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The Guardian Asks Artists How to Respond to the Turbulent Climate of the World Today

Friday, October 6th, 2017

Guardian Profiles Tate St. Ives’s Local Balancing Act

Tuesday, October 3rd, 2017

Tate Modern’s Superflex Turbine Hall Installation Profiled in The Guardian

Monday, October 2nd, 2017

Jean-Michel Basquiat Profiled in The Guardian

Tuesday, September 5th, 2017

Athens – Divine Dialogues: Cy Twombly and Greek Antiquity at the Museum Of Cycladic Art Through September 3, 2017

Wednesday, August 30th, 2017

Vermeer’s Diverse Painting Techniques Explored in Guardian Article

Friday, August 11th, 2017

Sotheby’s Facing Increased Competition from China Guardian as Chinese Auction House Expands

Friday, August 11th, 2017

New York – Leo Xu Projects and Metro Pictures Host “A New Ballardian Vision” for Condo: New York, Through August 4th, 2017

Friday, August 4th, 2017

Dia Adds Works by Kishio Suga, Lee Ufan to Collection

Tuesday, July 11th, 2017

New York – Hanne Darboven and Kishio Suga at Dia:Chelsea Through July 29th, 2017

Tuesday, July 11th, 2017

Maria Balshaw Profiled in The Guardian

Saturday, July 8th, 2017

Sophie Calle Interviewed in The Guardian

Monday, July 3rd, 2017

London – The 2017 Serpentine Pavilion by Diébédo Francis Kéré, Open Through October 8th, 2017

Saturday, July 1st, 2017

Congresswoman Nydia Velazquez Introduces Bill Easing Student Loan for Arts Workers

Wednesday, June 28th, 2017

The Guardian Tours Renzo Piano-Designed Centro Botin Gallery

Tuesday, June 27th, 2017

Nicholas Serota’s Impact on Tate Profiled in The Guardian

Friday, June 23rd, 2017

Hermann Nitsch Profiled in The Guardian

Monday, June 19th, 2017

Tracey Emin Reflects on the Works of Egon Schiele in The Guardian

Friday, June 16th, 2017

Rashid Johnson Profiled in The Guardian

Tuesday, June 6th, 2017

The Guardian Traces Nicholas Serota’s Impact on Tate Over the Course of His Career

Wednesday, May 31st, 2017

Master Forger Shaun Greenhalgh Profiled in The Guardian

Wednesday, May 31st, 2017

The Guardian Breaks Down Auction Market after Record-Setting Sales

Monday, May 22nd, 2017

Abby Bangser Leaves Frieze for Special Position at Dia Art Foundation

Wednesday, May 17th, 2017

Peggy Guggenheim’s Life in Venice Profiled in The Guardian

Thursday, May 11th, 2017
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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