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Shark Swap: Cohen extends $8 million piece Hirst to Metropolitan Museum

Tuesday, July 17th, 2007

New York – Sondra Perry at Bridget Donahue Through February 25th, 2018

Monday, February 19th, 2018

Pablo Picasso Painting Stays in Met Collection

Friday, February 9th, 2018

The Met Musuem to Charge Admission to Non-New Yorkers

Thursday, January 4th, 2018

Met Refuses to Remove “Sexually Suggestive” Balthus Painting After Protest

Wednesday, December 6th, 2017

The Met Makes Strides Towards Stability

Wednesday, November 22nd, 2017

Met Museum Receives $80 Million Gift

Sunday, November 19th, 2017

Met Issues Statement on US Withdrawal from Unesco

Tuesday, October 17th, 2017

Broad Museum Adds Thomas P. Campbell to Board of Directors

Thursday, September 21st, 2017

New York Times Speculates on Future of Met

Wednesday, September 6th, 2017

Met Museum Sees Impressive Gains to Traffic After Open Access Initiative

Tuesday, August 15th, 2017

Met Museum Turns Over Ancient Bull’s Head Thought to be Looted

Wednesday, August 2nd, 2017

Philippe de Montebello To Serve as Director at Acquavella Galleries

Thursday, July 27th, 2017

NYT Runs Piece on Artists’ Vision for a Stronger Met Musuem

Monday, July 17th, 2017

London—Adrián Villar Rojas: Untitled from the series ‘The Theater of Disappearance’ at Marian Goodman Gallery through July 21st, 2017

Thursday, July 13th, 2017

The Met Notches New Attendance Record at 7 Million Visitors

Thursday, July 13th, 2017

Thomas P. Campbell Interviewed in Art Newspaper

Saturday, July 8th, 2017

Despite Budget Issues, Leonard Lauder Committed to Met Donation Plans

Wednesday, July 5th, 2017

The Met Pushes For Mandatory Admission Fees for Out of Town Visitors

Monday, May 8th, 2017

Met Considers Admissions Charges for Out of Town Visitors

Sunday, April 30th, 2017

New York – Adrián Villar Rojas: “The Theater of Disappearance” for the Met Roof Garden Commission Through October 29th, 2017

Sunday, April 23rd, 2017

Man Defaces Artwork at Met Museum

Sunday, April 23rd, 2017

New York Mag Dives into Met Financial Struggles

Tuesday, April 18th, 2017

Met Moves Native American Art to American Art Wing in Major Rehang

Friday, April 7th, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Pace Gallery to Represent Acconci Studios

February 24th, 2018

Vito Acconci, via PacePace Gallery has taken on representation of Vito Acconci’s Acconci Studios, in partnership with Art Agency, Partners, the gallery announced in a statement.  “A truly innovative creator and agitator who was foundational to contemporary art today, Acconci fits perfectly within Pace’s program of leading 20th and 21st century artists and estates,” said Marc Glimcher, Pace Gallery President and CEO. “There’s still so much of his practice to uncover and reexamine and we’re thrilled to join with Maria Acconci to share Vito Acconci’s vision and expand his legacy around the world.”
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Frieze to Launch Los Angeles Edition Next February

February 24th, 2018

frieze-london-via-art-newsFrieze has announced plans for a Los Angeles edition of its fair, to be held February 14 to 17, 2019, the Art News reports. Bettina Korek of ForYourArt has been appointed executive director of Frieze LA, with Ali Subotnick serving as the fair’s curator. “Frieze is in a unique position to create a successful fair in LA because of our experience in London and New York and our partnership with Endeavor, who have deep roots in LA and will work with us to bring a fantastic audience to the fair,” founder Victoria Siddall says.
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Adrienne Edwards Tapped as New Performance Curator at Whitney

February 24th, 2018

Adrienne Edwards, via Art NewsThe Whitney Museum in New York has appointed Adrienne Edwards as its Engell Speyer Family Curator and Curator of Performance. She previously worked with Performa, where she organized various thematic presentations, including last year’s “Afroglossia,” focused on African performance art. “Adrienne has distinguished herself as one of the most innovative curators working in performance today by engaging artists across diverse disciplines and often challenging them to explore new genres and experimental forms,” Scott Rothkopf, the deputy director for programs and the chief curator at the Whitney, said. “She brings to the Whitney a wonderful complement of scholarly rigor, social commitment, and a deeply humane understanding of artists and their audiences.”
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