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DIY Magnate Enters the Art World with Dairy Gallery

Tuesday, January 29th, 2013

London: Sarah Lucas ‘Situation Make Love’ at Sadie Coles HQ through December 2012

Sunday, May 27th, 2012

Paris: Darren Almond at Domaine de Chaumont-sur-Loire, France, through November 7, 2012

Friday, May 25th, 2012

AO on Site – London: Damien Hirst Retrospective at Tate Modern through September 9, 2012

Monday, April 9th, 2012

Friday, March 23rd, 2012

Saturday, December 3rd, 2011

Saturday, July 16th, 2011

AO Auction Results – London: Christie’s Contemporary Evening Sale Realizes $127M, Bacon & Warhol Are Top Lots

Tuesday, June 28th, 2011

AO Auction Preview – London: Phillips de Pury, Christie’s, and Sotheby’s to Hold Contemporary Art Sales June 27-29, 2011

Sunday, June 26th, 2011

Go See – London: Tracey Emin’s major retrospective “Love is What You Want” at the Hayward Gallery through August 29th, 2011

Monday, May 30th, 2011

Go See – New York: Joe Bradley at Gavin Brown’s Enterprise and Canada Gallery through Feburary 19th and 21st, respectively, 2011

Sunday, January 30th, 2011

AO On Site – London (with newslink summary): Frieze Art Fair 2010 opens to relatively brisk buying from still measured collectors

Thursday, October 14th, 2010

Go See – Berlin: Darren Almond at Galerie Max Hetzler through August 1st, 2010

Tuesday, July 27th, 2010

Go See – Berlin: Gary Hume at Sprueth Magers through August 21, 2010

Saturday, July 24th, 2010

AO Auction Preview: Christie's and Sotheby's hold their biggest ever sales of Impressionist and Modern art in London

Monday, June 21st, 2010

Go See – London: Marc Quinn’s “Allanah, Buck, Catman, Chelsea, Michael, Pamela and Thomas” at White Cube through July 3rd 2010

Thursday, June 17th, 2010

Art Observed Newslinks For Wednesday December 16th, 2009

Wednesday, December 16th, 2009

AO Newslinks for Tuesday December 1st, 2009

Tuesday, December 1st, 2009

Newslinks for Wednesday November 25, 2009

Wednesday, November 25th, 2009

News Roundup: The snowballing of a controversy over the New Museum’s decision to exhibit trustee Dakis Joannou’s collection

Monday, November 16th, 2009

Go See – Paris: Terence Koh’s ‘Adansonias’ at Galerie Thaddaeus Ropac through November 14, 2009

Wednesday, November 4th, 2009

Newslinks for Tuesday September 15th, 2009

Tuesday, September 15th, 2009

Newslinks for Tuesday, September 1st, 2009

Tuesday, September 1st, 2009

Go See – London: ‘BOULE TO BRAID’ at Lisson Gallery Through August 15, 2009

Sunday, July 19th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Economist Explores Implications on Restoration and Appraisal Technology

January 19th, 2018

Rijksmuseum, via ArchdailyA piece in The Economist looks at recent technologies in art appraisal and conservation, and questions how these developments may challenge the authority and stability of work in the field. “In the pursuit of knowledge about works of art, the language of science and that of the humanities both have to be spoken,” claims Robert van Langh, the Rijksmuseum’s head of conservation. 
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Andreas Gursky Speaks on His Early Work for The Guardian

January 19th, 2018

Andreas Gursky, via GuardianThe Guardian has an interview with Andreas Gursky this week, detailing the artist’s early experimentations in a photo of Salermo harbor that brought him to realize his most iconic works. “My teachers, the conceptual artists Bernd and Hilla Becher, had told me to avoid photographing with sunlight, blue sky or strong shadows, he says. “But I thought the warm sunlight here made for something quite kitsch. Also, up until this point, human beings had been the focus of my work – but here there were none in sight. Yet I was overwhelmed by what I saw: the complexity of the image, the accumulation of goods, the cars, the containers. I hadn’t been sure the photograph would work. I just felt compelled. It was pure intuition.”
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Tate Britain Director Alex Farquharson Interviewed in Art Newspaper

January 19th, 2018

Tate Britain, via ArtforumTate Britain director Alex Farquharson is interviewed in the Art Newspaper this week, detailing his vision for a major rehang at the museum. “Tate Britain has an exciting role in presenting art in a societal context, both past and present, so it is a question of the stories that we tell,” he says. “I have set out three pillars that inform our curatorial choices and how we communicate them. These are a trio of relationships: art and society, history and the present, and Britain and the world.”
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