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DIY Magnate Enters the Art World with Dairy Gallery

Tuesday, January 29th, 2013

London: Sarah Lucas ‘Situation Make Love’ at Sadie Coles HQ through December 2012

Sunday, May 27th, 2012

Paris: Darren Almond at Domaine de Chaumont-sur-Loire, France, through November 7, 2012

Friday, May 25th, 2012

AO on Site – London: Damien Hirst Retrospective at Tate Modern through September 9, 2012

Monday, April 9th, 2012

Friday, March 23rd, 2012

Saturday, December 3rd, 2011

Saturday, July 16th, 2011

AO Auction Results – London: Christie’s Contemporary Evening Sale Realizes $127M, Bacon & Warhol Are Top Lots

Tuesday, June 28th, 2011

AO Auction Preview – London: Phillips de Pury, Christie’s, and Sotheby’s to Hold Contemporary Art Sales June 27-29, 2011

Sunday, June 26th, 2011

Go See – London: Tracey Emin’s major retrospective “Love is What You Want” at the Hayward Gallery through August 29th, 2011

Monday, May 30th, 2011

Go See – New York: Joe Bradley at Gavin Brown’s Enterprise and Canada Gallery through Feburary 19th and 21st, respectively, 2011

Sunday, January 30th, 2011

AO On Site – London (with newslink summary): Frieze Art Fair 2010 opens to relatively brisk buying from still measured collectors

Thursday, October 14th, 2010

Go See – Berlin: Darren Almond at Galerie Max Hetzler through August 1st, 2010

Tuesday, July 27th, 2010

Go See – Berlin: Gary Hume at Sprueth Magers through August 21, 2010

Saturday, July 24th, 2010

AO Auction Preview: Christie's and Sotheby's hold their biggest ever sales of Impressionist and Modern art in London

Monday, June 21st, 2010

Go See – London: Marc Quinn’s “Allanah, Buck, Catman, Chelsea, Michael, Pamela and Thomas” at White Cube through July 3rd 2010

Thursday, June 17th, 2010

Art Observed Newslinks For Wednesday December 16th, 2009

Wednesday, December 16th, 2009

AO Newslinks for Tuesday December 1st, 2009

Tuesday, December 1st, 2009

Newslinks for Wednesday November 25, 2009

Wednesday, November 25th, 2009

News Roundup: The snowballing of a controversy over the New Museum’s decision to exhibit trustee Dakis Joannou’s collection

Monday, November 16th, 2009

Go See – Paris: Terence Koh’s ‘Adansonias’ at Galerie Thaddaeus Ropac through November 14, 2009

Wednesday, November 4th, 2009

Newslinks for Tuesday September 15th, 2009

Tuesday, September 15th, 2009

Newslinks for Tuesday, September 1st, 2009

Tuesday, September 1st, 2009

Go See – London: ‘BOULE TO BRAID’ at Lisson Gallery Through August 15, 2009

Sunday, July 19th, 2009
Global contemporary art events and news observed from New York City. Suggestion? Email us.
NEWS

Omer Fast Sees Avid Protests Over Installation in Chinatown

October 21st, 2017

Chinatown Art Brigade Outside James Cohan, via GuardianArtist Omer Fast is facing a backlash over his current installation at James Cohan in Chinatown, which replicates a shuttered Chinese business. “Chinatown is a 150-year-old thriving community that people built on their own,” says protest organizer Betty Yu. “When an artist equates our culture as garbage, it’s really insulting to the community.”
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Bloomberg Profiles Growing Market for Young Women Artists

October 21st, 2017

NADA ART FAIR MIAMI BEACH 2010_RACHEL UFFNER GALLERYAn article in Bloomberg this week profiles the young women artists seeing their stars rapidly on the rise in the current market, and the increased demand for women artists that has many wondering if a sea change is underway in the market. “Maybe this is the time of the women,” says galleries Rachel Uffner. “They are really good artists. They’ve been working for a while. And they keep making better and better works.”
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Carolee Schneeman Reflects on Early Work in Harper’s

October 21st, 2017

Carolee Schneeman, via ArtforumCarolee Schneemann is featured in Harpers this week, as the artist prepares to open a retrospective exhibition at MoMA PS1 in New York, and reflects on her early life dealing with sexism while training as a writer and artist. “Only an ideal physical body could manage to subvert the traditional expectations of pleasing the male gaze,” she writes. “If our bodies didn’t look appealing we couldn’t have gotten subversive messages through them. We would’ve been laughed away or dismissed as feeble pornographers.”
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