Walking into Air de Pied-à-terre, the newest show on display at artist Lisa Cooley’s gallery, one is reminded of an otherworldly hotel lobby. With the help of fellow artist and curator Alan Reid, Cooley has created an “Air de-Pied-à-Terre” (an alternative living space, located away from one’s home). The gallery has numerous articles that evoke a nostalgic atmosphere within the show – mobiles that dance around the room, paintings that mimic children’s creations, and homely looking text juxtaposed against more classical looking portraiture. The entirety of the show is punctuated by stereotypically domestic constituents such as chairs and potted plants that engulf the viewer and invite them to make themselves at home. (more…)
Archive for the 'Go See' Category
At 511 West 18th Street, in the 24,700 square feet that formerly housed the roller disco known as “The Roxy,” Hauser & Wirth have found their second home in New York. Maintaining their other location on the Upper East Side, the expansion to Chelsea is their fifth location worldwide, and celebrates an important landmark: the gallery’s twentieth anniversary. A hefty book of over 1,000 pages, edited by Hatje Cantz, accompanies the event: Hauser & Wirth 20 Years. The exhibition inaugurating the space could not be more fitting: a father-and-son collaboration which took place over that same twenty year period: Dieter and Björn Roth.
Artist Dieter Roth smokes a cigarette in Roth New York Bar.
Paris’s iconic Colette concept store is currently exhibiting new photographic works from artist Maxwell Snow, brother of the late Dash Snow. Monochromatic images feature French actress Rebecca Dayan and model Arizona Muse in a homage to 19th century Romanticism, fittingly titled after Lord Alfred Tennyson’s poem “The Lady of Shalott”. (more…)
With a consistency that can almost be regarded as mechanical, 2013 marks another show by Belgian painter Luc Tuymans at David Zwirner in New York. Since joining the gallery in 1994, the Belgian painter has held solo exhibitions in the gallery every two years, and is currently presenting a new series of thematically interwoven works that expound on his sparsely colored, figurative approach, titled The Summer is Over.
Black Cake at Team Gallery is a multi-generational group exhibition curated by Alex Gartenfeld, the young critic and curator whose former West Street Gallery project space was a notable new addition to the downtown art scene before it closed last summer. The exhibition takes its point of departure from the Gaelic spring ritual of Beltane (by way of scholar Roberto Calasso’s account in his 1994 book The Ruin of Kasch), during which a cake would be prepared and divided among members of a tribe. One piece would be covered in ash (hence the name “black cake”), and whomever chose this piece would be pushed into the Beltane bonfire, becoming a sacrificial casualty of the fertility holiday. The exhibition presents the diverse aesthetic iterations of “sweetness” and social identity in contemporary art, notions addressed dynamically across a variety of media through the works on view.
For the first time in seven years, painter Francesco Clemente is having a show in London, titled “Mandala for Crusoe,” at Blain|Southern’s recently opened Hanover Square location. Born in Italy, Clemente divides his time between New York and Varanasi, a city on the banks of the Ganges River in northern India, and the works in this exhibition reflect this diverse international influence.
AO Interview – Peter Burr before his “Special Effect” performance at The Museum of the Moving Image tomorrow, Friday, January 18th at 7PMThursday, January 17th, 2013
Over the course of his career, video artist Peter Burr has worn many hats; founding avant-garde animation label Cartune Xprez, playing and animating for the performance art duo Hooliganship, and working on a variety of video projects and installations around the globe. His newest work, titled Special Effect, will hold its U.S. premiere at the Museum of Moving Image on Friday, January 18th. Taking the eerie, haunting film Stalker by Russian filmmaker Andrei Tarkovsky as its jumping off point, the show is a multifaceted media presentation, incorporating music, live performance, projection, body mapping, and a selection of videos from contributors across the new media landscape.
Art Observed had the opportunity to speak with Burr about the show, his take on Stalker, and his approach to creating this ambitious work.
AO On Site: New York – Opening of Andy Kaufman “On Creating Reality” At Maccarone Gallery, Through February 16,2013Wednesday, January 16th, 2013
Revered for his vast wealth of original material and unique approach to performance, comedian and performance artist Andy Kaufman left an enduring legacy that challenged and transcended conventional assumptions of genre and presentation. Frequently characterized as a comedian or “personality,” Kaufman’s work on television and in live performance frequently confounded and amazed his audience, and positioning him as a pioneer of new media performance and relational aesthetics. His work in the 1970’s and 80’s before his death in 1984 included turns as an Elvis impersonator, “The Intergender Wrestling Champion of the World,” and even a foul-mouthed lounge singer named Tony Clifton. (more…)
AO On-Site Interview – David Shrigley at the Opening of “Signs” – January 10th, 2013 at Anton Kern GallerySaturday, January 12th, 2013
Blending the mundane and the morbid with a healthy sense of humor and cultural subversion, David Shrigley has been producing his particular blend of cartoonish satire for over 20 years. Trained as a sculptor, the artist has also produced a trove of ink drawings, animations and other projects that showcase his brand of wit and empathy, exploring neurosis, mortality, absurdity and even the art world itself. (more…)
Sol LeWitt, Wall Drawing #467. All images courtesy Galerie Marian Goodman.
Galerie Marian Goodman in Paris is hosting an exhibition of Sol LeWitt’s wall drawings and other work, through January 26th. LeWitt, credited as the father of conceptual minimalism, has been widely exhibited internationally since 1965. The work of this American-born artist encompasses a variety of mediums and styles. Pyramides is a series of wall drawings conceived between the years of 1985-1994. Four floor-to ceiling geometric shapes etched directly onto the walls of the gallery represent some of LeWitt’s most recognizable and iconic work.
Over the course of his lifetime, Swiss painter Ferdinand Hodler moved among a variety of subjects and approaches, from audacious works of symbolism, to sweeping landscapes, to a vigorous body of portraiture. This expansive oeuvre is currently on view at New York City’s Neue Gallery in “View to Infinity,” showcasing the diversity and unique perspectives running through Hodler’s work. The show is presented in conjunction with the Fondation Beyeler, Basel, where it will show from January 27 to May 26, 2013
Visceral and dynamic, the canvases of American graffiti artist and painter Barnaby Furnas ripple with a kinetic energy. Filling his paintings with evocative imagery, explosive movement and the near-omnipresent splatters of blood that has become one of his calling cards, Furnas has culled a reputation for his unique take on culture and history.
New York – Ann Hamilton “the event of a thread” at The Park Avenue Armory, through January 6th, 2013Thursday, January 3rd, 2013
American artist Ann Hamilton is widely recognized for her large-scale immersive multimedia installations, touching upon themes of collective consciousness, space and labor. Her current installation, “the event of a thread” commissioned by and on view at The Park Avenue Armory in New York, does not fall short. (more…)
Two exhibitions will celebrate the seminal Armory Show of 1913 this year, “The New Spirit: American Art in the Armory Show, 1913″, which opens at the Montclair Art Museum in New Jersey on the exact day of the centennial anniversary; and “The Armory Show at 100″, at the New York Historical Society in the fall. The original show, organized by Walt Kuhn and Arthur B. Davies, was so shocking to American audiences that “…in Chicago, art students felt so threatened that they burned Brancusi and Matisse in effigy, a scene that a German expressionist might have done justice to – except that there was no German expressionism in the show.” (more…)
On view through January 6th at Kunstsammlung Nordrhein-Westfalen, Düsseldorf is a survey of Gillian Wearing’s film and photographs. The 1997 Turner Prize recipient’s work explores the relationship between one’s public and private personas, and the difference between reality and fiction.
London – “William Kentridge: I Am Not Me, the Horse is Not Mine”, At The Tate Modern, Through January 20th, 2013Monday, December 31st, 2012
I Am Not Me, the Horse Is Not Mine by William Kentridge, consists of six individual projections juxtaposed against various walls of the Tanks in the Tate Modern. The projections cumulatively comprise a narrative that depicts the story of The Nose (1837), by Nikolai Gogol, whereby a spiteful nose departs itself from its owner’s face, tries to leave the city and is consequently arrested. However despite this, one morning when the owner wakes up, he finds his nose has returned.
12/12/12 at 12:00 opened the first-ever Indian Biennial, held in the South Indian city of Kochi, Kerala, 30 kilometers from the historic Muziris islands. Twenty-three of the eighty-two showcased artists in the Biennale are native to the state, with more than forty from India. The remaining artists come from all over the world, including Ai Weiwei (China), Ernesto Neto (Brazil), Cyprien Gaillard (France), and Wangechi Mutu (Kenya) among others. Musician M.I.A., whose family is originally Sri Lankan, inaugurated the showcase with her own Indian performing debut, additionally contributing her own hologram-based artworks to be viewed throughout the exhibitions. Modeled after the Venice Biennale, Kochi-Muziris runs for three months, through March 13th, 2013. (more…)
Rosemarie Trockel: A Cosmos, all images courtesy New Museum
The New Museum, in collaboration with the Museo Nacional de Arte Reina Sofia, presents the illuminating and expansive world of Rosemarie Trockel. Lynn Cooke, former deputy director and chief curator at Reina Sofia, worked with Trockel to imagine a world that is very much Trockel’s without being Trockel-centric: her lumpy sculptures and smooth, linear woolworks are shown with a massive preserved lobster and other natural artifacts; her videos and installations abide just a level above the orangutan Tilda’s three paintings; 18th century naturalist Maria Sybilla Merian‘s precise watercolors hang near the self-taught Judith Scott‘s frenetically wrapped yarn sculptures. (more…)
Hauser & Wirth is currently showing Isa Genzken’s mixed media readymade assemblages, a variety of figural sculptures. Isa Genzken was born in 1948 and currently resides and works in Berlin. She was previously married to Gerhard Richter, with whom she has collaborated over the years. Genzken is a mixed media sculptor whose work draws on aspects of constructivism and minimalism, also taking inspiration from architecture. Her work is often compromised of media associated with building materials, used in conjunction with readymades.
Currently on display at Luhring Augustine in Chelsea is Glenn Ligon: Neon, his first solo exhibition at the gallery. Over the past seven years, Ligon has created these neons, which relate to his famous text paintings that he created back in the 1980s. The pieces address a variety of historical, social and political issues, all with the underpinning of the use and re-use of language.
Glenn Ligon, “Palindrome #1″, 2007, Neon, Courtesy of Luhring Augustine (more…)
With scatterings of futuristic beings juxtaposed against white walls walls and the faded grey floor of White Cube’s Bermondsey space is Antony Gormley’s new exhibition, Model. Darkened figures lurk in the shadows, emerging from the concrete; domineering inhabitants shun away the seemingly unwelcome spectators. Occupying the South Gallery is the massive work, itself entitled Model, which allows visitors to walk into its complete darkness and allow anything to happen.
Paris – Kehinde Wiley: “The World Stage: France, 1880 – 1960″ at Galerie Daniel Templon Through December 24th, 2012Friday, December 21st, 2012
Kehinde Wiley, The Three Graces, all images courtesy Galerie Daniel Templon
Galerie Daniel Templon in Paris is presenting Kehinde Wiley’s first solo show in France, entitled The World Stage: France, 1880-1960. Wiley’s portraits feature mostly black and brown men on elaborate, baroque backgrounds, their natural stances modified by Wiley to echo the Napoleonic, kingly gestures of traditional portraits like those of Anthony van Dyck.
Kehinde Wiley, Bonaparte in the Great Mosque of Cairo
The paintings of Pieter Schoolwerth sit at a peculiar intersection of homage and irreverence, combining classic painting techniques with a uniquely surreal vision of contemporary society, exploring the act of representation in painting, and continually playing with the nature of the human body as depicted in the fine arts. (more…)