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AO on site photoset – London, Frieze Week: Opening night of the The Return of the House of the Nobleman, private viewing

Sunday, October 16th, 2011

Monday, September 5th, 2011

Deceased Artists

Thursday, July 7th, 2011

AO Onsite – New York: Sotheby’s Impressionist and Modern Art Evening sale provides another boost of confidence for the recovering art market

Thursday, May 6th, 2010

AO On Site Auction Results – New York: Christie’s Impressionist and Modern Evening Sale, November 3, 2009

Wednesday, November 4th, 2009

AO Auction Results: Impressionist and Modern Art Auction, Tuesday February 3rd, Sotheby’s, London

Wednesday, February 4th, 2009

Berlin – Cyprien Gaillard: “Where Nature Runs Riot” at Sprüth Magers Through July 18th, 2015

Wednesday, June 24th, 2015
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Grand Palais Unveils Plans for Massive Three-Year Renovation

February 19th, 2018

Grand Palais, via Art NewspaperPlans have been unveiled for the Grand Palais’s €466m, three-year renovation, Art Newspaper reports.  “At the end of 2020, just over a century after its creation, the Grand Palais will turn a page in its history and begin a transformation that will allow it to finally enter the 21st century,” culture secretary Françoise Nyssen says.
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Marina Abramovic Profiled in The Guardian

February 19th, 2018

Marina Abramovic, via The GuardianMarina Abramovic is interviewed in The Guardian this month, as she prepares to exhibit a series of photos documenting her early performances. “I lived in cars and trucks, I’m amazed the negatives survived,” Abramović says. “To appreciate the present, we should really look to the past.”
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Rauschenberg’s Duchamp “Bottle Rack” Goes to Chicago

February 19th, 2018

Marcel Duchamp, via Art NewsThe Art Institute of Chicago has unveiled its recent acquisition, a rare Duchamp Bottle Rack from the collection of Robert Rauschenberg.  The artist’s foundation sold the piece to the museum in order to fund an endowment. “We always are making these kind of transformative acquisitions a priority,” says Art Institute president and director James Rondeau. “There are documents going back to the late ’80s and early ’90s expressing a desire for an object like this.”
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