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New York – The New Museum Triennial: “Surround Audience” Through May 24th, 2015

Tuesday, March 3rd, 2015

New York – Chris Ofili: “Night and Day” at The New Museum Through January 25th, 2015

Wednesday, January 7th, 2015

Google Unveils New Museum Exhibition App

Saturday, January 3rd, 2015

New Museum Announces Artists for 2015 Triennial

Friday, November 14th, 2014

New York – “Here and Elsewhere” at the New Museum Through September 28th, 2014

Wednesday, September 10th, 2014

New Museum Announces Three New Scholarship Initiatives, Funded In Part By $500,000 Donation from the Mellon Foundation

Tuesday, August 5th, 2014

The New Museum Unveils Limited Edition Skateboard

Monday, August 4th, 2014

Massimiliano Gioni Promoted as New Museum’s Artistic Director

Friday, July 18th, 2014

Palestinian Artist Barred from Travelling to New York for New Museum Opening

Friday, July 18th, 2014

New York – Spring Exhibitions at The New Museum Through June 29th, 2014

Tuesday, June 24th, 2014

New Museum Announces First Wave of Incubator Members, Application Deadline

Wednesday, May 21st, 2014

Camille Henrot Preps Exhibition at New Museum

Monday, May 5th, 2014

New York – Pawel Althamer: “The Neighbors” at The New Museum Through April 13th, 20014

Friday, February 28th, 2014

New York – Laure Prouvost: “For Forgetting” at The New Museum Through April 13th, 2014

Saturday, February 22nd, 2014

Eli Broad Offers First Look at His New Museum

Monday, December 23rd, 2013

Pawel Althamer Show at New Museum Invites Visitors to Paint Lobby

Sunday, December 22nd, 2013

New York – Chris Burden: “Extreme Measures” at New Museum Through January 12th, 2013

Friday, October 4th, 2013

New Museum Centerpiece by Chris Burden Nearly Destroyed By Artist Before Opening

Thursday, October 3rd, 2013

New York – Erika Vogt: “Stranger Debris Roll Roll Roll” at The New Museum Through September 8th, 2013

Friday, September 6th, 2013

New York – Ellen Gallagher “Don’t Axe Me” at New Museum Through September 15, 2013

Friday, August 30th, 2013

Chris Burden Brings His Monumental Works to the New Museum Facade

Thursday, August 1st, 2013

New York City – “1993: Experimental Jet Set, Trash and No Star” at the New Museum Through May 26th, 2013

Wednesday, March 6th, 2013

German Culture Minister Promises New Museum for Old Masters in 4 to 6 Years

Tuesday, January 8th, 2013

New York – “Rosemarie Trockel: A Cosmos” at the New Museum through January 20th, 2013

Friday, December 28th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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