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AO On-Site: Frieze London at Regent’s Park, October 15th-18th, 2014

Thursday, October 16th, 2014

London – AO Preview: Frieze Art Fair in Regent’s Park, October 15th – 18th, 2014

Monday, October 13th, 2014

AO Onsite – Art Basel Miami Beach 2010 VIP Preview Day News Roundup and Photoset, Wednesday, December 1, 2010

Thursday, December 2nd, 2010

Go See – Los Angeles: Art Los Angeles Contmporary Art Fair through Janaury 31, 2010

Friday, January 29th, 2010

Matthew Brannon shows Where Were We

Wednesday, March 28th, 2007
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Kerry James Marshall Profiled in Financial Times Podcast

October 18th, 2018

Kerry James Marshall, via NPRKerry James Marshall gets a profile in the Financial Times this week, with the paper profiling and exploring the impact of his work. “Because I make figures does not mean that making work that appears to be abstract is not available to me, ” he says.
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Carrie Mae Weems Profiled in NYT

October 18th, 2018

Carrie Mae Weems, via NYTCarrie Mae Weems gets a profile in the NYT this week, documenting her early life and the evolution of her groundbreaking photographic practice in conjunction with her socially-engaged practice regarding violence in black communities and against the same communities by the police. “There are days, especially when we’re editing, when we just leave the studio in a shambles, or we’re just too mentally exhausted to look at another image of someone being shot,” she says. “But as much as I’m engaged with it, with violence, I remain ever hopeful that change is possible and necessary, and that we will get there. I believe that strongly, and representing that matters to me: a sense of aspiration, a sense of good will, a sense of hope, a sense of this idea that one has the right, that we have the right to be as we are.”
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Okwui Enwezor’s Termination from Haus der Kunst Profiled in NYT

October 18th, 2018

Okwui Enwezor, via Art NewsThe New York Times takes a deep look at Okwui Enwezor’s ouster from Munich’s Haus der Kunst, profiling the management issues, flagging sales and strange controversies that led to his termination, including government surveillance after a number of Scientologists were discovered working in the museum. “Enwezor had too many scandals to handle at once,” says Isabell Zacharias, a spokeswoman from the center-left Social Democratic Party in the Bavarian Parliament. “Enwezor is not a manager. He’s a great artist, but artists are not managers.”
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