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Victoria Miro Interviewed in Financial Times

Sunday, September 29th, 2013

Rome – Tracey Emin – “You Saved Me” at Galleria Lorcan O’Neill through February 16th, 2013

Sunday, February 10th, 2013

AO On Site – London: Frieze and Frieze Masters Art Fairs at Regent’s Park, Through October 14th

Friday, October 12th, 2012

Living Artists

Thursday, July 7th, 2011

AO On Site at the 54th Venice Biennale 2011: Preview of Mike Nelson’s “I, Impostor” at the British Pavilion

Sunday, June 5th, 2011

AO Onsite Auction Results – London: Sotheby’s Contemporary Art Evening Auction on Tuesday, February 15, 2011 Raises £44.4 million ($71 million); Richter & Warhol Are Top Lots

Tuesday, February 15th, 2011

AO On Site – London (with newslink summary): Frieze Art Fair 2010 opens to relatively brisk buying from still measured collectors

Thursday, October 14th, 2010

Go See – New York: Louise Bourgeois and Tracey Emin “Do Not Abandon Me” at Carolina Nitsch through November 13, 2010

Tuesday, September 21st, 2010

Go See – Stockholm: “Thrice Upon A Time” at Magasin 3 Konsthall, through December 12, 2010

Thursday, September 16th, 2010

Go See – London: "In the Company of Alice" at Victoria Miro Gallery through July 30th, 2010

Saturday, June 26th, 2010

Go See – Berlin: ‘Self-Consciousness’ Curated by Hilton Als and Peter Doig at Veneklasen Werner through June 26th, 2010

Saturday, June 12th, 2010

AO ONSITE – New York: Opening Reception, ‘A Ways A Way’, Curated by Meredith Darrow & Devendra Banhart, Half Gallery, Through July 8th, 2010

Thursday, June 10th, 2010

Go See – New York: ‘Skin Fruit: Selections from the Dakis Joannou Collection’ at The New Museum through June 6, 2010

Monday, May 3rd, 2010

Go See – Os Gemeos Galleria Patricia Armocida, Milan, through March 25, 2010

Tuesday, March 9th, 2010

AO Auction Preview – London: The January Post-War and Contemporary Auctions Begin at Sotheby’s

Monday, February 8th, 2010

AO On Site; Frieze Round-Up: Frieze Art Fair opens under a persistent recession, but closes much more positively

Tuesday, October 20th, 2009

AO On Site Auction Results – London: Sotheby’s Contemporary Art Sale Friday October 16th, Overall, expectations are reached and in many cases exceeded

Friday, October 16th, 2009

Newlinks for Wednesday October 7th, 2009

Wednesday, October 7th, 2009

Newslinks for Monday September 27th 2009

Monday, September 28th, 2009

Newslinks for Monday September 21st, 2009

Monday, September 21st, 2009

Mark Leckey wins UK’s 2008 Turner Prize

Tuesday, December 2nd, 2008

Dakis Joannou

Sunday, November 23rd, 2008


Tuesday, February 12th, 2008

Dakis Joannou

Tuesday, December 25th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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