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New York – “Berlin Metropolis: 1918-1933″ at the Neue Galerie Through January 4th, 2016

Tuesday, October 27th, 2015

AO Auction Recap – London: Christie’s Impressionist and Modern Evening Sale, June 23rd, 2015

Tuesday, June 23rd, 2015

AO Auction Recap – Christie’s ‘Looking Forward to the Past’ Sale, Setting a New World Auction Record of $179 Million for Pablo Picasso’s ‘Les Femmes D’Alger,’ May 11th, 2015

Tuesday, May 12th, 2015

Vienna Museum Director Calls for Time Limit on Nazi-Loot Restitutions

Wednesday, April 1st, 2015

AO Auction Recap – London: Sotheby’s Impressionist, Modern and Surrealist Evening Sales, February 3rd, 2015

Tuesday, February 3rd, 2015

London – Jenny Saville: “Oxyrhynchus” at Gagosian Gallery, through July 26th 2014

Saturday, July 26th, 2014

Vienna – Georg Baselitz: “Remix” at The Albertina Through February 12th, 2014

Monday, January 20th, 2014

Damien Hirst Interview Casts Light on Contemporary Art and Society

Wednesday, May 15th, 2013

AO – Auction Results: Christie’s Impressionist and Modern Art Evening Sale, Wednesday, May 8th, 2013

Thursday, May 9th, 2013

How Biological Studies Can Help Understand Reactions to Art

Sunday, April 14th, 2013

AO On-site: The ADAA Art Show at The Park Avenue Armory: March 6th-10th, 2013

Sunday, March 10th, 2013

Sotheby’s Modern Art Auction in London Yesterday Produce Uneven Results

Wednesday, February 6th, 2013

AO On Site Miami Beach – The Wolfsonian: FIU ‘Postcards of the Wiener Werkstätte: Selections from the Leonard A. Lauder Collection’, ‘Esther Shalev-Gerz: Describing Labor’ and ‘Art and Design in the Modern Age’ Friday, Dec 7th, 2012

Monday, December 10th, 2012

AO Newslink

Thursday, June 14th, 2012

AO Newslink

Thursday, May 10th, 2012

Deceased Artists

Thursday, July 7th, 2011

AO Auction Preview – London: Sotheby’s & Christie’s to Hold Impressionist & Modern Art Sales June 21-22, 2011

Monday, June 20th, 2011

AO On Site Report #2 – Art Basel, Switzerland, Focus on Quality Drives Buyers

Friday, June 18th, 2010

Go See – New York: Tracey Emin ‘Only God Knows I’m Good’ at Lehmann Maupin through December 19, 2009

Thursday, November 19th, 2009

Newlinks for Wednesday October 7th, 2009

Wednesday, October 7th, 2009

Go See – London: Tracey Emin’s ‘Those who suffer Love’ at White Cube Mason’s Yard through July 4, 2009

Friday, May 29th, 2009

AO Auction Results: Impressionist and Modern Art Auction, Tuesday February 3rd, Sotheby’s, London

Wednesday, February 4th, 2009

Newslinks for Monday, January 5th, 2009

Monday, January 5th, 2009

AO November Auction Roundup 1 of 5: Christie’s Impressionist and Modern Art, New York, Thursday November 6th: “Obviously, prices have changed”

Sunday, November 16th, 2008
Global contemporary art events and news observed from New York City. Suggestion? Email us.
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Market Thrives for Kerry James Marshall

June 19th, 2018

Kerry James Marshall, via NPRThe Art Newspaper looks at the thriving popularity of the work of Kerry James Marshall, after a record-breaking auction price drove new interest in his work, and a rampant demand for pieces, including those about to go on view at a show at David Zwirner’s London location. “We might not even keep a waiting list for the exhibition,” Zwirner says. “It’s going to be very hard to get a painting from that show, that’s for sure.”
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Theaster Gates Asks Collectors: “Support Artists That Live in Your Cities”

June 19th, 2018

Theaster Gates, via The GuardianTheaster Gates made a statement on supporting young artists in remarks last night at a party in Basel, asking collectors to support young artists making and selling their work. “You guys, I know that I’m the byproduct of people saying yes when they didn’t know me, saying yes at my potential and the possibility of the thing,” he said. “Throwing small dinners with me with five people that has turned into dinners for 200. I’m just grateful.”
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Art Newspaper Looks at Costs and Rewards of Major Art Prizes

June 19th, 2018

Glasgow-born artist Susan Philipsz is congratulated by friends and family after hearing that she has won the Turner Prize 2010, at the Tate Britain gallery, in central LondonA piece in Art Newspaper this week asks if arts awards really carry many of the benefits for winners that they claim, looking at a range of examples including a recent protest by a group of artists nominated for Germany’s Berlin Nationalgalerie Prize. “There is an unspoken assumption that the participants are likely to be remunerated by the market as a result of being nominated for or winning the prize,” the artists nominated for this prize said in an open statement. “We know that this is not always the case. The logic of artists working for exposure feeds directly into the normalization of the unregulated pay structures ubiquitous in the art field.”
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