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Marina Abramovic Interviewed in Wall Street Journal

Wednesday, October 29th, 2014

Marina Abramovic Interviewed by The Observer

Monday, October 27th, 2014

Marina Abramovic Profiled in W Magazine

Thursday, October 23rd, 2014

Marina Abramovic Announces Sensory Deprivation Exhibition at Sean Kelly

Monday, October 13th, 2014

Marina Abramovic Reaches Out to Lars Von Trier

Friday, October 10th, 2014

Marina Abramovic Recreates “Work Relation” Piece for Adidas.

Friday, July 11th, 2014

Marina Abramovic’s Minimalist Performance “512 Hours” Opens at Serpentine

Friday, June 13th, 2014

Marina Abramovic Interviewed in Wall Street Journal

Monday, June 9th, 2014

Marina Abramovic’s Work at Serpentine Called Out for Similar Themes to Another Artist

Thursday, May 29th, 2014

Marina Abramovic Shows The Guardian Her Training Methods

Tuesday, May 20th, 2014

Marina Abramovic Interviewed in The Guardian

Tuesday, May 13th, 2014

Marina Abramovic Institute to Perform Marathon Reading in Hudson, NY

Thursday, November 7th, 2013

Marina Abramovic continues her path towards her Hudson, NY based institute

Sunday, October 20th, 2013

Marina Abramovic’s “Scream” Tribute

Friday, August 23rd, 2013

Marina Abramovic Reaches Kickstarter Goal

Friday, August 23rd, 2013

Marina Abramovic to do Reddit “Ask Me Anything” Today

Tuesday, July 30th, 2013

Marina Abramovic Takes to Kickstarter for Fundraising Drive

Tuesday, July 30th, 2013

Marina Abramovic Prepares to Open Ballet

Thursday, May 2nd, 2013

London – Marina Abramović: “White Space” at Lisson Gallery, through November 1st 2014

Friday, October 31st, 2014

London – Marina Abramović: “512 Hours” at Serpentine Galleries Through August 25, 2014

Saturday, July 5th, 2014

Marina Abramović Prepares to Open Opera at The Armory

Thursday, October 31st, 2013

Lady Gaga Prepares ARTPOP Project with Koons, Abramovic

Saturday, July 13th, 2013

Vice “Shoots the Shit” with Marina Abramović

Sunday, December 2nd, 2012

Marina Abramović plans to open $8 million Rem Koolhaus-designed performing art space in Hudson, New York

Friday, February 17th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Pace Gallery to Represent Acconci Studios

February 24th, 2018

Vito Acconci, via PacePace Gallery has taken on representation of Vito Acconci’s Acconci Studios, in partnership with Art Agency, Partners, the gallery announced in a statement.  “A truly innovative creator and agitator who was foundational to contemporary art today, Acconci fits perfectly within Pace’s program of leading 20th and 21st century artists and estates,” said Marc Glimcher, Pace Gallery President and CEO. “There’s still so much of his practice to uncover and reexamine and we’re thrilled to join with Maria Acconci to share Vito Acconci’s vision and expand his legacy around the world.”
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Frieze to Launch Los Angeles Edition Next February

February 24th, 2018

frieze-london-via-art-newsFrieze has announced plans for a Los Angeles edition of its fair, to be held February 14 to 17, 2019, the Art News reports. Bettina Korek of ForYourArt has been appointed executive director of Frieze LA, with Ali Subotnick serving as the fair’s curator. “Frieze is in a unique position to create a successful fair in LA because of our experience in London and New York and our partnership with Endeavor, who have deep roots in LA and will work with us to bring a fantastic audience to the fair,” founder Victoria Siddall says.
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Adrienne Edwards Tapped as New Performance Curator at Whitney

February 24th, 2018

Adrienne Edwards, via Art NewsThe Whitney Museum in New York has appointed Adrienne Edwards as its Engell Speyer Family Curator and Curator of Performance. She previously worked with Performa, where she organized various thematic presentations, including last year’s “Afroglossia,” focused on African performance art. “Adrienne has distinguished herself as one of the most innovative curators working in performance today by engaging artists across diverse disciplines and often challenging them to explore new genres and experimental forms,” Scott Rothkopf, the deputy director for programs and the chief curator at the Whitney, said. “She brings to the Whitney a wonderful complement of scholarly rigor, social commitment, and a deeply humane understanding of artists and their audiences.”
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