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AO Preview – London: Frieze Art Fair in Regent’s Park, October 17th-20th, 2013

Tuesday, October 15th, 2013

Margaret Lee Profiled in New York Times Magazine

Thursday, August 22nd, 2013

AO On Site – New York: Frieze VIP Preview on Randall’s Island Through May 13, 2013

Friday, May 10th, 2013

AO On Site (with photoset)- New York: INDEPENDENT Art Fair, March 8–11, 2012

Tuesday, March 13th, 2012

AO On Site review with Photoset – Art Basel Miami Beach 2011: NADA Art Fair Summary at the Deauville Beach Resort

Monday, December 5th, 2011

AO On-Site: The 57th Annual Venice Biennale Vernissage, May 10th – 13th, 2017

Thursday, May 11th, 2017

London – Bas Jan Ader at Simon Lee Through August 26th, 2016

Monday, August 22nd, 2016

Venice – Jenny Holzer: “War Paintings” at the Museo Correr Through November 22nd, 2015

Friday, May 8th, 2015

AO Auction Recap – London: Sotheby’s Impressionist, Modern and Surrealist Evening Sales, February 3rd, 2015

Tuesday, February 3rd, 2015

AO Auction Preview – London: Impressionist and Modern Evening Sales, February 3rd and 4th, 2015

Monday, February 2nd, 2015

The Guardian Investigates the Blue Chip Market

Sunday, February 1st, 2015

AO Auction Recap – New York: Old Masters Week, January 28th-29th, 2015

Saturday, January 31st, 2015

AO Auction Preview – New York: Old Masters’ Week, January 28th-29th, 2015

Wednesday, January 28th, 2015

AO On-Site – Venice: Rudolf Stingel at Palazzo Grassi Through December 31st, 2013

Thursday, June 6th, 2013

AO Onsite Photoset – NADA Art Fair in Miami Beach, December 7th, 2012

Saturday, December 8th, 2012

Frieze London: Art Fair Preview, Schedule and News Summary, October 11th-14th, 2012

Monday, October 8th, 2012

London – Zhang Huang: “The Mountain Is Still A Mountain” at White Cube Bermondsey Through August 26, 2012

Sunday, August 12th, 2012

AO ONSITE – NEW YORK: CLAES OLDENBERG/COOSJE VAN BRUGGEN: THEATER AND INSTALLATION AT THE PACE GALLERY THROUGH JUNE 23, 2012

Wednesday, June 20th, 2012

Go See – New York: Richard Prince’s 14 Paintings at 303 Gallery, May 18th – June 22nd

Sunday, June 17th, 2012

Taipei, Taiwan: Ai Weiwei 'Ai Weiwei, Absent' at Taipei Fine Arts Museum through January 29, 2012

Thursday, January 19th, 2012

AO On Site at the 54th Venice Biennale 2011: Final Overview and News Summary

Monday, June 6th, 2011

AO On Site at the 54th Venice Biennale 2011: Dasha Zukhova and The Garage Center for Contemporary Culture presents “Commercial Break” curated by Neville Wakefield

Monday, June 6th, 2011

AO On Site at the 54th Venice Biennale 2011: Preview (with photoset) of Glasstress 2011 and Mike and Doug Starn’s Big Bambú, through June 15, 2011

Sunday, June 5th, 2011

AO On Site at the 54th Venice Biennale 2011: Preview (with Photoset) of “Venice in Venice”

Friday, June 3rd, 2011
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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