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AO On Site: WHITNEY BIENNIAL 2008

Saturday, March 8th, 2008

AO Preview – New York: Frieze New York at The Shed, May 18th – 22nd, 2022

Tuesday, May 17th, 2022

AO Digital Round-Up – Frieze Art Fair’s Online Viewing Rooms, May 8th – 15th, 2020

Monday, May 11th, 2020

AO FAIR PREVIEW – LONDON: FRIEZE LONDON ART WEEK, OCTOBER 3TH – 6TH, 2019

Tuesday, October 1st, 2019

AO On-Site: Art Basel Miami Beach 2015 at the Miami Beach Convention Center, December 3rd-6th, 2015

Thursday, December 3rd, 2015

AO On-Site: Dia Art Foundation Fall Gala, Monday, November 11, 2013

Monday, November 18th, 2013

New York – AO On Site: Dia Art Foundation’s Fall Night, Monday, November 12th, 2012

Wednesday, November 14th, 2012

AO On Site – Paris: FIAC Final Summary (with Photoset) October 19–23, 2011

Monday, October 24th, 2011

AO On Site (with Photoset) – Paris: FIAC 2011 Opening Day Review, October 21, 2011

Saturday, October 22nd, 2011

Galleries

Thursday, December 27th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Jail for Spanish Forger Who Attempted Sale of 15 Fake Works

February 21st, 2023

A Spanish court has sentenced an art collector to prison for selling a set of fake works, including a series of forged works attributed to Edvard Munch and Roy Lichtenstein.
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The Guardian Interviews Former Subjects of Painter Alice Neel

February 21st, 2023

The Guardian has a piece this week on what it was like to be painted by Alice Neel. “One day Alice said she wanted to paint me and to bring some things I could wear, so I packed a little suitcase and had various costumes,” says artist and sex activist Annie Sprinkle. “I’d just had my labia pierced and I was showing it off, and she really wanted to see that. She picked a leather outfit and I put a feather in my hair.”
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Alice Walton’s Art Bridges Foundation Behind $4.5 Million Robert Colescott Buy

February 21st, 2023

Alice Walton’s Art Bridges Foundation is apparently behind the $4.5 million purchase of a Robert Colescott at Bonhams this month. “This work in particular presents a hopeful and powerful message, and we are pleased that it resonated so strongly with individuals and institutions alike,” says Ralph Taylor, Bonhams’s global head for postwar and contemporary art.
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