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Monday, March 28th, 2011

Go See – New York: Ragnar Kjartansson at Luhring Augustine, through August 13

Tuesday, July 6th, 2010

Go See – New York: Luhring Augustine celebrates its 25th Anniversary through June 19th, 2010

Saturday, June 5th, 2010

Go See: George Condo at Luhring Augustine, February 23- March 29

Sunday, March 9th, 2008

Luhring Augustine

Tuesday, December 25th, 2007

AO On-Site – New York: ADAA Art Show at the Park Ave Armory, February 28th – March 4th, 2018

Monday, March 5th, 2018

AO On-Site – Miami Beach: Art Basel Miami Beach at the Miami Beach Convention Center, December 7th – 10th, 2017

Friday, December 8th, 2017

AO On-Site – London: Frieze Art Fair, October 5th – 8th, 2017

Saturday, October 7th, 2017

AO On-Site – Chicago: EXPO Chicago Art Fair, September 13th – 17th, 2017

Sunday, September 17th, 2017

New York: TEFAF New York Spring Debut at Park Avenue Armory, May 4th-8th, 2017

Saturday, May 6th, 2017

Luhring Augstine Representing Estate of Jeremy Moon

Wednesday, January 4th, 2017

AO Preview – Basel: Art Basel Week Through June 19th, 2016

Monday, June 13th, 2016

RIP: Brazilian Artist Tunga Passes Away at the Age of 64

Tuesday, June 7th, 2016

Museums Increasingly Turn to Galleries for Exhibition Funding

Monday, March 7th, 2016

AO Events and Art Preview – Miami Beach: Art Basel Miami Beach 2016 and Miami Art Week, December 3rd – 6th, 2015

Monday, November 30th, 2015

AO Preview – New York: Armory Week, March 3rd – 8th, 2015

Wednesday, March 4th, 2015

London & Bruton- Pipilotti Rist: “Worry Will Vanish” at Hauser & Wirth Through January 10, 2015 and Stay Stamina Stay Is On View Through February 22nd, 2015

Thursday, January 8th, 2015

ADAA Art Show Releases Its Exhibitor List

Saturday, January 3rd, 2015

Marianne Boeksy Announces New Gallery Directors for New York Exhibition Spaces

Tuesday, August 26th, 2014

AO On Site Fair Recap: Art Basel 2014, June 19th-22nd, 2014

Sunday, June 22nd, 2014

Basel, Switzerland: Art Basel 2014 Preview, June 19th-22nd, 2014

Tuesday, June 17th, 2014

New York – Bushwick Open Studios, May 30th – June 2nd, 2014

Monday, June 2nd, 2014

Studio Lawsuit Against Christopher Wool Moving Forward

Sunday, January 12th, 2014

AO On-Site: Dia Art Foundation Fall Gala, Monday, November 11, 2013

Monday, November 18th, 2013
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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