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Marina Abramovic Interviewed in Wall Street Journal

Wednesday, October 29th, 2014

Marina Abramovic Interviewed by The Observer

Monday, October 27th, 2014

Marina Abramovic Profiled in W Magazine

Thursday, October 23rd, 2014

Marina Abramovic Announces Sensory Deprivation Exhibition at Sean Kelly

Monday, October 13th, 2014

Marina Abramovic Reaches Out to Lars Von Trier

Friday, October 10th, 2014

Marina Abramovic Recreates “Work Relation” Piece for Adidas.

Friday, July 11th, 2014

Marina Abramovic’s Minimalist Performance “512 Hours” Opens at Serpentine

Friday, June 13th, 2014

Marina Abramovic Interviewed in Wall Street Journal

Monday, June 9th, 2014

Marina Abramovic’s Work at Serpentine Called Out for Similar Themes to Another Artist

Thursday, May 29th, 2014

Marina Abramovic Shows The Guardian Her Training Methods

Tuesday, May 20th, 2014

Marina Abramovic Interviewed in The Guardian

Tuesday, May 13th, 2014

Marina Abramovic Institute to Perform Marathon Reading in Hudson, NY

Thursday, November 7th, 2013

Marina Abramovic continues her path towards her Hudson, NY based institute

Sunday, October 20th, 2013

Marina Abramovic’s “Scream” Tribute

Friday, August 23rd, 2013

Marina Abramovic Reaches Kickstarter Goal

Friday, August 23rd, 2013

Marina Abramovic to do Reddit “Ask Me Anything” Today

Tuesday, July 30th, 2013

Marina Abramovic Takes to Kickstarter for Fundraising Drive

Tuesday, July 30th, 2013

Marina Abramovic Prepares to Open Ballet

Thursday, May 2nd, 2013

London – Marina Abramović: “White Space” at Lisson Gallery, through November 1st 2014

Friday, October 31st, 2014

London – Marina Abramović: “512 Hours” at Serpentine Galleries Through August 25, 2014

Saturday, July 5th, 2014

Marina Abramović Prepares to Open Opera at The Armory

Thursday, October 31st, 2013

Lady Gaga Prepares ARTPOP Project with Koons, Abramovic

Saturday, July 13th, 2013

Vice “Shoots the Shit” with Marina Abramović

Sunday, December 2nd, 2012

Marina Abramović plans to open $8 million Rem Koolhaus-designed performing art space in Hudson, New York

Friday, February 17th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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