<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>AO Art Observed™ &#187; Art News</title>
	<atom:link href="http://artobserved.com/category/ri/feed/" rel="self" type="application/rss+xml" />
	<link>http://artobserved.com</link>
	<description></description>
	<lastBuildDate>Wed, 08 Feb 2012 05:10:10 +0000</lastBuildDate>
	<language>en</language>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.2.1</generator>
		<item>
		<title>Paris: Dan Flavin &#8216;An Installation&#8217; at Galerie Perrotin through March 3, 2012</title>
		<link>http://artobserved.com/2012/02/paris-dan-flavin-an-installation-at-galerie-perrotin-through-march-3-2012/</link>
		<comments>http://artobserved.com/2012/02/paris-dan-flavin-an-installation-at-galerie-perrotin-through-march-3-2012/#comments</comments>
		<pubDate>Wed, 08 Feb 2012 05:10:10 +0000</pubDate>
		<dc:creator>A. Wilkinson</dc:creator>
				<category><![CDATA[Art News]]></category>
		<category><![CDATA[Go See]]></category>
		<category><![CDATA[Dan Flavin]]></category>
		<category><![CDATA[Galerie Perrotin]]></category>
		<category><![CDATA[Paris]]></category>

		<guid isPermaLink="false">http://artobserved.com/?p=66316</guid>
		<description><![CDATA[Installation View Galerie Perrotin is currently radiating with Dan Flavin’s fluorescent light sculptures. An Installation features eight sculptural works from the years 1963–89 and three schematic drawings. 1963 was a seminal year for Flavin, as he removed all other elements from his practice to work solely with commercially available fluorescent lights. With clarity and simplicity, [...]]]></description>
		<wfw:commentRss>http://artobserved.com/2012/02/paris-dan-flavin-an-installation-at-galerie-perrotin-through-march-3-2012/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>London: Serpentine Gallery commissions Ai Weiwei and Herzog &amp; de Meuron collaboration for 2012 Pavilion Series</title>
		<link>http://artobserved.com/2012/02/london-serpentine-gallery-commissions-ai-weiwei-and-herzog-de-meuron-collaboration-for-2012-pavilion-series/</link>
		<comments>http://artobserved.com/2012/02/london-serpentine-gallery-commissions-ai-weiwei-and-herzog-de-meuron-collaboration-for-2012-pavilion-series/#comments</comments>
		<pubDate>Tue, 07 Feb 2012 21:34:35 +0000</pubDate>
		<dc:creator>Samuel</dc:creator>
				<category><![CDATA[Art News]]></category>
		<category><![CDATA[Ai Weiwei]]></category>
		<category><![CDATA[Herzon & de Meuron]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[Serpentine Gallery]]></category>

		<guid isPermaLink="false">http://artobserved.com/?p=66656</guid>
		<description><![CDATA[Herzog &#38; de Meuron, Ai Weiwei outside their Beijing &#8216;Bird&#8217;s Nest.&#8217; Via Bustler. The Serpentine Gallery in London announced today that Chinese activist-artist Ai Weiwei and Swiss architects Herzog &#38; de Meuron will team up for the 12th annual Serpentine Gallery Pavilion commission. The trio will translate their 2008 collaboration of the &#8216;Bird&#8217;s Nest&#8217; arena [...]]]></description>
		<wfw:commentRss>http://artobserved.com/2012/02/london-serpentine-gallery-commissions-ai-weiwei-and-herzog-de-meuron-collaboration-for-2012-pavilion-series/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title></title>
		<link>http://artobserved.com/2012/02/pascal-spengemann-taxter-director-marlborough-chelse/</link>
		<comments>http://artobserved.com/2012/02/pascal-spengemann-taxter-director-marlborough-chelse/#comments</comments>
		<pubDate>Tue, 07 Feb 2012 21:31:25 +0000</pubDate>
		<dc:creator>Samuel</dc:creator>
				<category><![CDATA[Art News]]></category>
		<category><![CDATA[Marlborough]]></category>
		<category><![CDATA[Pascal Spengemann]]></category>

		<guid isPermaLink="false">http://artobserved.com/?p=66676</guid>
		<description><![CDATA[‪‬Pascal Spengemann, formerly of Taxter &#38; Spengemann, appointed new Director at Marlborough Chelsea, &#8220;I hope to help Marlborough to foster an atmosphere of experimentation melded with broad appeal.” [AO Newslink] Read article via Art Daily]]></description>
		<wfw:commentRss>http://artobserved.com/2012/02/pascal-spengemann-taxter-director-marlborough-chelse/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Vila Velha, Brazil: Os Gemeos &#8216;Fermata&#8217; at Museu Vale through February 12, 2012</title>
		<link>http://artobserved.com/2012/02/vila-velha-brazil-os-gemeos-fermata-at-museu-vale-through-february-12-2012/</link>
		<comments>http://artobserved.com/2012/02/vila-velha-brazil-os-gemeos-fermata-at-museu-vale-through-february-12-2012/#comments</comments>
		<pubDate>Tue, 07 Feb 2012 05:04:14 +0000</pubDate>
		<dc:creator>J. Schwartz</dc:creator>
				<category><![CDATA[Art News]]></category>
		<category><![CDATA[Go See]]></category>
		<category><![CDATA[Museu Vale]]></category>
		<category><![CDATA[Os Gêmeos]]></category>

		<guid isPermaLink="false">http://artobserved.com/?p=64719</guid>
		<description><![CDATA[Installation view. All images courtesy of Os Gemeos. Os Gemeos (Portugese for &#8216;the twins&#8217;) are Brazilian identical twin brothers Otávio and Gustavo Pandolfo. Fermata, their latest exhibition in Vila Velha, Brazil, is a graffiti-minded colorful world of both fantasy and reality. The show consists entirely of new works, most of which were developed on site at [...]]]></description>
		<wfw:commentRss>http://artobserved.com/2012/02/vila-velha-brazil-os-gemeos-fermata-at-museu-vale-through-february-12-2012/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title></title>
		<link>http://artobserved.com/2012/02/eli-broad-virgina-museum-of-fine-arts-miami-science-museum-miami-arts-museum-yad-vashem/</link>
		<comments>http://artobserved.com/2012/02/eli-broad-virgina-museum-of-fine-arts-miami-science-museum-miami-arts-museum-yad-vashem/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 20:01:16 +0000</pubDate>
		<dc:creator>A. Bregman</dc:creator>
				<category><![CDATA[Art News]]></category>
		<category><![CDATA[Eli Broad]]></category>
		<category><![CDATA[Miami Arts Museum]]></category>
		<category><![CDATA[Miami Science Museum]]></category>
		<category><![CDATA[Virgina Museum of Fine Arts]]></category>
		<category><![CDATA[Yad Vashem]]></category>

		<guid isPermaLink="false">http://artobserved.com/?p=66613</guid>
		<description><![CDATA[‪‬A breakdown of major art philanthropy, including: $200 million in foundation work by the Broad family, $70 million to the Virginia Museum of Fine Arts in Richmond from Arthur and Margaret Glasgow, $30 million to the Miami Art Museum and an arts complex at Columbia University in New York [AO Newslink] Read article via LA [...]]]></description>
		<wfw:commentRss>http://artobserved.com/2012/02/eli-broad-virgina-museum-of-fine-arts-miami-science-museum-miami-arts-museum-yad-vashem/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>AO Breaking &#8211; Deutsche Bank and the Guggenheim Museum end Berlin collaboration</title>
		<link>http://artobserved.com/2012/02/ao-breaking-deutsche-bank-and-the-guggenheim-museum-end-berlin-collaboration/</link>
		<comments>http://artobserved.com/2012/02/ao-breaking-deutsche-bank-and-the-guggenheim-museum-end-berlin-collaboration/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 19:46:07 +0000</pubDate>
		<dc:creator>A. Bregman</dc:creator>
				<category><![CDATA[Art News]]></category>
		<category><![CDATA[Deutsche Bank]]></category>
		<category><![CDATA[The Solomon R. Guggenheim Foundation]]></category>

		<guid isPermaLink="false">http://artobserved.com/?p=66600</guid>
		<description><![CDATA[Deutsche Guggenheim via Artnet After 14 years of collaborative exhibitions, Deutsche Bank and the Solomon R. Guggenheim Foundation are set to re-envision the current Deutsche Guggenheim contemporary art space as a place for political and corporate conferences. The decision was announced via email, by stating that the joint contract expires at the end of this [...]]]></description>
		<wfw:commentRss>http://artobserved.com/2012/02/ao-breaking-deutsche-bank-and-the-guggenheim-museum-end-berlin-collaboration/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>London: David Hockney &#8216;A Bigger Picture&#8217; at The Royal Academy of Art through April 9, 2012</title>
		<link>http://artobserved.com/2012/02/london-david-hockney-a-bigger-picture-at-the-royal-academy-of-art-through-april-9-2012/</link>
		<comments>http://artobserved.com/2012/02/london-david-hockney-a-bigger-picture-at-the-royal-academy-of-art-through-april-9-2012/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 05:02:11 +0000</pubDate>
		<dc:creator>A. Bogart</dc:creator>
				<category><![CDATA[Art News]]></category>
		<category><![CDATA[Go See]]></category>
		<category><![CDATA[David Hockney]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[Royal Academy]]></category>

		<guid isPermaLink="false">http://artobserved.com/?p=65712</guid>
		<description><![CDATA[David Hockney, The Arrival of Spring in Woldgate, East Yorkshire (2011), one of a 52-part work. All images via The Guardian  Britain’s Royal Academy of Art is currently showing some two hundred works by &#8216;Royal Academician&#8217; David Hockney. The exhibition, A Bigger Picture, is centered on fifty-two new works inspired by the Yorkshire landscape of [...]]]></description>
		<wfw:commentRss>http://artobserved.com/2012/02/london-david-hockney-a-bigger-picture-at-the-royal-academy-of-art-through-april-9-2012/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>New York: Shirin Neshat &#8216;Book of Kings&#8217; at Gladstone Gallery through February 11, 2012</title>
		<link>http://artobserved.com/2012/02/new-york-shirin-neshat-book-of-kings-at-gladstone-gallery-through-february-11-2012/</link>
		<comments>http://artobserved.com/2012/02/new-york-shirin-neshat-book-of-kings-at-gladstone-gallery-through-february-11-2012/#comments</comments>
		<pubDate>Sun, 05 Feb 2012 19:09:43 +0000</pubDate>
		<dc:creator>A. Wilkinson</dc:creator>
				<category><![CDATA[Art News]]></category>
		<category><![CDATA[Go See]]></category>
		<category><![CDATA[Gladstone Gallery]]></category>
		<category><![CDATA[Shirin Neshat]]></category>

		<guid isPermaLink="false">http://artobserved.com/?p=65921</guid>
		<description><![CDATA[Shirin Neshat, Divine Rebellion (2012). All images courtesy of Gladstone Gallery. Shirin Neshat’s newest photographic series and video installation is currently on view at Gladstone Gallery. The exhibition&#8217;s title, Book of Kings, comes from the ancient book Shahnameh (Book of Kings), a tragedy written by the Persian poet Ferdowsi in the tenth century that tells [...]]]></description>
		<wfw:commentRss>http://artobserved.com/2012/02/new-york-shirin-neshat-book-of-kings-at-gladstone-gallery-through-february-11-2012/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title></title>
		<link>http://artobserved.com/2012/02/director-swedish-moderna-museet-daniel-birnbaum-archive-tour-yves-klein-rober-rauschenberg-less-standard-narrative/</link>
		<comments>http://artobserved.com/2012/02/director-swedish-moderna-museet-daniel-birnbaum-archive-tour-yves-klein-rober-rauschenberg-less-standard-narrative/#comments</comments>
		<pubDate>Sun, 05 Feb 2012 02:32:54 +0000</pubDate>
		<dc:creator>Samuel</dc:creator>
				<category><![CDATA[Art News]]></category>
		<category><![CDATA[Moderna Museet]]></category>
		<category><![CDATA[Robert Rauschenberg]]></category>
		<category><![CDATA[Yves Klein]]></category>

		<guid isPermaLink="false">http://artobserved.com/?p=66548</guid>
		<description><![CDATA[‪‬Director of Swedish Moderna Museet Daniel Birnbaum gives an archive tour with works by Yves Klein, Robert Rauschenberg, and others; with hopes to introduce &#8220;less standard narratives&#8221; within museums. [AO Newslink] Read article via Nowness]]></description>
		<wfw:commentRss>http://artobserved.com/2012/02/director-swedish-moderna-museet-daniel-birnbaum-archive-tour-yves-klein-rober-rauschenberg-less-standard-narrative/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>AO On Site &#8211; Los Angeles: The Los Angeles Art Show and Art Los Angeles Contemporary, January 18-22, 2012</title>
		<link>http://artobserved.com/2012/02/ao-on-site-los-angeles-the-los-angeles-art-show-and-art-los-angeles-contemporary-january-18-22-2012/</link>
		<comments>http://artobserved.com/2012/02/ao-on-site-los-angeles-the-los-angeles-art-show-and-art-los-angeles-contemporary-january-18-22-2012/#comments</comments>
		<pubDate>Sat, 04 Feb 2012 23:45:54 +0000</pubDate>
		<dc:creator>M. Hoetger</dc:creator>
				<category><![CDATA[AO On Site]]></category>
		<category><![CDATA[Art News]]></category>
		<category><![CDATA[Events]]></category>
		<category><![CDATA[Judy Chicago]]></category>
		<category><![CDATA[Los Angeles]]></category>
		<category><![CDATA[The Hole]]></category>

		<guid isPermaLink="false">http://artobserved.com/?p=65938</guid>
		<description><![CDATA[Judy Chicago collaboration with Materials &#38; Applications, Disappearing Environments (2012). All images on site for Art Observed by Megan Hoetger. January is a notoriously busy time here in Los Angeles when the two major art fairs in the city, the LA Art Show and Art LA Contemporary, set up shop across town from one another, [...]]]></description>
		<wfw:commentRss>http://artobserved.com/2012/02/ao-on-site-los-angeles-the-los-angeles-art-show-and-art-los-angeles-contemporary-january-18-22-2012/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title></title>
		<link>http://artobserved.com/2012/02/christo/</link>
		<comments>http://artobserved.com/2012/02/christo/#comments</comments>
		<pubDate>Sat, 04 Feb 2012 19:32:44 +0000</pubDate>
		<dc:creator>A. Bregman</dc:creator>
				<category><![CDATA[Art News]]></category>
		<category><![CDATA[Christo]]></category>

		<guid isPermaLink="false">http://artobserved.com/?p=66515</guid>
		<description><![CDATA[‪Denver law students protest artist Christo&#8217;s &#8216;Over the River&#8217; project&#8217;s drilling 9,100 holes to cover federally-protected Arkansas Canyons in Colorado with 925 silver fabric panels. Expected to draw 400,000 tourists to the reserve when it debuts in 2014, the $50 million project is thought by some to have both short and long-term repercussions on native [...]]]></description>
		<wfw:commentRss>http://artobserved.com/2012/02/christo/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title></title>
		<link>http://artobserved.com/2012/02/damien-hirst-spot-painting-spot-challenge/</link>
		<comments>http://artobserved.com/2012/02/damien-hirst-spot-painting-spot-challenge/#comments</comments>
		<pubDate>Sat, 04 Feb 2012 18:15:51 +0000</pubDate>
		<dc:creator>A. Bregman</dc:creator>
				<category><![CDATA[Art News]]></category>
		<category><![CDATA[Damien Hirst]]></category>
		<category><![CDATA[Gagosian Gallery]]></category>
		<category><![CDATA[Spot Challenge]]></category>

		<guid isPermaLink="false">http://artobserved.com/?p=66501</guid>
		<description><![CDATA[‪Damien Hirst video interviewed by TIME about his use of assistants, the origin of the spot challenge, and the meaning of his art overall: &#8220;That&#8217;s the world. You have these massive polarities and extremes all the time, and I try to make work that reflects that.&#8221; [AO Newslink] See the Interview on Youtube]]></description>
		<wfw:commentRss>http://artobserved.com/2012/02/damien-hirst-spot-painting-spot-challenge/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title></title>
		<link>http://artobserved.com/2012/02/guy-wildenstein/</link>
		<comments>http://artobserved.com/2012/02/guy-wildenstein/#comments</comments>
		<pubDate>Sat, 04 Feb 2012 16:55:25 +0000</pubDate>
		<dc:creator>A. Bregman</dc:creator>
				<category><![CDATA[Art News]]></category>
		<category><![CDATA[Art Fraud]]></category>
		<category><![CDATA[Guy Wildenstein]]></category>

		<guid isPermaLink="false">http://artobserved.com/?p=66493</guid>
		<description><![CDATA[‪‬Art dealer Guy Wildenstein is said to owe the French IRS $330 million in back taxes for undervaluing his father Daniel Wildenstein&#8217;s estate, and allegedly dividing his inheritance in offshore accounts in Jersey, the Bahamas, and the Virgin Islands.  [AO Newslink] Read the article via Business Insider]]></description>
		<wfw:commentRss>http://artobserved.com/2012/02/guy-wildenstein/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>London: Grayson Perry &#8216;The Tomb of the Unknown Craftsman&#8217; at the British Museum extended through February 26, 2012</title>
		<link>http://artobserved.com/2012/02/london-grayson-perry-the-tomb-of-the-unknown-craftsman-at-the-british-museum-extended-through-february-26-2012/</link>
		<comments>http://artobserved.com/2012/02/london-grayson-perry-the-tomb-of-the-unknown-craftsman-at-the-british-museum-extended-through-february-26-2012/#comments</comments>
		<pubDate>Sat, 04 Feb 2012 01:22:08 +0000</pubDate>
		<dc:creator>J. Schwartz</dc:creator>
				<category><![CDATA[Art News]]></category>
		<category><![CDATA[Go See]]></category>
		<category><![CDATA[British Museum]]></category>
		<category><![CDATA[Grayson Perry]]></category>

		<guid isPermaLink="false">http://artobserved.com/?p=66255</guid>
		<description><![CDATA[&#160; Grayson Perry, The Frivolous Now (2011). Courtesy the Artist and Victoria Miro Gallery, London. Copyright Grayson Perry. Photo: Stephen White In the The Tomb of the Unknown Craftsman, Turner Prize winner Grayson Perry curates a show combining treasures from the British Museum&#8216;s permanent collection and a selection of his own works. The show focuses on honoring [...]]]></description>
		<wfw:commentRss>http://artobserved.com/2012/02/london-grayson-perry-the-tomb-of-the-unknown-craftsman-at-the-british-museum-extended-through-february-26-2012/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title></title>
		<link>http://artobserved.com/2012/02/david-chloe-facebook-sothebys-damien-hirst/</link>
		<comments>http://artobserved.com/2012/02/david-chloe-facebook-sothebys-damien-hirst/#comments</comments>
		<pubDate>Fri, 03 Feb 2012 15:46:22 +0000</pubDate>
		<dc:creator>A. Bregman</dc:creator>
				<category><![CDATA[Art News]]></category>
		<category><![CDATA[Damien Hirst]]></category>
		<category><![CDATA[David Chloe]]></category>
		<category><![CDATA[Facebook]]></category>
		<category><![CDATA[Sotheby's]]></category>

		<guid isPermaLink="false">http://artobserved.com/?p=66427</guid>
		<description><![CDATA[‪‬Graffiti artist David Choe was paid in Facebook stock options for painting the walls of the first Facebook Headquarters, now estimated to be worth more than $200 million when Facebook goes public. Although the shares were less than .25 percent of the company, the payout may be more than Damien Hirst&#8217;s record-breaking $200.7 million Sotheby&#8217;s [...]]]></description>
		<wfw:commentRss>http://artobserved.com/2012/02/david-chloe-facebook-sothebys-damien-hirst/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>

