompass both shape and texture. The gallery’s rounded, sparse walls emphasize the shape and movement in the new drawings, which will be on display through May 15th.

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Don’t Miss: Bruce Nauman, For Children / For Beginners at Sperone Westwater through December 18th, 2010

Sunday, December 12th, 2010


Bruce Nauman For Beginners (all the combinations of the thumb and fingers), 2010. All images courtesy of Sperone Westwater.

Currently on view at Sperone Westwater‘s new Bowery location are new video and sound pieces by artist Bruce Nauman. According to a statement given by Assistant Director Maryse Brand to The Huffington Post, the inspiration for the new works on display arose when the artist read the words ‘for children’ in a book, which made Nauman consider piano pieces written specifically for children learning to play the piano. This in turn, led to the piece For Beginners (all the combinations of the thumb and fingers), two large video projections of the Nauman’s hands in all 31 different possible combinations of each finger and thumbs. Each video is accompanied by an audio feed of the artist reading instructions for each combination. The two videos are the same except for the background color, but are not synchronized, making a layering of sound.


Bruce Nauman For Children/For Beginners, 2010.

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Don’t Miss – New York: Damien Hirst “Medicine Cabinets” at L&M Arts Through December 11th

Friday, December 3rd, 2010


Installation view, “Damien Hirst: Medicine Cabinets” at L&M Arts, New York. Courtesy of L&M Arts.

In case you missed Damien Hirst at last month’s Contemporary Art auctions (just one painting made it to an evening sale), there is still time to see eighteen of the artist’s Medicine Cabinets installed at L&M Arts in New York. The cabinets are exhibited along with a collection of Sex Pistols memorabilia that includes posters, prints, and t-shirts.

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Don’t Miss – Los Angeles: Dan Graham at Regen Projects through December 8th, 2010

Friday, December 3rd, 2010


Dan Graham, Installation View, Courtesy of Regen Projects

A new pavilion by conceptual artist Dan Graham is currently on display at Regen Projects. The pavilion, like most of Graham’s prior architectural environments, uses corporate architectural foms as a means to discuss theories of perception and social experiences of art. The tear drop shaped pavilion Penultimate Curving Pavilion (2010) is the centerpiece of the exhibition. The work combines two-way glass with mirrors that alter and confuse the viewer’s pereption of the gallery space, the space within the work, as well as glimpses of the other gallery visitors.

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Go See – New York: John Currin at Gagosian Gallery through December 23, 2010

Wednesday, November 24th, 2010


John Currin, Mademoiselle, 2009. All images via Gagosian Gallery.

On view at Gagosian Gallery’s Madison Avenue venue is an exhibition of new and recent paintings by John Currin. Best known for his provocative, realist pictures inspired by Old Master works and vintage Danish pornography, Currin has expanded his figural repertory of female nudes to include satirical aristocratic portraits and mannerist re-imaginings of advertisements from Cosmopolitan.


John Currin, The Dogwood Thieves, 2010.

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Go See – New York: Luc Tuymans "Corporate" at David Zwirner Through December 21, 2010

Monday, November 22nd, 2010


Luc Tuymans, Speech, 2010. All images via David Zwirner Gallery.

In a series of new paintings entitled Corporate, Belgian artist Luc Tuymans explores the social implications and troubling consequences of corporations and corporate identities. Tracing the origins of modern industry back to the dissolution of medieval feudalism, Tuymans addresses the mechanisms by which these entities shape contemporary culture. Through the visual vocabulary of corporate life, ranging from workplace lighting conditions to iconographies of trade and marketing, Tuymans distills the essential formal qualities of this phenomenon’s historical impact.


Luc Tuymans, Fortis, 2010.

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Don’t Miss- New York: Marcel Broodthaers “Major Works” at Michael Werner through November 13, 2010

Wednesday, November 10th, 2010


Marcel Broodthaers, Les Portes, 1969. Vacuum-formed plastic, hand painted, 192 x 178 cm. All images courtesy of Michael Werner Gallery.

Currently on view at Michael Werner Gallery is Marcel Broodthaers “Major Works.” The exhibition marks the second this fall of Belgian conceptual artist Broodthaers, who began his career as a poet before turning to visual art at age 40. Stemming from his roots in poetry, Broodthaers’ visual practice involved playful, provocative juxtapositions of word and image, poetry and object, language and art. His work is varied, dabbling in appropriations, film, image and text combinations, and mixed media installations he called decors.

The artist found inspiration in the Surrealists and American Pop artists, citing influence from Oldenburg, Segal, Mallarmé, and Magritte. Unfortunately, the artist’s career was tragically cut short when, a mere twelve years later, he succumbed to liver disease on his 52nd birthday. However, he leaves behind an astounding number of works, many of which have had a profound impact on future artists, including Richard Prince, Rachel Harrison, Philippe Parreno and Tino Sehgal.


Marcel Broodthaers, Dites Partout Que Je L’Ai Dit (Say Everywhere That I Have Said It), 1974. Parrot under bell jar, audiotape, 2 framed works. Variable dimensions.

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Go See – London: Marina Abramović at Lisson Gallery through November 13, 2010

Friday, October 29th, 2010


Marina Abramović, Portrait with white lamb. 2010. Courtesy the artist, Marco Anelli and Lisson Gallery.

Currently on view at Lisson Gallery London is an exhibition of new and retrospective works by Marina Abramović. The installation showcases videos, photographs, and sculpture, divided in two parts between galleries across the street from one another. In one, her seminal Rhythm series is mounted in its entirety for the first time; in the other, Abramović’s new series Back to Simplicity makes its debut.

Back to Simplicity reveals a somewhat softer side of Abramović: exhausted from her recent 90-day performance at the MoMA New York, the artist returned to nature to renew her energy. Shot in upstate New York, where Abramović intends to open an institute for the preservation of performance art, the recent images are a far cry from the challenging, violent, and provocative work for which Abramović is known. Instead of pills, guns, or other tools of violence, the artist’s new companion is the lamb. As a symbol of innocence, this creature carries with it a gentler, more vulnerable air.


Marina Abramović. Video still from Confession. 2010. Image courtesy the artist and Lisson Gallery.

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Don't Miss – New York: Carol Bove, Sterling Ruby, and Dana Schutz at Andrea Rosen Gallery through August 20, 2010

Monday, August 16th, 2010


Installation View. Carol Bove, Sterling Ruby, Dana Schutz. Andrea Rosen Gallery, 2010. All images courtesy of Andrea Rosen Gallery.

Open until Friday, August 20 at Andrea Rosen Gallery is a group exhibition featuring artists Carol Bove, Sterling Ruby, and Dana Schutz. Each of the works on view in this summer show explore themes of confinement, disaster, and violence, uniting the disparate styles and material approaches of the three participating artists.

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Go See – Los Angeles: 'Picture Industry' at Regen Projects through August 21st, 2010

Sunday, August 8th, 2010


Picture Industry (Goodbye to All That), Installation view, Regen Projects II, Los Angeles. All images courtesy of Regen Projects.

Currently on view at Regen Projects, Los Angeles, is the group show Picture Industry (Goodbye to All That), curated by artist Walead Beshty. ‘Picture Industry’ refers both to the physical setting and the conceptual pretext within which the show is presented, with Los Angeles as the focus in terms of both place and content. Included in the exhibition are works by Tauba Auerbach, Thomas Barrow, Carol Bove, Troy Brauntuch, Tony Conrad, Abraham Cruzvillegas, De Rijke / De Rooij, Liz Deschenes, Isa Genzken, Wade Guyton, Robert Heinecken, Karen Kilimnik, Imi Knoebel, Michael Krebber, Glenn Ligon, Erlea Maneros Zabala, Albert Oehlen, Manfred Pernice, Seth Price, Richard Prince, Josephine Pryde, R.H. Quaytman, Eileen Quinlan, Miljohn Ruperto, Michael Snow, Cosey Fanni Tutti, Charline Von Heyl, Kelley Walker, James Welling, Christopher Williams & Christopher Wool.

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Go See – London: Joseph Cornell and Karen Kilimnik at Sprueth Magers through August 27, 2010

Friday, August 6th, 2010


Above: Karen Kilimnik, Me Corner of Haight & Ashbury, 1966, 1998.
Below: Joseph Cornell, Untitled, c. 1953.
Image courtesy of the Artists, 303 Gallery New York and Sprueth Magers Gallery Berlin London.

Currently on view at Sprueth Magers London is “Something Beautiful,” a collaborative show by American artists Joseph Cornell and Karen Kilimnik. Curated by Todd Levin, the exhibition features paintings, collages, and mixed-media installations that reflect the influence of the Romantic-era ballet on both artists.

Joseph Cornell (1903-1972) was an American artist known for pioneering the art of assemblage. Created from found objects, Cornell’s boxes often read like three-dimensional Surrealist paintings. He admired the work of Max Ernst and Rene Magritte, but claimed to have found their work to be too dark.  His work was also inspired heavily by his beliefs in Christian Science, which he adopted in his early twenties. He never received formal training as an artist, but was influenced by American Transcendentalist poetry and French Symbolist painters, such as Mallarme and Nerval. Another motif of his work, 19th century European ballet dancers, comes to life in this exhibition.

Similarly, Karen Kilimnik’s work redeploys discreet objects in a quest for the romantic sublime. Theater and stagecraft have figured strongly in her installations, and her use of particular materials suggests the influence of Cornell. Often making direct references to Degas and other Impressionist painters, Kilimnik’s subjects occupy a nineteenth-century world: one of mystery, drama, and romance.

Anthony Byrt, in his review for Art Forum, refers to Levin’s conceptual approach here as a “bold curatorial statement,” suggesting that the premise upon which the two artists are connected is a precarious one. However, “Ballet aside,” says Byrt, “tangible links do emerge, such as theatricality, quiet spectacle, and ideas of feminine beauty, which both artists explore.”


Karen Kilimnik, Paris Opera Rats, 1993. Image credited as above.

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Go See – Tokyo: Anish Kapoor at Scai the Bathhouse through June 19th, 2010

Sunday, June 6th, 2010


Shooting into the Corner, Anish Kapoor, 2009. Image via Scai the Bathhouse.

Anish Kapoor has installed five new sculptures at Scai the Bathhouse, Tokyo.  This is the third time Kapoor has exhibited his sculptures at the Japanese contemporary art gallery.  Although from Mumbai, India, Scai’s location prompted Kapoor to draw inspiration from Japanese craft, and to collaborate with an urushi lacquerware artist.


Untitled, Anish Kapoor, 2009. Image via Scai the Bathhouse.

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Go See – New York: Martin Creed – Jonathan Horowitz at Gavin Brown through June 19th, 2010

Friday, June 4th, 2010


Installation views, Martin Creed & Jonathan Horowitz at Gavin Brown’s Enterprise.
All images via Gavin Brown’s Enterprise

On view at Gavin Brown’s Enterprise are concurrent solo shows by artists Martin Creed and Jonathan Horowitz. Creed has fashioned a site-specific installation by remaking the gallery floor into a collage of more than 100 different slabs of marble. The exhibit also includes paintings, performance works, and the premier of a new film. The multi-room installation “Go Vegan” by Horowitz offers a unique perspective on vegetarianism and sustainability, and addresses the ever growing consumption of commoditized pop culture in contemporary society. This marks the inaugural exhibition of the newly expanded space at Gavin Brown’s Enterprise, which now extends into the 10,000 square foot space formerly occupied by the butchery and meat purveyor Pat LaFrieda Meats.

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Go See – New York: Richard Diebenkorn at Greenberg Van Doren Gallery, through June 25th, 2010

Monday, May 31st, 2010


Untitled by Richard Diebenkorn, 1950. All images via Artnet unless otherwise noted.

Currently on view at Greenberg Van Doren Gallery, New York, is an exhibition titled “Richard Diebenkorn: Paintings and Works on Paper 1949-1955″. Organized in cooperation with the Estate of Richard Diebenkorn, this exhibition features thirty-six works on paper  of this well-known American artist, whose early work is associated with Abstract Expressionism.

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Don't Miss – Berlin: Cecily Brown at Contemporary Fine Arts, through June 5th, 2010

Saturday, May 29th, 2010


Justify My Love, Cecily Brown, 2004, oil on linen. Image via CFA, Berlin.

Cecily Brown‘s exhibition at the Contemporary Fine Arts, Berlin, features large-scale oil paintings on canvas and linen.  Brown camouflages her subjects, often females in torrid positions, within alternately muted and frenzied colors and animated brush strokes.  Her use of blurred lines and monochromatic colors forces the observer to look carefully to discern the action of the painting.  Brown employs figuration and expressionism in this exhibition, which combines lush landscape paintings with motifs of sexuality and attraction.

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Go See – New York: Kiki Smith at The Pace Gallery on 22nd Street through June 19th, 2010

Friday, May 28th, 2010

Kiki Smith, Pilgrim, 2007-2010, leaded stained glass in steel frames, installation dimensions variable. All installation images courtesy G.R. Christmas courtesy The Pace Gallery.

Currently on view at The Pace Gallery‘s location on 545 W 22nd Street is Kiki Smith: “Lodestar.” A parallel narrative to this exhibition can be found in “Sojourn,” Smith’s concurrent solo show now on view at the Brooklyn Museum (through Sept 12). “Sojourn” marks the artist’s first major museum show in New York since a mid-career survey at the Whitney Museum in 2006. “You have to hit the ground running,” Smith recently told the New York Times, in reference to her process. Ever busy, the artist has also recently been commissioned to design a 16-foot-high window for the Eldridge Street Synagogue in New York’s Lower East Side. The historic landmark is scheduled for completion later this year.

The west coast also welcomes the artist’s presence this year: through August 15, 2010, Seattle’s Henry Art Gallery is showing “Kiki Smith: I Myself Have Seen It,” which explores the role of photography in the development of Smith’s aesthetic. The exhibition will travel to the Frances Young Tang Teaching Museum and Art Gallery at Skidmore College in the fall and to the Mary and Leigh Block Museum of Art, Northwestern University in the spring of 2011.

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Go See – New York: Fernando Botero at Marlborough Chelsea through May 29th, 2010

Saturday, May 22nd, 2010


Woman on the Horse, 2006 by Fernando Botero.  All images via Marlborough Gallery unless otherwise noted.
[This work is one of the most imposing sculptures in show, with a total weight of 1,600 pounds.]

Currently on view at Marlborough Gallery, Chelsea, New York is an exhibition of the works by the Colombian artist Fernando Botero.  On display in the gallery are works representing classical subjects such as Leda and the Swan, 2007 and Rape of Europe, 2007. The exhibition is on view until May 29th.

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Go See – Paris: Georg Baselitz at Galerie Thaddaeus Ropac through May 29th, 2010

Wednesday, May 19th, 2010


Installation view. All images via Thaddaeus Ropac Gallery

On April 24, Galerie Thaddaeus Ropac, Paris, hosted the opening of the exhibition of the new works by Georg Bazelitz. The show includes a series of Bazelitz’ new monumental sculptures, several paintings, and a number of works on paper that are on display in the gallery’s Drawing Space.

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Go See – New York: Richard Tuttle at Sperone Westwater through May 22nd, 2010

Tuesday, May 18th, 2010

Installation view: Richard Tuttle’s “Village V”. All images courtesy of Tom Powel Imaging for Sperone Westwater Gallery.

Currently on view at Sperone Westwater Gallery through May 22, 2010, is Richard Tuttle‘s “Village V”. The exhibition is composed of 26 drawings and one sculpture against stenciled walls. It seeks to expand the concept of drawing, investigate color and line, question ideas of composition and frame, and merge the mystical with the tangible. The work was one of Tuttle’s six “Villages” shown in “Richard Tuttle: It’s a Room for 3 People” at the Drawing Center in 2005.

Richard Tuttle, “Village V, No. II, 9″, 2004, balsa wood, sawdust, acrylic and graphite on paper, 14 x 16 7/8 inches (35,6 x 42,9 cm)

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