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London Art Studios Exec Calls for Heightened Protections for Artist Studios and Homes

Monday, March 19th, 2018

New York – Yinka Shonibare: “Wind Sculpture” at Doris C. Freedman Plaza Through October 14th, 2018

Thursday, March 15th, 2018

New York – Hannah Levy: “Swamp Salad” at C-L-E-A-R-I-N-G, Bushwick Through March 11th, 2018

Sunday, March 11th, 2018

Swiss Institute Sets June 21st as Opening Date for New Home

Wednesday, March 7th, 2018

AO Auction Results – London: Christie’s Post-War and Contemporary Evening Sale, March 6th, 2018

Wednesday, March 7th, 2018

Met Museum Admissions Policy Leads to Artists’ Response in NYT

Sunday, March 4th, 2018

AO Auction Recap – London: Christie’s Impressionist and Modern Evening Sale, February 27th, 2018

Thursday, March 1st, 2018

New York – Sondra Perry at Bridget Donahue Through February 25th, 2018

Monday, February 19th, 2018

Paris – Genieve Figgs: “Wish You Were Here” at Almine Rech Through February 24th, 2018

Monday, January 29th, 2018

Berlin – Raymond Hains: “You know nothing Raymond: a homage by Jérémy Demester” at Max Hetzler Through January 20th, 2018

Wednesday, December 27th, 2017

Condo London Announces 2018 Exhibitor List

Thursday, December 21st, 2017

New York – Jim Shaw at Metro Pictures Through December 22nd, 2017

Wednesday, December 13th, 2017

New York – Wim Delvoye at Perrotin Gallery Through October 29th, 2017

Saturday, October 28th, 2017

Sackler Family Profiled in New Yorker

Wednesday, October 25th, 2017

AO Preview – Paris: FIAC Art Fair at the Grand Palais, October 19th – 22nd, 2017

Wednesday, October 18th, 2017

New York Times Spotlights Challenges for Fall Auction Calendar

Tuesday, October 17th, 2017

AO On-Site – London: 1:54 African Art Fair and Sunday Art Fair, October 5th – 8th, 2017

Tuesday, October 10th, 2017

AO On-Site – London: Frieze Art Fair, October 5th – 8th, 2017

Saturday, October 7th, 2017

AO Auction Preview – London: Post-War and Contemporary Evening Sales, October 5-6th, 2017

Wednesday, October 4th, 2017

AO Preview – London: Frieze London and London Art Week, October 4th – 8th, 2017

Tuesday, October 3rd, 2017

New York – Amy Yao: “Weeds of Indifference” at 47 Canal Through October 8th, 2017

Monday, October 2nd, 2017

Berlin- Sam Lewitt: “FILLER” at Galerie Buchholz Through October 21st, 2017

Friday, September 15th, 2017

East Hampton — Taryn Simon: “The Innocents” at Guild Hall Through July 30th, 2017

Saturday, July 29th, 2017

New York – Harumi Yamaguchi Presented by Project Native Informant at Bridget Donahue Gallery for CONDO New York Through July 29th, 2017

Sunday, July 23rd, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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