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AO On-Site – Paris: FIAC Art Fair at The Grand Palais, October 19th – 22nd, 2017

Thursday, October 19th, 2017

AO On-Site – New York: Frieze New York Art Fair at Randall’s Island, May 5th – 8th, 2017

Friday, May 5th, 2017

MoCA Receives Major Gift of Twenty-Two Contemporary Works

Thursday, March 2nd, 2017

AO Preview – Basel: Art Basel Week Through June 19th, 2016

Monday, June 13th, 2016

AO Preview – New York: Frieze New York at Randall’s Island, May 5th – 8th, 2016

Tuesday, May 3rd, 2016

AO On-Site – Paris: FIAC Art Fair at the Grand Palais, October 21st – 25th, 2015

Thursday, October 22nd, 2015

Ed Ruscha Preps Cactus Omelette for London Festival

Monday, March 30th, 2015

AO Preview – Art Basel Hong Kong, May 15th – 18th, 2014

Tuesday, May 13th, 2014

AO On-Site: Frieze New York at Randall’s Island – May 9th-11th, 2014

Sunday, May 11th, 2014

AO On-Site Summary and Photoset: Art Basel Miami Beach, December 4th – 9th, 2013

Thursday, December 5th, 2013

AO Fair Preview: Art Basel Miami Beach, December 4th-9th, 2013

Monday, December 2nd, 2013

AO on site Photoset – Paris: FIAC Press Preview, October 23rd, 2013

Thursday, October 24th, 2013

AO on Site – London: Frieze Artfair Preview, October 16th, 2013

Wednesday, October 16th, 2013

AO Preview – London: Frieze Art Fair in Regent’s Park, October 17th-20th, 2013

Tuesday, October 15th, 2013

Popularity of Mirror Works Reflects Current Art Trends at Basel

Thursday, June 20th, 2013

Basel, Switzerland: Art Basel 2013 Preview, June 13th-16th, 2013

Tuesday, June 11th, 2013

AO On Site (Final Summary Part 2 of 2): The Art – Art Basel Miami Beach Art Fair 2012 Photoset and Recap

Monday, December 10th, 2012

London – Maurizio Cattelan: “Think Twice: Collection Sandretto Re Rebaudengo, Maurizio Cattelan” at Whitechapel Gallery, through December 2nd, 2012

Saturday, December 1st, 2012

New York City – Galleries, Artists and Museums Clean Up and Recover from Hurricane Sandy as Power is Restored: Ways to Help

Saturday, November 3rd, 2012

AO On Site – London: Frieze and Frieze Masters Art Fairs at Regent’s Park, Through October 14th

Friday, October 12th, 2012

Los Angeles: Regen Projects’ Inaugural Exhibition of New Gallery at 6750 Santa Monica Boulevard on Sept. 22nd

Monday, September 24th, 2012

AO Newslink

Saturday, September 1st, 2012

Washington, DC: Barbara Kruger: “Belief + Doubt” at The Hirshorn Museum Through August 27, 2015

Wednesday, August 29th, 2012

AO Newslink

Tuesday, August 14th, 2012
Global contemporary art events and news observed from New York City. Suggestion? Email us.

ICA Philadelphia Gets W.A.G.E. Certification

March 23rd, 2018

ICA Philly, via Art NewsThe ICA Philadelphia will be the first museum certified by Working Artists and the Greater Economy (W.A.G.E.), a New York-based organization pushing for sustainable economic relationships between artists and exhibiting institutions. “Our partnership with W.A.G.E. helps to set a new standard in the museum field, one that ensures equitable environments for the artists with whom we work,” director, Amy Sadao, said in a statement.“We’re proud to be the first museum to join this diverse group of arts and culture institutions across the U.S. who are certified, and hope that it will encourage other museums to do the same.”
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Art News Explores Controversy Over Helen Molesworth Firing

March 22nd, 2018

Helen Molesworth, via MOCAArt News has a piece exploring the firing of Helen Molesworth at MOCA in-depth, seeking to understand what the museum’s claims that she had been “undermining the museum.” The piece explores a series of public statements and quotes by the curator that were critical of MOCA and its programming choices.  “Everything that happens in museums is a microcosm of what happens in the world,” she says in one quote.  “I’ve been told that I have lot of ‘swagger’—code: gay, code: black. I have been told: Do I have to look at everything through the lens of identity politics?”
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Joan Jonas Profiled in The Guardian

March 22nd, 2018

Joan Jonas, via GuardianJoan Jonas gets a feature in The Guardian this week, as the artist opens her retrospective at the Tate Modern. “When I use a myth or a story or a literary text in my work, I often extract particular passages from a larger narrative that resonates with me,” she says. “In performance, the audience hears the text, recorded in advance or recited in real time, in fragments, and sees components – such as movements, props, drawings and video – that may relate only indirectly to the text. I don’t change the language, but rather I change the context, which opens up the text to different possibilities of meaning. I don’t illustrate; I juxtapose.”
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